Mayhem – Esoteric Warfare

mayhem-esoteric_warfare

Black metal band reformed as nu-metal powerhouse Mayhem released their latest album Esoteric Warfare on June 6, 2014. Much like late-career albums from Triptykon and Massacra, the latest Mayhem shows that as a metal band ages the probability of it becoming Pantera or Southern Fried rock approaches one.

Although the album communicates little to no artistry or depth, it offers a strong example of how to successfully appeal to one’s commercial audience by being both digestible and using lots of hard and heavy sounds the audience recognizes as dangerous… if they came in any other form than a commercial product. Esoteric Warfare creates a blueprint for success by appropriating nu-metal’s populist simplification of the speed metal style of mono-dimensional lower-string muted riffing and sprinkling it with the pixie dust of commercial black metal aesthetics..

The band thus builds its appeal entirely from catchy central riffs which are so reduced in complexity that one is capable of comprehending them on first listen. The rest is garnish: the introductions, acoustic breaks, spoken word sections, black metal fireworks, seemingly random caesuras and even some death metal technique that randomly flares in the midst of the thudding rhythmic hook. This album belongs more to the exoteric, or easily and equally grasped at first contact, than the esoteric like older black metal, which deepened in revelation the more the listener devoted his or her consciousness to exploring it.

With the latest generation, the rock-metal hybrid that industry has always wanted rears its ugly head here. The new innovation is this tendency to break up the monotony with garnish, which allows the monotonic lower register riffs to drone on with strategic breaks to remind the listener that the entirety of an album does not necessarily need to sound indistinguishable however much the band may be seemingly trying to lead it in that direction. Complete sonic pointlessness does not dissolve, but rather mutates into a more friendly and funky exterior, thus allowing the listener an escape from a complete degradation of metal as an art form into a complete degradation of jazz as an art form. Whether that constitutes progress will be left to the view of the reader.

http://www.youtube.com/watch?v=Nk2i0sS1Gmo

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Mayhem announces details of Esoteric Warfare

mayhem-esoteric_warfare

Former black metal, now modern metal band Mayhem have announced further details about their upcoming album via Season of Mist. Entitled Esoteric Warfare, the track list can be viewed below:

  1. Watcher
  2. Psywar
  3. Trinity
  4. Pandaemon
  5. Mylab
  6. Six Seconds
  7. Throne of Time
  8. Corpse of Care
  9. Posthuman
  10. Aion Suntalia

The album is set to be released on May 23, with a US release date on May 27. It will be available for pre-order next Wednesday, March 26.

Additionally, the band has planned a European tour to support the album’s release, with two festival dates currently scheduled later in the year:

  • 14 May 14 Hamburg (DE) Markthalle
  • 16 May 14 Bochum (DE) Matrix
  • 17 May 14 Köln (DE) Essigfabrik
  • 18 May 14 Eindhoven (NL) Effenaar
  • 20 May 14 Bruxelles (BE) AB
  • 21 May 14 London (GB) Electric Ballroom
  • 22 May 14 Paris (FR) Le Divan du Monde
  • 23 May 14 Winterthur (CH) Gaswerk
  • 24 May 14 Milan (IT) Factory
  • 26 May 14 Bratislava (SK) Randal
  • 27 May 14 München (DE) Backstage Club
  • 28 May 14 Berlin (DE) C-Club
  • 29 May 14 Warsaw (PL) Proxima
  • 30 May 14 Plzen (CZ) Metalfest Open Air Festival
  • 31 May 14 København (DK) Pumpehuset
  • 28 Jun 14 Lausanne (CH) Les Docks (Inferno Festival)
  • 08 Aug 14 Øya (NO) Tøyenparken (Øya Festival)

The album’s first single, entitled Psywar is scheduled for release on April 26. It contains of an alternate mastering of the titular track (our review can be found here), in addition to a track entitled “From Beyond the Event Horizon”, taken from the scrapped 2012 Budapest Sessions.

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King Crimson – Lark’s Tongues in Aspic (1973)

Heavy metal was born in very late 60s and early 70s as a merger of heavy rock, proto-punk, horror film scores and progressive rock, carving out a new form of dark music that spelled out longer phrases than rock by using moveable power chords in complex riffs.

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Celebrating The Spirit Of Heavy Metal

The path of heavy metal is a solitary one. Most people do not like the idea of it, hate the sound of it, and look down on those who like it. It is not simplistic and mindlessly obsessive like rock, nor fancy and high-falutin’ like jazz. It seems deliberately antisocial, disruptive, violent and dark.

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Revisiting The Days When Black Metal Died

“Nothing gold can stay,” reminds us the poet Robert Frost, and this applies to black metal. Its gold occurred between 1991 and 1994, when its progenitors innovated a new style and took it to great heights, but after Burzum – Hvis Lyset Tar Oss, it became clear that black metal was not content to be a normal, rock-style music genre.

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Lantern – II: Morphosis (2017)

Lantern take the Finnish black and death metal and move it back in time towards eighties speed metal to better appeal to a funderground hipster audience who never bothered to listen to Beherit or Demigod. The production of II: Morphosis is clean but slightly cavernous and vocals that sound like Per Boder of God Macabre help deceive inattentive millennials that Lantern are quality death metal and not Finnish Pantera.
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Sadistic Metal Reviews 3-15-2017

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