Interview: Oovenmeester of Noordelingen (2015)

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With the recent release of Kaeck Stormkult, it seemed a good time to look into the members of the band that is leading the charge toward primal yet melodic black metal. Two members of the group come from Noordelingen, a black metal band from the Netherlands, and were placated with the carcass of a fresh-killed hipster for long enough to conduct this interview.

When did NOORDELINGEN begin?

Oovenmeester: I think it began in 2010 as a spontaneous project. I had the lyrics already and Swerc was up for a new project.

I believe Swerc is going to put the Noordelingen album Vaelt on YouTube soon. A real release would be cool though.

What does the name mean?

Oovenmeester: The name means “those from the north” Or “dwellers of the north.” We both live or have lived in Groningen which is a province and city in the northern part of the Netherlands. And I have a lot of affiliation with both city and province. The lyrics used in Noordelingen are stories based in a medieval, fantastical version of this region. Where drunk horses graze under a brown moon, giant homarids look for the rare and valuable substance known as URFT and de kattenmepper van Groningen (the cathunter of Groningen) can be found stalking the streets.

It is different from the term “Noorderlingen”?

Oovenmeester: I think Noorderlingen is the official Dutch spelling, but that’s just not right for us. Just not right… It doesn’t have the right taste.

Who is in the band?

Oovenmeester: Just Swerc and the Oovenmeester that’s enough!

What were your musical influences, and how did that change as you began writing?

Oovenmeester: I think Lugubrum is a very important factor for me. They have absurd lyrics which I really like. With a similar smell and feeling.

Musically you can’t compare it to them, while Noordelingen is more melodic and faster.

What material have you released, and how do people get it? Is there any source of news or information on the band?

Oovenmeester: just follow your nose. Furthermore, there is nothing official out, but I believe Swerc is going to put the Noordelingen album Vaelt on YouTube soon. A real release would be cool though.

I understand you’re now involved with KJELD / SAMMATH members in a project named KAECK. How did this come about, and how is it different from NOORDELINGEN? Will NOORDELINGEN continue?

Oovenmeester: I was asked by Swerc to provide lyrics and vocals for Kaeck. Its content and style are very different indeed. Kaeck is about visiting dark places in your mind. And has a more to the point aggressiveness in it. Where Noordelingen has more of a filthy vibe to it. We will probably continue Noordelingen at some point. But we have nothing planned yet.

We do this for ourselves. If others like it as well, then it’s just a good bonus.

Is it hard for quality black metal to get noticed these days?

Swerc: Depends of what you mean with ‘noticed’ actually. If you want interviews, tours and lots of releases, then yes. But I think the scene is very active and always looking for new quality music. If you are good enough, you will be noticed. But that’s not our priority. We have a very busy normal life, so ‘getting big’ isn’t our goal. We do this for ourselves. If others like it as well, then it’s just a good bonus.

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Vikernes suing French government for false detention

varg_vikernes-burzum-band_photoAt least one metal musician has learned that if society attacks, you counter-attack. Varg Vikernes of Burzum, who was arrested several weeks ago and charged with inciting racial hatred, is attempting to sue the French government for an arrest that ultimately led to no new charges because of a lack of evidence.

“We want to sue the authorities for arresting us for no good reason whatsoever, doing so in the most brutal way possible and with children present,” Vikernes wrote on his blog.

During the early 1990s, Vikernes created a one-man band named Burzum which knocked out a series of innovative, multi-riff songs designed to blur the boundaries between metal and ambient, and “awaken the fantasy of mortals.” Some metal historians believe that Burzum’s Hvis Lyset Tar Oss effectively ended black metal’s development by raising the bar above that which others could follow.

Since that time, Vikernes has spent sixteen years in Norwegian jails, written several books, and continues to both produce music and write political texts. His most recent work, Sôl austan, Mâni vestan, is an ambient work that recalls the power of earlier Burzum.

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NME “Unholy Death” re-issue

Dark Descent Records will release the CD version of N.M.E’s cult album “Unholy Death” + “Machine of War” demo complete with original 1986 recording plus the 1995 Moribund CD mix with the Machine of War demo, original artwork, lyrics, unpublished band photos, unreleased rehearsal tracks and new liner notes by original N.M.E. vocalist Brian Llapitan, also of GODSPIT.

