Did Rock & Metal Engineer Societal Destruction?

What do Jonathan Davis, Corey Taylor, and Scott Weiland have in common?  Answering the question “90 Hard Rock singers” would not be incorrect, but there’s something darker beneath the surface – all three men are rape victims.  Davis even documents the experience in graphic detail in a platinum selling album from his band, and many of Taylors lyrics are riddled with sexual abuse.

Why were the executives of the murder industry so keen on pushing rape victims as the new face of rock n’ roll?  Furthermore, why were the most popular genres of rock and metal so lyrically obsessed with self destruction?  From Grunge “morality is useless and life is hopeless” to Nu Metal “I’m a freak and everyone hates me” to Emo and Screamo “I’m lonely and will never be loved” to indie (soy) metal and rock “We failed to be what we should have been” the message of mainstream rock and metal music has constantly be one of self destruction.  This trend is mirrored by a 25% increase in American suicides in American suicides since the 1990s:

Suicide rates increased by 25% across the United States over nearly two decades ending in 2016, according to research published Thursday by the US Centers for Disease Control and Prevention. Twenty-five states experienced a rise in suicides by more than 30%, the government report finds.

More than half of those who died by suicide had not been diagnosed with a mental health condition, said Dr. Anne Schuchat, principal deputy director of the CDC.

“These findings are disturbing. Suicide is one of the top 10 causes of death in the US right now, and it’s one of three causes that is actually increasing recently, so we do consider it a public health problem — and something that is all around us,” Schuchat said. The other two top 10 causes of death that are on the rise are Alzheimer’s disease and drug overdoses, she noted.

With statistics like this, it’s absolutely time to panic: our society is being marred by growing influences- intentional or not – to destroy ourselves.  Let’s examine music’s relationship to this now obvious horror and see if we can determine why this is happening.

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Twilight of the Guitarist?

It is a harsh truth that all things in our finite world will end at some point or another.  I was fortunate enough to learn this lesson at young age, with friends moving out of state and death claiming some of those closest to me. But there are many who are not so lucky to experience the cruelty of life during their youth and are now struggling to adapt to the harsh political and cultural upheaval that is sweeping the world at large.

This failure mainly stems from a cultural and educational system that leads us to to believe none of the beloved things in our safe American bubble will ever see massive change and upheaval- that our world and lives probably won’t be much different than that of our parents and teachers. But already, we are witnessing the death of malls, the value of college degrees, major retail chains, cable television, Hollywood movies, mainstream media, atheism, and an the age of idealism.

And sadly for fans of rock and metal music, the final hour may be at hand for a beacon of our pride and culture: the guitar hero.  With the impending bankruptcy of Gibson and now the imminent bankruptcy of Guitar Center, it would be foolish for anyone to still proclaim the immortality of the “guitar god.” For all things of this world must one day end, and dare I must ask… could the twilight of the guitarist truly be at hand?

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/smr/ Sadistic Metal Reviews: Post Black Eulogy (Part 1)

[Join DMU editor Brock Dorsey on the first of a two part massacre of the soy metal sub genre that has bastaradized black metal beyond the belief!  Also, this image is an actual cover from an actual post black metal album- you can’t make this stuff up!]

Post black metal was an embarrassing sub genre of soy metal.  Built upon a foundation of either screamo, pop punk, metalcore, math rock, shoegaze, or avant-garde and fused with the most minimal touches of black metal, post black metal was a flavor of the week(/weak) trend that lasted from around 2009 to 2014.  The genre name is misleading, however, as most bands only claimed to be metal and incorporated only slight touches of metal characteristics before abandoning them completely in future releases.  As indicated by its core standard bearers being dropped by labels, performing terribly in sales and Facebook likes, and being forgotten by fans, post black metal has finally passed away.  As we lay it to rest with one final cremation in the SMR fashion, let us learn from its failings as the future looks to more traditional forms of heavy metal  to restore a once proud genre.

