Unmerciful’s second album, Ravenous Impulse, of technical brutal death metal comes out on July 22nd on Unique Leader Records.10 Comments
With the recent release of Kaeck Stormkult, it seemed a good time to look into the members of the band that is leading the charge toward primal yet melodic black metal. Two members of the group come from Noordelingen, a black metal band from the Netherlands, and were placated with the carcass of a fresh-killed hipster for long enough to conduct this interview.
When did NOORDELINGEN begin?
Oovenmeester: I think it began in 2010 as a spontaneous project. I had the lyrics already and Swerc was up for a new project.
What does the name mean?
Oovenmeester: The name means “those from the north” Or “dwellers of the north.” We both live or have lived in Groningen which is a province and city in the northern part of the Netherlands. And I have a lot of affiliation with both city and province. The lyrics used in Noordelingen are stories based in a medieval, fantastical version of this region. Where drunk horses graze under a brown moon, giant homarids look for the rare and valuable substance known as URFT and de kattenmepper van Groningen (the cathunter of Groningen) can be found stalking the streets.
It is different from the term “Noorderlingen”?
Oovenmeester: I think Noorderlingen is the official Dutch spelling, but that’s just not right for us. Just not right… It doesn’t have the right taste.
Who is in the band?
Oovenmeester: Just Swerc and the Oovenmeester that’s enough!
What were your musical influences, and how did that change as you began writing?
Oovenmeester: I think Lugubrum is a very important factor for me. They have absurd lyrics which I really like. With a similar smell and feeling.
Musically you can’t compare it to them, while Noordelingen is more melodic and faster.
What material have you released, and how do people get it? Is there any source of news or information on the band?
Oovenmeester: just follow your nose. Furthermore, there is nothing official out, but I believe Swerc is going to put the Noordelingen album Vaelt on YouTube soon. A real release would be cool though.
I understand you’re now involved with KJELD / SAMMATH members in a project named KAECK. How did this come about, and how is it different from NOORDELINGEN? Will NOORDELINGEN continue?
Oovenmeester: I was asked by Swerc to provide lyrics and vocals for Kaeck. Its content and style are very different indeed. Kaeck is about visiting dark places in your mind. And has a more to the point aggressiveness in it. Where Noordelingen has more of a filthy vibe to it. We will probably continue Noordelingen at some point. But we have nothing planned yet.
Is it hard for quality black metal to get noticed these days?
Swerc: Depends of what you mean with ‘noticed’ actually. If you want interviews, tours and lots of releases, then yes. But I think the scene is very active and always looking for new quality music. If you are good enough, you will be noticed. But that’s not our priority. We have a very busy normal life, so ‘getting big’ isn’t our goal. We do this for ourselves. If others like it as well, then it’s just a good bonus.4 Comments
At least one metal musician has learned that if society attacks, you counter-attack. Varg Vikernes of Burzum, who was arrested several weeks ago and charged with inciting racial hatred, is attempting to sue the French government for an arrest that ultimately led to no new charges because of a lack of evidence.
“We want to sue the authorities for arresting us for no good reason whatsoever, doing so in the most brutal way possible and with children present,” Vikernes wrote on his blog.
During the early 1990s, Vikernes created a one-man band named Burzum which knocked out a series of innovative, multi-riff songs designed to blur the boundaries between metal and ambient, and “awaken the fantasy of mortals.” Some metal historians believe that Burzum’s Hvis Lyset Tar Oss effectively ended black metal’s development by raising the bar above that which others could follow.
Since that time, Vikernes has spent sixteen years in Norwegian jails, written several books, and continues to both produce music and write political texts. His most recent work, Sôl austan, Mâni vestan, is an ambient work that recalls the power of earlier Burzum.No Comments
Dark Descent Records will release the CD version of N.M.E’s cult album “Unholy Death” + “Machine of War” demo complete with original 1986 recording plus the 1995 Moribund CD mix with the Machine of War demo, original artwork, lyrics, unpublished band photos, unreleased rehearsal tracks and new liner notes by original N.M.E. vocalist Brian Llapitan, also of GODSPIT.No Comments
You could have art, or meaningful exploration of life through media, but instead you want the lowest common denominator “entertainment” e.g. ways to pass the time between job and sleep, waiting for death. No surprise your chosen dalits are degenerates:
According to former child star Corey Feldman, child molestation is rampant in the entertainment industry, as he told Nightline in an interview.
