Death metal is big money these days

cannibal_corpse-two_million_sold

Blabbermouth reports that Cannibal Corpse have sold more than two million albums, which makes death metal one of the more successful niche genres out there, since album sales of that nature plus tours equal a tidy sum of money. With founding bands like Morbid Angel and Slayer still gracing the charts, the spectrum of death metal related music sells more of its older albums today than it did back in the 1980s.

This puts an end to the assumption that bands cannot sell out by choosing underground metal. Once that might have been true, but now a band can launch into a genre with millions of fans, sell some albums and then detour into an indie rock project which then carries the cachet of edgy cool from having been involved with that rebel badboy metal music. There’s a lot of money in this genre for those willing to dig, and this means more entryists pounding at the door with careful camouflage for their insipid rock music.

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/smr/ Sadistic Metal Reviews – Post Black Metal Eulogy (Part 2)

In post black metal, we saw riffs being declared null and void in favor of atmosphere.  Gone were the melodic harmonies of Iron Maiden and Dissection, the savage atonal decimation of Morbid Angel and Blasphemy, and the memorable rhythm and lead guitarwork of Slayer and Death.  All this came in favor of completely forgettable riffs and songs in favor of an overall spacey “transcendental” experience.  Aesthetically, post metal was the reflection of progressive societal values of the 2010s- the emassculation of men (all musicians were Nu Males), artwork made by douche bag art degree scumbags that live in ghettos, and tame, timid, “spiritual but not religious” lyrics that had not a shred of aggression or danger.

It didn’t have to be like this.  There could have been ways for bands to experiment with post rock/shoegaze elements and still maintain the foundation of a metal presentation, maintain metal aesthetics, and have attitude or edge.  But not a single band- NOT A SINGLE ONE- was capable of doing so, proving that the accusations of these bands/musicians not being metal were to be fully valid and accurate.

This is the absolute end of post black metal before it circles the drain of a shit-stained toilet and is flushed to the bowels of irrelevancy.  A finally eulogy to a genre that never should have happened.  The musicians will bleed out their parents money and then become homeless, get aids from a bad batch of heroin, and die a miserable death in an alleyway gutter where they should have been left to rot at birth.

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Antestor Re-Release of Return of the Black Death Out Today!

Fuck yes!  Legendary Norwegian black metal band Antestor have re-released their timeless classic Return of the Black Death via the Nordic Mission label.  If you’re too much of a sodomite pussy to know, this album was the best release (and probably only good one) on the famed Cacophonous Records, who gave us the earliest works of Cradle of Filth and Dimmu Borgir- those fucking scumbags!  This album was also the precursor to the depressive/suicidal black metal genre that immediately became gay when Xasthur first put on his little makeup kit and started doing blek majick.  Yeah, I bet you thought Sortsind and Burzum started that shit-NOPE!  It was all a second rate ripoff of Antestor’s sorrow metal!

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/smr/ Sadistic Metal Reviews: Post Black Eulogy (Part 1)

[Join DMU editor Brock Dorsey on the first of a two part massacre of the soy metal sub genre that has bastaradized black metal beyond the belief!  Also, this image is an actual cover from an actual post black metal album- you can’t make this stuff up!]

Post black metal was an embarrassing sub genre of soy metal.  Built upon a foundation of either screamo, pop punk, metalcore, math rock, shoegaze, or avant-garde and fused with the most minimal touches of black metal, post black metal was a flavor of the week(/weak) trend that lasted from around 2009 to 2014.  The genre name is misleading, however, as most bands only claimed to be metal and incorporated only slight touches of metal characteristics before abandoning them completely in future releases.  As indicated by its core standard bearers being dropped by labels, performing terribly in sales and Facebook likes, and being forgotten by fans, post black metal has finally passed away.  As we lay it to rest with one final cremation in the SMR fashion, let us learn from its failings as the future looks to more traditional forms of heavy metal  to restore a once proud genre.

First, we must understand metal history to understand how such an abomination could happen, as Post-black metal followed a number of flavor of the week black metal trends and bands.  The first of these, symphonic black metal, sent many fans of the original (true) black metal genre into a frenzy with their incorporation of gothic influences.  What was to come would be much worse, however, as the soy metal bands marketed as black metal would prove to be far more embarrassing than the Victorian campiness of Cradle of Filth or the industrial meddling of …And Oceans.  The next flavor of the week black metal trend was cleverly concealed in a cloak of static, but the hipsterisms of “depressive black metal” would soon be known to the world.  Time was not kind to the legacy of Xasthur and Leviathan, both of whom are now widely panned against the metal community, as where the thousands of “bedroom black metal” clones who polluted Myspace.  With many short lived flavor of the week trends (such as “Norsecore” and “Cascadian black metal”) and bands (Kult ov Azazel, Inquisition) in between, the soy metal- black metal hybird that was post black metal was the next successful marketing scheme to deceive young and retarded metal fans alike.