First, we must understand metal history to understand how such an abomination could happen, as Post-black metal followed a number of flavor of the week black metal trends and bands.  The first of these, symphonic black metal, sent many fans of the original (true) black metal genre into a frenzy with their incorporation of gothic influences.  What was to come would be much worse, however, as the soy metal bands marketed as black metal would prove to be far more embarrassing than the Victorian campiness of Cradle of Filth or the industrial meddling of …And Oceans.  The next flavor of the week black metal trend was cleverly concealed in a cloak of static, but the hipsterisms of “depressive black metal” would soon be known to the world.  Time was not kind to the legacy of Xasthur and Leviathan, both of whom are now widely panned against the metal community, as where the thousands of “bedroom black metal” clones who polluted Myspace.  With many short lived flavor of the week trends (such as “Norsecore” and “Cascadian black metal”) and bands (Kult ov Azazel, Inquisition) in between, the soy metal- black metal hybird that was post black metal was the next successful marketing scheme to deceive young and retarded metal fans alike.

Performed mostly by wealthy but useless trust fund kinds from liberal cities, post black metal was to metal as emo was to rock music: feminine, tame, and a complete and utter bastardazation.  Thus, post metal was eventually abandoned by its former fans, spat on by the metal community, dropped by metal/rock record labels, and remembered poorly by music lovers.  Much like how the rent some of its musicians was eventually cut off from their parent’s bank roll, post metal was eventually told to stop leaching off the metal community so that the genre may maintain a shred of dignity.

Brace yourselves for an infernal evisceration unlike aynthing you’ve ever seen before, because in this edition of SMR, we won’t just be sadistically reviewing albums…

 

 

we’ll be sadistically reviewing careers.

 

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The Haarslev PB30/60 As Big As The Ritz

Dennis Emmental hated being late because it revealed to everyone how little he wanted to be there. Slipping past the creaky back door, he took his place in the line at OptiFood. Orders came from the digital kiosk at the drive-thru and Dennis had twenty-four seconds to assemble the ingredients for the OptiMeal:

  • Chinese: steak|chicken|fish, Szechuan sauce, noodles, lettuce, pepper, peanuts, onion
  • Mexican: beef|chicken, cheese 1, Picante sauce, lettuce, pepper, Guacamole sauce, sour cream
  • Italian: beef|chicken, Diable sauce, noodles, pepper, lettuce, onion, cheese 2
  • Thai: beef|chicken, cheese 1, noodles, Picante sauce, Szechuan sauce, pepper, onion
  • Murican: beef|chicken, cheese 2, Diable sauce, bread 11, Gaucamole sauce, cheese 1, lettuce
  • European: steak|chicken|fish, lettuce, pepper, sour cream, cheese 2, onion, bread 11

He and his cohorts were dumping ingredients in the short, stout, beaker-shaped commemorative plastic buckets used to serve the twenty-four ounce meals. The store was open twenty-four hours a day, and had a thirty-eight percent turnover rate at a six month interval. The owners were unconcerned; they had reached the point where it took a million bucks just to think about suing them, and everyone knew that most of their employees were retards and flakes and so just laughed off their complaints.

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Trend Remover: The Last Jedi Is The Last Film You Should Ever See


by Hentavirus Jefferson-Gonzales

In my small mid-western town, everyone but one guy went to the new Star Wars™ Disney film, The Last Jedi. That is, if “everyone” means all of the hipsters, SWPLs, corporate cucks, bro-hold-my-beer, 4chan neckbeards, backyard shed dwelling NEETs, goodguy white knight Mormons, and SJWs count as “everyone.” The one guy stayed home because he had power diarrhea but his friends kept texting him pictures and updates.

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On The Direction Of This Site

I know that many of you have comments regarding the future of the DMU and what direction it should take, and I want you to rest assured that I do not care at all what you have to say unless you are one of the 5% of humanity that is capable of actually doing something, i.e. making a contribution here. The rest is just chatter by filthy little monkeys posturing at self-importance and trying to stay relevant because their lives are entirely irrelevant.

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Morbid Angel – Kingdoms Disdained (2017)

There are twelve notes. There are twenty-six letters. We can form them into combinations/patterns. The ones that stay with us are the ones that communicate. This takes us above the level of riff (metal), harmony (jazz/rock), and into the realm of melody, which uses phrase and harmony as means of strengthening the expression of a melody, or a unique combination which resembles the psychological sensation of a certain experience.

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