So perhaps procedurally generated music and chance based (aleatoric) music isn’t either, but sometimes, it’s interesting (at least from a vague ‘intellectual’ perspective) to hear these ideas applied to metal music. In today’s case, we have guitarist Pete Cottrell playing “randomly generated” metal, which was created by using various sources of randomness (dice, Scrabble tiles, computerized pseudorandom number generation) to determine several properties of the music. In this case, however, only a song fragment’s tempo, time signature, and key signature were randomly generated; as far as I can tell, everything else was written and composed by the guitarist.
This latter point offers me a few bits of discussion. The first is that the next logical step would perhaps be to apply randomization to the actual riff-writing process, creating note and rhythm progressions that could end up difficult to play or simply very chaotic based on whatever algorithm was used. A synthesizer like Native Instrument’s Flesh might come in handy, although its timbral/textural relevance to metal is debatable. The other thing that occurred to me while I watched this video was that a ‘random’ compositional style on its own isn’t likely to create particularly well planned and arranged music. I wouldn’t be surprised if even the more fanatical devotees of the technique ended up using their own efforts to jam random fragments into a more sensible shape. Until the upcoming wave of strong generalist AI outpaces us at most cognitive tasks, though, there are limits to how much randomly generated we’ll hear.
Pete Cottrell has some other videos that may be of interest to metal performers, generally focused around equipment and recording technique.
These random, gimped releases are held in high regard by high-pitched “metal” critics and core pogo stickers. The Death Metal Underground staff takes it upon themselves to scorn and defile them in the name of all that is good in the metal genre.
Wrestling is the oldest sport in existence. One can find it in any culture on earth, Egyptian hieroglyphs depict various techniques, Islam recognizes it as one of the main sports for preparation in combat and European knights trained extensively as a lot of armored fights quickly become tests of who could pin who to be able to deal a finishing blow with a dagger through the gaps in the plate armor. Throughout the years wrestling has proven to be the best art for all forms of combat as every region in the world has at least one form of indigenous wrestling.
You know your nation has reached peak sadism when kids are using the shooting deaths of their classmates to catapult themselves into celebrity stardom. That means the time has come for frequent, merciless, rapid fire sadistic metal reviews.
The last two decades has witnessed an exponential growth of studies devoted to popular music, coupled with a re-evaluation of past theories and models for interpretation and analysis. This paradigm shift has sparked interest in music “at the fringes” which in turn has led to the unlikely emergence of “metal studies”: a multi-disciplinary field of research centered around all things related to metal music.
The thankfully short lived Canadian metal scene was another low in the attempt to blend death metal with tough-guy hardcore. Through a gross cocktail of taking a technical death metal template, squeezing all of the feeling and memorability from the riffs, breakdowns, and linear “riff salad” song structures with no repetition or thematic continuity, the Canadian metal scene gave us the foundation for the horrendous abomination that was deathcore- the ugliest perversion of death metal the genre had seen since Six Feet Under collaborated with Ice-T. Ultimately, we remember Canadian metal as the musical version of a shit post- something so autistic and obnoxious that it made everyone around the world quickly realize that Canadian metal bands were something to be mocked and avoided. (more…)
The Death Metal Underground FAQ is an ancient yet valuable and reliable document full of information to help the less initiated grasp some of the simpler aspects of metal. It is also a wonderful attempt to actually explain the Hessian ideals, culture and music. The music section is particularly small and contains a fairly large amount of information and therefore it is time to open it up and go into the details of the points mentioned and what needs to be changed, for it is only through constant analysis of past work can we build upon them and progress.
Twas the 5th day before Christmas, and all through the house, the creatures stared concerned and suddenly in need of psychiatric therapy. My wife said I have that crazy look in my eye, as my boss had jipped me on my Christmas bonus- the holiest thing of the American middle class baby boomer. The urge to kill left me trembling, barely able to stand, and I frantically raced to the garage and grabbed my chainsaw and son’s hockey mask. As the voices got louder, I found myself speaking in tongues- vocalizing a string of obscenities as if possessed by otherworldly entities. In an attempt to quiet the deafening commands to kill, I remembered that death metal was an outlet that had saved me years before. But it was 2017, and I did not know what the new death metal sounded like. But I had heard that Bandcamp were going to save the world with their social justice, so I thought I would listen to the top selling death metal bands on the first page of Bandcamp. Surely they had the most sales, and therefore were the most trustworthy, and true to the old death metal sound. I decided to download all 8 albums and burn to CD to listen to on my Walkman CD player. But when I heard…. when I heard… when I heard…