This classic band finally got around to making a video. While there were many Dissection clones back in the day, with Dark Tranquility and In Flames leading the pack, Sacramentum always had something different going which was more like where Sentenced and Amorphis were heading: a nocturnal romance with the potency of existence and the power of the unknown.
Poetic in their approach, and beautiful in the result, Sacramentum launched an initial EP of highly artistic intentions before moving on to their full length, Far Away From the Sun, which suffered from a cover too close to that of Emperor’s In the Nightside Eclipse and hit just before the melodic metal explosion but just after the Dissection clones debunked themselves. As a result this band never quite got the attention they deserve, which would be to always be mentioned in the same breath as melodic metal greats like Dissection, Sentenced, Necrophobic and Unanimated.
Century Media Records have given us some truly enjoyable metal gems throughout the years (and some really awful ones), but if ever we doubted their good intentions (haha), a look at this Amazon.de page tells us the Sacramentum classic Far Away from the Sun will be re-released next year on the 25th of January by said label.
Described in our DMU review as “a lucid but emotive tribute to the rebellious humanness of soul”, Sacramentum’s début album seems consistently hailed as a favourite among underground metal fans.
“Nothing gold can stay,” reminds us the poet Robert Frost, and this applies to black metal. Its gold occurred between 1991 and 1994, when its progenitors innovated a new style and took it to great heights, but after Burzum – Hvis Lyset Tar Oss, it became clear that black metal was not content to be a normal, rock-style music genre.
Blood must be shed to atone for the sins of these mostly horrific recordings. Every single person who thought releasing these was a great idea should attempt to give themselves a self-swirlie while under the influence. Banging their head on the porcelain toilet tank lid will knock some sense into them or crack their skulls open. Hopefully the latter.
Article contributed to Death Metal Underground by George Psalmanazer.
Judas Priest started life as just another Led Zeppelin influenced band in the early 1970s. Quickly they became massively influenced by Black Sabbath and especially Thin Lizzy. Priest adapting the counterpointed riffing and harmonzied melodic guitar leads of Thin Lizzy into a mixture of progressive rock and the then new heavy metal of Black Sabbath but with operatic vocals instead of Ozzy “singing” the riff through his nose kicked off the New Wave of British Heavy Metal in the late 1970s.
The Death Metal Underground staff subjects themselves to countless nights of toilet diving in order to bring you gems crapped out by the dessicated undead corpse of the music industry. These are what we left in the latrine.
Ananku is a term from the Tamil language describing the otherworldly and awesome power of sublime natural places and objects to overwhelm mankind into submission to their will by merely the perception of them. Jarno Nurmi of Serpent Ascending accomplishes this musically on his album of the same name by composing harmonized heavy and black metal style leads atop a death metal rhythmic basic into occult blackened narratives. Riffs are phrased and repeat to numerologically unfold, revealing profound and novel melodic leads as if the petals of a flower gradually blooming into gnostic truth when bathed in unconquered light.