Desolate Pathway announce Sorrows Path guitarist to guest on new album

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UK epic doom metal band Desolate Pathway are delighted to announce a guest guitarist for their upcoming album: none other than Kostas Salomidis of Greek stalwarts Sorrows Path.

Guitarist Vince Hempstead commented:

We would like to announce with honour that Kostas Salomidis from the amazing Greek Doom band Sorrows Path has recorded 2 guest guitar solos for our 2nd album planned for early 2016. Last week, Kostas recorded the guitar solos at Fragile Studios in Athens with producer Vangelis Yalamas, and the results are amazing. A great way to connect with our Greek mythology-based new recordings.

 

The band are also due to hit the road several times this year. Dates are as follows:

  • Jun 18th: The Cave, Addlestone, Surrey, w/ Hagstone & Famyne
  • Aug 29th: Power and Glory Festival, Hatfield w/ Stampede, Savage, Martyr, Sacrilege, Lord Volture, Toledo Steel, Salem, Dealer and more
  • Aug 30th: The Carlisle, Hastings, w/ Lord Volture & Toledo Steel
  • Sept 19th: The Carlisle, Hastings w/ Famyne
  • Oct 31st: Fest of Hades, Wakefield w/ Hamerex, Kaine, Aonia, Promethium and more.
  • Nov 13th: The Haunt, Brighton, w/ Temperance, Seventh Sin & Proscenium*
  • Nov 14th: The Anvil, Bournemouth, w/ Ded Orse, Bitter Divide & Seventh Sin*
  • Nov 28th: The Unicorn, London w/ Sir Admiral Cloudesley Shovell

* A Black Phoenix Rising Promotions special

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Sorrowful Angels sign with Roar Records

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Sorrowful Angels have announced they are back and are now going to be working with Roar Records. Furthermore, they’ve announced a line up change. This is the official band statement:

 

Exciting times ahead as Sorrowful Angels embark on a new journey with Roar  (Rock Of Angels Records) on our side as our new recording and managing label. We are very happy to be on their roster and we thank them for the trust they have placed in us.

This new journey however, will be without our longtime drum hitter Chris Stratigos. You will be missed brother. His place will be filled by Stelios Pavlou, an excellent musician. Welcome aboard!

 

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Scalpel releases Sorrow and Skin on September 3

scalpel-sorrow_and_skinBoston death metal band Scalpel release their debut full-length, Sorrow and Skin, tomorrow (September 3rd) via Sevared Records. To mark the occasion, SCALPEL teamed up with DeathMetal.org for the premiere of album track “The Black Juices.” Stream the tune at this location.

Creating brutal percussive death metal in the style pioneered by Suffocation, Scalpel integrate West Coast influences (Deeds of Flesh) with their traditional East Coast approach and mix in dissonant melody and more frenetic song structures. To hear more of their music, watch videos on the Scalpel official YouTube channel at www.youtube.com/scalpelofficial.

To celebrate the release of Sorrow and Skin, Scalpel will perform with the mighty GORGUTS on September 8th at The Palladium in Worcester, Mass.. The band will follow that gig with another blockbuster opening for MORBID ANGEL on November 10th at The Middle East in Cambridge, Mass. To order your copy of Sorrow and Skin, visit the band’s store at www.scalpel.bigcartel.com.

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Scalpel “The Black Juices” stream from Sorrow and Skin

scalpel-sorrow_and_skinOn September 3rd, Sevared Records will release Sorrow and Skin from Boston Death Metal Force Scalpel. Unlike most metal music of this time, Scalpel preserves the old school compositional framework and incorporates some modern metal touches.

In style, Sorrow and Skin represents a mix between West Coast dynamism and East Coast rhythmic intensity in the style of metal pioneered by Suffocation and Deeds of Flesh. Working melody into their blasting intensity, the band craft small adventures in power chords.

DeathMetal.org is pleased and honored to be able to live stream a track, “The Black Juices,” from Scalpel’s Sorrow and Skin. As this release works its way through the underground we are convinced it will win over the dark hearts of many a metal fan.

Scalpel – “The Black Juices” – Sorrow and Skin [mp3]

Scalpel – “The Black Juices” – Sorrow and Skin [ogg]

Track List:

  1. Ripe
  2. Gutmulch
  3. The Woodsman
  4. The black juices
  5. Skullscraper
  6. Mincemaster
  7. Sentinels of Severed Flesh
  8. Sorrow and Skin
  9. The Exterminator/Human Slaw
  10. Unspeakable
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Scalpel – Sorrow and Skin

scalpel-sorrow_and_skinOne effect of the recent uptick in nostalgia bands and reunions is that newer bands have seen the light. This illumination is that if a band simply continues where the past left off, it can both have a unique perspective and uphold the traditions that have made metal great. This escapes the dual ills of false novelty and being a tribute band.