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The grim truth about mainstream entertainment

You could have art, or meaningful exploration of life through media, but instead you want the lowest common denominator “entertainment” e.g. ways to pass the time between job and sleep, waiting for death. No surprise your chosen dalits are degenerates:

According to former child star Corey Feldman, child molestation is rampant in the entertainment industry, as he told Nightline in an interview.

“The No. 1 problem in Hollywood was and is and always will be pedophilia,” he said Wednesday. According to Feldman, the “casting couch” exists for children, too.

Feldman asserts that directors and other adults in the industry take advantage of young aspiring actors on a regular basis. “It’s all done under the radar… But it’s the big secret,” the 40-year-old said. – CNN

Sodomy, pedophilia, race fetishism, sexual musical chairs… it’s a wonder anyone listens to Hollywood at all.

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Trendkillers #3: Kill Metal Kickstarters

When riding the subway in a major American city one is likely to encounter a homeless person panhandling for money.  There is usually a canned speech of sorts that may or may not sound something like this:

“Hi my name is Daniel.  I am homeless.  I lost my job, I am cold, and I am hungry with no food to eat.  Please donate whatever you can so I can eat.  God bless.”

When I see musicians and journalists advertising Kickstarter, Patreon, and other fundrasing campaigns I hear the same speech in my head.  This speech sounds something along the lines of:

“Hi my name is Daniel.  I am a musician.  I have no job, I am cold, and I am unmedicated with no Starbucks Frappacino to drink.  Please donate money so I can record a blatantly mediocre album that I will also charge you for.  I will hate you if you do not give me this money.”

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Sadistic Metal Reviews: Incineration of 2017 Metal

2017 was a shit waste of a year when it came to metal music.  Yet with a whole generation of useless neckbeard millennials frantically trying to pursue a career in metal journalism via a desperate pursuit of vindication from that $40,000 of communications-degree student loan debt we have hundreds of “best metal albums” lists every year.  Because there are thousands of metal releases each year hundreds of shitty musicians and journalists are somehow convinced that their opinion matters and that people care about their lists, we now have list after list with totally different picks because no one can possibly sit through a listen of thousand releases ever year.  Where the commonality lies is that all of the number one picks are fecal matter on toilet tissue, usually not metal and certainly not even worth listening to.

Let’s cremate the foul miasma of 2017 with a funeral pyre of epic proportions: a sadistic metal review carbonization of #1 picks from the fakest of the fake metal news outlets…
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PCU‘s Dark Forecast

A few times every decade, a work of literature or film comes along that astonishingly predicts the future with unbelievable accuracy.  Back in 1994, we were given a dead-on glimpse of the social climate that we’re currently living in across modern western civilization through a seemingly harmless silly, good times college comedy, as it advertised itself to be. But instead, PCU showed us the world we would be inhabiting twenty years later.

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Decapitated Proven Innocent!

As I predicted a few weeks ago with 100% accuracy all charges of rape, kidnapping, and sexual assault have been dropped against the four members of Decapitated.  The collateral damage done to the band is going to remain however as this news (published on a Saturday when little mind is paid to the news cycle) will surely receive significantly less buzz than the breaking story of their arrest, or the subsequent leftist metal media narrative that a guilty plea should be expected based on a ridiculous interview with some dingbat attorney who had absolutely no access to any of the evidence.  This will therefore result in many of the fans who have disowned them to continue believing them to be heartless rapists.  The band can expect extradition back to Poland soon, having very harshly learned a tough but important lesson.  This story is an important lesson to metal concertgoers and even more so to young metal musicians who will be touring or playing shows soon.  Let’s briefly examine how this story was treated by the liberal MSMM (mainstream metal media) and its fans, take a deeper look at the takeaways that can be learned from this unfortunate experience, and conclude with an open letter to the members of Decapitated I once shared a bottle of vodka with some years ago…
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Dusk-Bound

The success of endeavors that carry with them the implication of development or transformation, such as the evolution of an artistic genre (without any relation to the ‘progress’ of dialectical materialism), requires the constant testing of strength, the crossing of one’s boundaries. Contrary to the beliefs of the simple minded, this does not mean that the act of crossing those lines is in itself enough for a fully-formed conclusion to be presented, although there is indeed great value in violation itself. But one could argue that the great weapons of the mind, enacted, come as a result of a full digestion and re-application of invaluable experience and information that comes from the crude testing of strength, directed towards the intuited limits of the yet unexplored.
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