Incantation – “Messiah Nostrum” Music Video

Incantation released a music for the track “Messiah Nostrum” off their sure to be lame upcoming album Profane Nexus which comes out on Relapse Records later this year on a date I do not care enough about to Google or read the description of the Youtube video for. Neither should you as you absolutely should not pay money for this excuse to tour.

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Megiddo returns with The Holocaust Messiah

megiddo-thm-flyer

Canadian one-man band Megiddo, who back in the late 1990s ushered in the transition of black metal to a war, black, death and speed metal hybrid, have returned with a new album The Holocaust Messiah to be released on Iron Pegasus Records for Halloween, October 31, 2015.

Sounding much like old Sodom, Blasphemy and Profanatica in a blender but built around the rhythms of punk and simpler song structures of older speed metal, Megiddo burst forth in the middle to late 1990s with two demos, “Hymns to the Apocalypse” and “The Heretic,” which have now been re-issued by Iron Pegasus as Hymns to the Apocalypse / The Heretic.

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In addition, you can read the writings of composer and lyricist Chorazaim in our archive of Larm: The Fourth Reich of Reviews, a review site which popped up a few years after the DLA and covered black metal releases that were current at the time with an inimitable style.

https//www.youtube.com/watch?v=dwjUVkccKdM

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The Craft of Metal #1: Satanic Rites —Part II

Form and Function

Musical innovation does not spawn independently. Most of the progressions in underground metal have taken stylistic influence from more accessible genres and within those aural parameters created a new foundational narrative to divorce the context from the aesthetics it had previously used as a guideline. This approach allows for a less jarring immersion into a musical journey while at the same time utilizing tropes of superficial familiarity to manipulate the audience into being subjugated to an indirect path towards the artistic catharsis of unique expression that is the spiritual negative of the aesthetics used. On Satanic Rites, we can observe how Hellhammer has utilized the foundation of punk rock to shape their sound while introducing a unique tonality and dynamic scope to flesh out the beginnings of a new musical genre.
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The Craft of Metal #1: Satanic Rites —Part I

Satanic Rites is one of the early influences that would take the heavy metal and hardcore punk of the past and transform it into Extreme metal through some groundbreaking compositional tools that were unheard of at the time. On first listens, the music can be confused for many other bands due to the impact this record had in its time, and rightfully so as it serves as an excellent introduction to what metal would have perfected on a much larger scale a decade later.
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/smr/ Sadistic Metal Reviews: Massacre of Death Metal’s Mainstream

Yesterday, we gave you the 10 most popular death metal bands of all time.  Now one by one they will face public execution as we absolutely massacre their most recent release.  No mercy will be shown- orders are to kill everything that moves.

Did you fucking soy metal nu males really think they would get off easy?  This is Death Metal Underground- the most savage music site on the internet!  Death to soy metal, death to sellouts, burn and die all falses!  Mayhem- war- sadism- brutalization!  No death metal band should have 1 million Facebook likes!  No death metal band should be on Facebook at all!  Pussies!  Behead the corpses, throw them into the streets- the Templar way!

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Analysis of Immolation’s “Christ’s Cage”

Immolation are legends in Death metal and rightfully so, though their heydays were after the initial burst that characterized the NYDM scene and have cemented their place with the likes of Cryptopsy and Immortal for prolonging the lifespan of that classic period of metal. Longevity seems to be the forte of the band’s centerpieces Dolan and Vigna and while they released a few decent albums, none of them quite hold up to Here in After. Black Sabbath and Slayer stretched the palette for what was possible in metal and introduced endless possibilities whereas Immolation took one closed approach and pushed it to its limit on this album. Though Close To A World Below took experimentation further, the whole was not as cohesive or powerful. Let us look as the closing track which truly concludes the album.

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Sadistic Metal Reviews: Fargo of July

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Tom Warrior Censored on Upcoming Celtic Frost Reissues

In a recent blog post, Celtic Frost vocalist/guitarist Tom G. Warrior has publicly disowned BMG’s upcoming double CD reissues of his band’s best output, Morbid Tales and To Mega Therion, and the more pandering and spotty Into the Pandemonium and Vanity / Nemesis. The embarrassing Cold Lake was omitted at Warrior’s request. While initially on board with the reissues and involved with the creative process, Tom Warrior has abandoned ship because the commercial mega-label BMG refused to print his linear notes as he intended. This blatant censorship was a means of preserving the integrity of the Noise Records liquid assets purchased by the label but had inadvertently overwhelmed the Cold Laker with a plethora of painful flashbacks of the corporate influence that plagued Celtic Frost throughout its existence.

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Bestial Evil Paying to Play with Angelcorpse

Social justice warrior deathcore band Bestial Evil are one of the seven openers for Angelcorpse at a pay to play show in Washington, DC tonight. Yes this is the same Bestial Evil you think it is, the antifascist and antiracist and probably Black Lives Matter supporting deathcore band whose antics and temper tantrums have been covered on Death Metal Underground Past. This time Bestial Evil, despite their antifascist stance, are opening for Angelcorpse. The bassist and vocalist of Angelcorpse is none other than Order From Chaos front man, existential social Darwinist and author of The Conqueror Manifesto Pete Helmkamp.

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