“The No. 1 problem in Hollywood was and is and always will be pedophilia,” he said Wednesday. According to Feldman, the “casting couch” exists for children, too.
Feldman asserts that directors and other adults in the industry take advantage of young aspiring actors on a regular basis. “It’s all done under the radar… But it’s the big secret,” the 40-year-old said. – CNN
Sodomy, pedophilia, race fetishism, sexual musical chairs… it’s a wonder anyone listens to Hollywood at all.No Comments
Article by Salomon Schicklgruber
Underneath you will find indications aimed at aspiring hessians with little to no consistent training habits physical or mental. As such, they are aimed at a first transition into a new mode of living and thinking. What we propose here should not be taken as definitive physical training paradigm, but a calculated guideline.
Article by Salustiano Ferdinand
I was listening to Persecution Mania yesterday when I opened my email and saw some new releases thrown my way to sift through for potential reviews. Although I’m generally skeptical of newer metal releases, the Shadows in the Crypt album was a pleasant and recent surprise, so I figured why not.
Article by Bill Hopkins
“We might even say that to be fully modern is to be anti-modern: from Marx’s and Dostoevsky’s time to our own, it has been impossible to grasp and embrace the modern world’s potentialities without loathing and fighting against some of its most palpable realities.”
—Some overweight sociology professor
Metal, like any manifestation of culture, doesn’t emerge from a social vacuum. So much should be uncontroversial. This raises a question in need of reply: What set of ideas and social forces explain the existence of metal? One hypothesis is to view metal as a manifestation of European romanticism , the period of European culture from roughly 1789 to 1850. This article suggests a different hypothesis: namely, that metal must be placed against the backdrop of post-modernity in order to be properly understood. In order to make this case, it is vital to understand ‘post-modernity’. Many confuse post-modernity (1960s-) with modernism (1890s-1930s), especially when it comes to art. Thus, a secondary goal of this article is to illuminate post-modernity. I will argue that one key imputes giving rise to metal was post-modernity’s re-engagement with past forms .
One naïve view of post-modernity, especially in its artistic manifestations, views it as an elitist movement intent on offending traditional and bourgeoise sensibilities by embracing the ‘shock of the new’ and the absurd: think of the sort of art piece your intellectually disabled 3 year-old could do if given a paintbrush and a blank canvass stretched out on the floor. However, this is to mistake post-modernity with modernism. Modernism preceded post-modernity by decades. It began in the late 19th century and had all but dissipated in time for the lead up to WW2. Not only this, modernism was primarily an artistic movement whereas post-modernity refers to sweeping social and economic changes in addition to artistic ones.
As we will see, post-modernity is characterised by a re-assessment of modernism’s ‘shock of the new’. In order to explore post-modernity and its connections with metal more fully, however, we need to take a few steps backwards before going forwards. We need first to understand the broader concept of ‘modernity’ (1789-). What is modernity, such that ‘post’-modernity is contrasted with it?
Extending further into the past, and lying in deeper recesses of mystery, are the cults and legends of the ancient Pelasgians. Their symbols, gods and myths included precede, and in a way bring forth the Hellenic , while remaining in a relative obscurity even when the cults were known to be active . Among these obscure cults was that of the Kábeiroi (a.k.a. Cabiri), a group of unknown but powerful beings tracing lineage to Rhea —The feminine Titan of Saturn — and to the vast Sea .
Active Imagination is one of the pillars of Jungian therapy , and simply consists in engaging with the symbols of the mind in a way that allows us to contemplate them or even engage with them. Outside the stale therapeutic environment of clinical psychologists, we can discover emotions, situations and characters inside of our minds (and presumably in the collective mind) by using the same technique in a slightly more unhinged and less sanitizing direction. We can use the musical, lyrical and visual contents of metal albums which are more often than not intended to be mythical, and are thus a great source for archetypal projections.