Scalpel combines the West Coast style of blasting percussive death metal, commonly called the Unique Leader sound after the label that signed the innovators of this style, with the East Coast post-Suffocation form of grinding pneumatic explosive technical death. The result is high-intensity percussion mated with simple riffs that proliferate into layered textures that expand in complexity as the song develops.

Sorrow and Skin will immediately call to mind recent Deeds of Flesh and Northeasterners Dehumanized, who made similar percussion-intensive death metal with similar pacing: frenetic, but with lots of pauses and interludes, drawing together high intensity moments like scenes in an atmospheric horror film. Scalpel pair up riffs and let them develop, but keep it simple so that no element rises above the others.

The result is high-intensity music that also has enough internal musical meat to keep the brain occupied and searching for meaning in its patterns, which creates a vertiginous effect of discovery when the unpredictable occurs. Use of melody allows songs to embed moods within previous sensations crafted only by the pattern of riffs.

While Scalpel uses little of metal’s classic phrasal riffing, preferring the more speed metal percussive and choppy styles, these riffs branch out to include different textures and rhythms. The result is a sense of each song like a mini-golf course, where each riff has a mechanism and after you play through, a surprise that reveals its purpose in the whole.

In keeping with the West Coast school of percussive death metal, Scalpel uses the “dog barking into the wind” style of vocals that are both guttural but not exclusively bass-heavy, giving them greater range to match instruments. The result packages a good deal of musical activity within songs that, while made from simple parts, end up being tiny visions of inward journeys that take us to more interesting places than the sum of their pieces.

    Track List

  1. Ripe
  2. Gutmulch
  3. The Woodsman
  4. The black juices
  5. Skullscraper
  6. Mincemaster
  7. Sentinels of Severed Flesh
  8. Sorrow and Skin
  9. The Exterminator/Human Slaw
  10. Unspeakable

http://www.youtube.com/watch?v=l-wrs5R8Ebg

For more information about Scalpel, visit the band store or band website.

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Cenotaph – Gloomy Reflections of Our Hidden Sorrows re-issue

cenotaph-the_gloomy_reflections_of_our_hidden_sorrowsOn March 11, a classic returns to print: Cenotaph‘s Gloomy Reflections of Our Hidden Sorrows, which was a sleeper hit back in the early 1990s when by combining crepitant American heavy death metal with esoteric hymnlike melody, Cenotaph invented a national sound for Mexican death metal and stimulated the imagination of many.

Two albums followed, both in the “At the Gates style” of melodic death metal, but fans never forgot the moody and eloquent first album from this talented band. Members later went on to The Chasm and other projects, but over time, Gloomy Reflections of Our Hidden Sorrows has remained a favorite.

Chaos Records is taking pre-orders ($10) now for the CD version of Gloomy Reflections of Our Hidden Sorrows. This version contains an eight page booklet with artwork and lyrics for all tracks, along with original artwork by the Polish artist Ryszard Wojtynski in a new layout. As bonus tracks, the CD edition contains the Tenebrous Apparitions 7″ and The Eternal Disgrace 7″. The reissue has been fully remastered by Roberto Granados at Seismic Sound Studios. Vinyl editions are already available through Chaos Records.

Ideally, this re-issue will have done nothing much to the original production, which while primitive, suited the music perfectly. Along with other innovative classics of the death metal movement the epic slab of creative greatness that is Gloomy Reflections of Our Hidden Sorrows should takes its place among others of its caliber.

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The Sad Pandemic of West Coast “Black Metal”

Today’s American black metal has found itself right within the parameters of Poe’s Law which, when applied to this abomination of a music scene, would sound something like this:

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Indie Blog Laments as Maryland Deathfest is Mainstreamed

The hilarious leftist parody of metal will be celebrated in force this weekend as Maryland Deathfest completes its transformation into Coachilla-lite. While it’s been painfully obvious that all festival culture has gone fully mainstream as futureless millennials continue to spend money they don’t have on things they don’t need there are still many in the hipster sphere that can’t grasp the loss of counter culture to the mainstream. Maryland Deathfest continues this trend with praise from mainstream propaganda editorial Newsweek and lamentations from liberal snowflake blog Invisible Oranges occurring in the same week.

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Tom Warrior Censored on Upcoming Celtic Frost Reissues

In a recent blog post, Celtic Frost vocalist/guitarist Tom G. Warrior has publicly disowned BMG’s upcoming double CD reissues of his band’s best output, Morbid Tales and To Mega Therion, and the more pandering and spotty Into the Pandemonium and Vanity / Nemesis. The embarrassing Cold Lake was omitted at Warrior’s request. While initially on board with the reissues and involved with the creative process, Tom Warrior has abandoned ship because the commercial mega-label BMG refused to print his linear notes as he intended. This blatant censorship was a means of preserving the integrity of the Noise Records liquid assets purchased by the label but had inadvertently overwhelmed the Cold Laker with a plethora of painful flashbacks of the corporate influence that plagued Celtic Frost throughout its existence.

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