Performed mostly by wealthy but useless trust fund kinds from liberal cities, post black metal was to metal as emo was to rock music: feminine, tame, and a complete and utter bastardazation.  Thus, post metal was eventually abandoned by its former fans, spat on by the metal community, dropped by metal/rock record labels, and remembered poorly by music lovers.  Much like how the rent some of its musicians was eventually cut off from their parent’s bank roll, post metal was eventually told to stop leaching off the metal community so that the genre may maintain a shred of dignity.

Brace yourselves for an infernal evisceration unlike aynthing you’ve ever seen before, because in this edition of SMR, we won’t just be sadistically reviewing albums…

 

 

we’ll be sadistically reviewing careers.

 

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/smr/ Sadistic Metal Reviews: Baby Gasser Edition

 

SADISTIC METAL REVIEWS

http://www.deathmetal.org/tag/sadistic-metal-reviews/

HEAVY FUCKING METAL:

http://www.deathmetal.org/metal/

http://www.deathmetal.org/site-map/

http://www.deathmetal.org/category/faq/

>b-but I heard heavy metal is dead!

http://www.deathmetal.org/news/

http://www.deathmetal.org/review/

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Soymetal Dies As True Metal Rises

As predicted here, the takeover of underground metal by late hardcore tinged substitutes has failed. This music, which we might call “soymetal” because it appeals more to the emo hardcore audience than the feral and realistic traditional metal one, took over because after the underground fizzled in the hands of NWN/FMP impersonators, labels found a new audience in whiny millennial SJWs. (more…)

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Hipsters Discover That Black Metal Musicians Are Bad

Another scandal!  Yes folks, for the fourth time in the past two or three weeks, hipster journalists and fake metal fans are shocked and appalled that a black metal musician has done something immoral.  Despite black metal being a music genre for 30 years, smelly neckbeard losers and dreadlocked trust fund crusties are figuratively (though literally in some cases) throwing their own feces every time they catch a mid-tier black metal musician doing something not socially acceptable.  This time, the horrific act came from Marduk, whose purchasing of German World War II merchandise from a sketchy online retailer made them too evil for a fest called Stockholm Slaughter (who apparently think slaughter is cool, but just not when it pertains to 1940s Europe).

Because millennials are too dumb to learn any history that doesn’t involve student loans, let’s quickly look back and see if any criminal or immoral things were done by the original black metal bands.  Maybe there’s something that we can learn from  that fateful 1990s Norwegian scene:

Band                   Criminal/Immoral Act

Burzum                Murder, violating parole with a shitload of explosives, arson, Nazism, white supremacy

Dimmu Borgir    Using the N word in an interview/proclaiming the desire to genocide Africans

Emperor              Hate crime murder of a homosexual, arson

Gorgoroth           Rape, battery and torture, violation of Poland’s animal rights laws, homosexuality

Immortal             Arson

Mayhem              Murder, 2nd degree murder, arson, public mutilation, trashing hotels

Satyricon            Rape, arson, rape

Thorns                2nd degree murder

I’m sorry to break this to everyone living in a liberal bubble, but a painfully obvious truth exists:  black metal musicians are bad men.

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Xerion Nocturnal Misanthropia (2007)

I originally got this album as a promo when it first came out about ten years ago. I enjoyed it enough to purchase a copy and to look forward to future releases by the band. Xerion hails from Silesia in NW Spain, the same region that birthed General Francisco Franco. Xerion prefers simple, rugged, durable riffs and songs that assemble into a solid, functional album.

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/dmg/ DEATH METAL GENERAL: Rooftop Riders Edition

 

DEATH FUCKING METAL:

http://www.deathmetal.org/metal/

http://www.deathmetal.org/site-map/

http://www.deathmetal.org/category/faq/

>b-but I heard death metal is dead!

http://www.deathmetal.org/news/

http://www.deathmetal.org/review/

OP Paste Bin:  http://www.deathmetal.org/tag/death-metal-general/

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Death Of War Metal Imminent!

For years, Nuclear War Now!’s forum has been the haven for life dropout D&D neckbeards searching for some form of friendship and community. But according to website tracking metrics, the site has seen a massive decline in it’s traffic over the past 6 months.  While viewership of metal sites can rise and fall unpredictably on metal sites, the above statistic should frighten anyone who cares about keeping their site relevant.  Sites with active forums should be doing much better than your the average blog-style metal site, so the numbers above show an unforgivable descent into irrelevancy.

But given that the site is predominantly frequented by war metal fans that have no regard for actual music, the crash in interest also proves something far bigger:  war metal, as a sub genre, is in its last days.

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