Roots of Evil: The Origins of Metal

With the fiftieth anniversary of metal music around the corner, forthcoming years will witness an increase of publications dealing with the history, legacy and defining characteristics of the genre. This could finally resolve the lack of consensus that still exists regarding the definition and origins of heavy metal.

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Solitvdo – Hierarkhes (2016)


Article by Lance Viggiano.

Solitvdo are yet another epic sounding sing-along, rootin’ tootin’, arm swingin’, marble-pilled good time with yer ole partner melancholy. Think Vikinglider Veldi with riffs about a quarter of the length, half the inspiration and none of the thoughtful placement. Riffing on Hierarkhes is mostly inspired by nu-Rotting Christ but with triumphant melodies echoing swords and sandals epics, song structures are mostly sing-along vocal driven black ‘n’ roll about the Romans, culminating in solos by someone just learning to play whose guitar god is not Jupiter Optimus Maximus but Slash from Guns ‘n’ Roses.

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Mail Call: Infamous and Kshatriya

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Metalheads love going to the post office. This is established fact; we are either sending off dubs or trades, or going there to receive a package full of music. Like most anti-social types, we do not trust centralized authorities like iTunes or major labels, so mostly our music comes in physical form. We like it that way.

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Goatcraft – Yersinia Pestis (2016)

goatcraft - yersinia pestis

Article by Lance Viggiano.

Arpeggiated minor chord melancholy culled from or composed during belligerent improvisational tirades given body by a sluggish left hand approximating power chords to provide the work a lattice to the traditions of metal. Yersinia Pestis abstains from its predecessor’s thematic coherence – an accident of writing what were essentially cover songs of a famous painter – to make marked but mishandled improvements in its individual presentations through tuneful reprisals of established Goatcraft trademarks. The dependence upon staccato and arpeggio retain the artist’s characteristic stiffness in execution which blemishes through its brutishness.

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Memo From Prozakhistan (07/11/16)

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Greetings, fellow metalheads,

Times seem grim. The orcs have taken Osgilliath and approach the gates of the white city. Western Civilization is still dying, accelerated by democracy and consumerism, but rotten to its core with a lack of hope. Metal once gave that hope by showing us an alternate morality comprised of effective realism and epic mythos. Many of us want to live in that time again, but it will not happen through democracy or consumerism. We must choose our leaders and then all of us participate in restoring and advancing the greatness we have known.

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Morte Macabre – Symphonic Holocaust (1998)

morte macabre - symphonic holocaust

Article by Johan P continuing Death Metal Underground’s progressive rock coverage.

Morte Macabre is a collaboration between members of the Swedish prog revivalist groups Landberk and Anekdoten, who joined forces to create progressive rock that is equal parts beautiful and disturbing. Their only album – Symphonic Holocaust – is a real treat for those who enjoy creepy music in general, especially 1970s Italian horror movie soundtracks. It is a tribute to the darker side of 70s progressive rock, with reference to Italian groups and composers like Celeste, Goblin, Museo Rosenbach, Fabio Frizzi and Riz Ortolani. An explicit Red-era King Crimson influence permeates the album as well.

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