Black Metal, Nihilism, and Heresy

I. Degrees of an Allegory in Black Metal

Black metal, as any art, spans not only the musical, but the ideological as well as some kind of social component. Those who claim its flag range from popular musicians dressing up, to occult panderers playing at magickians, to extremists, to individuals that society would consider degenerates. There are more groups that could be mentioned but that we do not need to mention explicitly. Needless to say, all of these groups have a very different understanding of what black metal is, and what their seminal exponents such as Quorthon intended or what his work represents, or should represent, once it was out of his hands.

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Hells Headbangers Restocks Nihilism

nihiilsm brett stevens

Brett Steven’s Nihilism: A Philosophy Based In Nothingness And Eternity sold out quickly at Hells Headbangers’ metal distro so Hells Headbangers has just restocked it! You know you want it hard. Now you can get it hard fast again with DHL international shipping! Believe in nothing and take it like man! How do you expect to reach emptiness without mentally climaxing into the vortex? Are you man enough?

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Adversarial to Release Death, Endless Nothing and the Black Knife of Nihilism

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Canadian death metal band Adversarial are ready to release Death, Endless Nothing and the Black Knife of Nihilism. The band’s first full-length since 2010’s All Idols Fall Before the Hammer is made up nine tracks of blasphemous metal.

Dark Descent Records has announced an August 21 release date for Death, Endless Nothing and the Black Knife of Nihilism on CD, vinyl and digital formats.

Adversarial:
M.M. – Bass
E.K. – Drums
C.S. – Guitars/Vocals

www.adversarial.ca
www.facebook.com/AdversarialOfficial

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Crucifix – Visions of Nihilism

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Texan death metal band Crucifix released multiple demos during the early 1990s which showcased the band’s development of percussive death metal into an artistic voice instead of participation in a trend. Like many other neglected bands who were ahead their time, the band never released a full album. Those who desire a collection of the band’s original material can now obtain it through the efforts of Dark Blasphemies Records.

Visions of Nihilism displays the blueprint for the sub-genre that came into fruition along with bands such as Suffocation and Baphomet. By relying on bursts of energy that emanated from palm-muted guitars, which alternated with structured rhythmic variations of tempo, Crucifix simultaneously achieved a morbid atmosphere and created forward motion by extending and contracting the components of a song, like a slinky falling down into a dungeon.

Dark Blasphemies released this compilation of demo material as Visions of Nihilism in homage to the name of the the band’s planned but unrecorded album. An enjoyable return to death metal’s spirited and threatening years, the CD can be picked up from Dark Blasphemies Records’ bandcamp page for €6 (around $8).

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Metal and Nihilism: the realist principle

black_sabbath-nihilismMetal stumps many people because there is a values system within it which has been consistent across the years, but from reading metal lyrics it is hard to figure out what that values system is.

From the imagery and topics of songs, we know metal has a spread not unlike that of European Romantic poetry: nature, horror, the occult, ancient ruins, melancholy alienation and war-like power worship are frequently mentioned. It is difficult to translate those ideals into our contemporary individual-based values system.

Arguably the primordial ‘Lucy’ of metal bands, Black Sabbath augmented the aesthetics of heavy blues rock bands like Cream and Led Zeppelin with occult imagery, pagan and mystical overtones.

However, at the same time as they were seemingly ‘up in the clouds’, there was a nuanced and satirical realism present in the band’s aesthetics that prayed on rosy-eyed optimism.

For instance, in the lyrics of ‘Solitude’ we get a stark, if not sentimental, picture of the fragile nature of human life:

My name it means nothing
My fortune is less
My future is shrouded in dark wilderness
Sunshine is far away, clouds linger on
Everything I possessed – Now they are gone

‘Hand of Doom’ is a satirical jab at the escapism of the contemporary hippie drug scene:

First it was the bomb, Vietnam napalm
Disillusioning, you push the needle in
From life you escape, reality’s that way
Colors in your mind, satisfy in timeYour mind is full of pleasure, your body’s looking ill
To you it’s shallow leisure, so drop the acid pill
Don’t stop to think now

To many, this would seem hypocritical given Sabbath’s legendary history of drug use. However, as any user will tell you, there’s a difference between use to escape and use simply because you like getting high.

This seeming paradox extends to other areas. For Sabbath, the means-ends relationship between an action and its intention is important. It may not be bad to use drugs, but to use drugs to escape reality in such a way that you then end up with an ideology of denying reality, could well be bad.

They apply this lens to other areas, such as politics and religion.

More interestingly still, Sabbath were regarded by many as a ‘Satanic’ band owing to the cover art of their first, self-titled album. However, in the song ‘After Forever’ a charge of ‘group-think’ mentality is directed at, ironically, atheists:

Is your mind so small that you have to fall
In with the pack wherever they run
Will you still sneer when death is near
And say they may as well worship the sun?I think it was true it was people like you that crucified Christ
I think it is sad the opinion you had was the only one voiced
Will you be so sure when your day is near, say you don’t believe?
You had the chance but you turned it down, now you can’t retrieve

The above content makes sense when we consider that one of the things that sets the best metal apart from its heavy rock is its nihilism. Nihilism is a form of extreme realism that rejects the intentions of human individuals when used for the sake of those human individuals, and respects only viewpoints that are oriented toward the larger reality outside the individual.

Metal has always been about blowing overly-optimistic and unrealistic view points out of the water, and worshiping what is ‘heavy’ about existence. Black Sabbath started this trend by calling out many of the convenient lifestyle viewpoints of its contemporaries.

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