November Reviews: Neutron Hammer, The Stone, Worship, Gehenna

Neutron Hammer – Extermination Kommand

A short and sweet five song EP by Neutron Hammer sees these young Finns tackle a simple, tried yet tested formula, typical of what we expect from retrograde black/death/thrash hybrids, seemingly with the only intention to rehash and rekindle lost memories of something many once saw as ‘true’. With a sharp and clear production that conveys great energy within the constraints of mostly verse/chorus song structures, Neutron Hammer often have a similar charge to their music not unlike Australian nostalgics Vomitor and Spear Of Longinus, though compacted to an catchy, anthemic mode that fits the early, primitive works of Impaled Nazerene and Beherit. Excellent work, and also worth watching if you can catch a live performance.


The Stone – Magla

Serbian black metallers The Stone create an epic work that resembles Texan act Averse Sefira, as both bands combine death metal riffing with Norwegian styled harmonies. The differences here are that the melodies are more obvious to untrained ears and we get much more variation in tempos. Amidst this framework there is a crepitating NWOBHM influence in the guitar work, laid beneath a sheen of violent, modern black metal phrasings. One of the best releases to come out of Eastern Europe since the turn of the recent millennium.


Worship – Last CD Before Doomsday

Reissued on CD format five years after being issued on cassette in 1999, Worship play in a funeral doom style that takes on the amelodic, sluggish, death-doom riffing of Thergothon and the suicidal themes and eclectic ambiences of fellow Germans Bethlehem. This lacks the sense of continuity that makes bands like Skepticism great, often losing its momentum in its search of unfathomable dirges of gloom, though this is no means to suggest it is a bad work, it still has its moments of quality.

 


Gehenna – First Spell

A minor classic of Norwegian black metal, Gehenna’s debut full length contains five songs that combine simple, punky chords and tremolo picked guitar harmonies amidst a backdrop of haunting, etheareal keyboards. Unlike most bands who have unsuccessfully tried to execute this ‘gothic’ variant of black metal, Gehenna clearly understand quality control, and whilst they allowed this aesthetic to play a key role in what you hear on the surface, it is kept in moderation and doesnt outweigh the artistic beauty on offer. If you are looking for something that triumphs where acts such as Cradle Of Filth handicapped their own potential, one should find it all here. Simple, imaginative, majestic and consistent, this is a highly recommended release.

Written by Pearson

Stoner Rock Is Not “Doom Metal”

Earlier this year, independent music distribution platform Bandcamp claimed that many stoner rock bands are in fact doom metal. This is a common logical fallacy based around associating the pace and instrumental tone of the music with actual musical content. The stoner “doom” trend of bands that started in the late 90s and early 2000s and has continued non-stop right up until the present almost twenty years later was one of the earliest hipster attempts to assimilate heavy metal before the waves of speed, death, and now black metal aesthetics rehashed into pop rock for the safe space generation.

Continue reading Stoner Rock Is Not “Doom Metal”

Firestone Walker Brewing Company – Double Jack Double India Pale Ale

firestone_walker_brewing_company_-_double_jack_-_double_india_pale_ale

My whole life has consisted of failure to appreciate the true depth of human stupidity. Most people are stupid, and they are both pretentious and unaware how transparent they are. Many of them spend time telling me “how it is” when they are so off-base that the disconnect from reality is onerous. But I digress: hipsters captured the beer industry and are posing at having knowledge while making bad beers.

Double Jack is one such bad beer. Monkey see, monkey do: hipsters realized that bitter beers with citrusy flavors were a signal our bloated and over-rated press corps was using to recognize quality, so they started making beers like Double Jack which signal all the right stuff but, because they are assembled of signals, have no internal structure or consistency and end up with the flavor of random junk. This beer immediately hits you with a strong grapefruit sensation, under which you will note a thin beer of anonymous flavor. The bitterness remains present, probably delivering rave reviews from idiots, but unlike a good beer, where all of the flavors work together toward some direction, it remains separate here. That may be a metaphor for this beer.

It is as if someone went through the reviews on Beer Advocate and highlighted all the key descriptive terms, then added those as features to an otherwise generic beer. None of the mild integration of yeast is here that you might find in a good beer, nor is there any overall flavor. Instead, there is bitterness, a yeasty backlash, a watery beer taste, then a slightly soapy beer flavor, and finally, the realization that this brew is surging with sugar and acid which means your post-party tacos are going to be a digestive challenge. It is not terrible like a mainstream American beer, but awful like lost potential: with someone who had a working brain, this could have been a great beer with these ingredients. Instead it is overpriced hype for hipsters to pass their time before smoking American Spirits among the ruins of their civilization. At 9.4% alcohol by volume, it at least allows a person to get decently tipsy on a bottle, but that does not make up for the wasted opportunity to not have drunk this beer, and to have purchased another one instead.

Quality rating:

1/5

Purchase rating:

0/5

Gravestone’s Ancient Spirits out now

gravestoneband

 

Gravestone is an old school death metal band that go back more than a decade but have only been able to crystallize their effort into an album publication until now, despite the material being written for a very long time already. The style approaches the more melodic expression of Mexican (or other Latin American) death metal bands who are more reluctant in the use atonal solos and maintain a controlled dosis of chromatism in their riffing.

 

The album can be purchased through Australis Records’ website.

 

Tracklist:

  1. Intro / Hidden Remains
  2. Evil Lures the Naives
  3. From tyhe Shadows
  4. Gravestone/Ancestral Decay
  5. Pain Overcomes the Tolerance
  6. Ancient Spirtis
  7. Satanic Rotten Tongues
  8. Waste of Death / Into the Fire of Hell

 

Blaspherian reaches milestone in recording new album

blaspherian_-_band_photo_-_october_2014

Texas cult primitive occult death metal band Blaspherian has recorded five tracks for its upcoming Reborn through the Black Flames of LuciferLP/CD and another single track for a 7″ with another band, the band said Monday. This release will follow the triumphant Upon the Throne…of Eternal Blasphemous Death 7″, the 2014 release of the bands demos and 2011’s Infernal Warriors of Death.

Known for its raw and subterranean sound, Blaspherian won over converts with its 2007 full-length Allegiance to the Will of Damnation but has continued to hone and intensify its songwriting since that time despite having to overcome numerous lineup changes and other impediments. The story continues, as the band added to its statement: “Two more [tracks] and we are ready to record.”

Anata – Under a Stone with No Inscription

There is so much to appreciate about this album, starting with its technicality, but most prominently extended to its sense of a notched lock between a good rhythm and a good melody. The problem is that this release is infected with the post-modern-metal fascination for the carnival music style of intense variation, which ends up creating a lack of narrative, which must be substituted with primitive means like repetition and hook, pushing these out of place. The result is listenable but too busy; it turns everything up to 11 and as a result, almost nothing stands out, and its careful inventiveness in riff and variation becomes textural background. However, like Neuraxis — to which it is a close relative — this is at least a listenable form of metalcore-influenced late death metal.

Prong – Carved into Stone released

One of the oldest still functional speed metal bands still around, still making avantgarde arty speed metal, but they’ve updated the sound a bit to be post-modern-metal.

Prong Carved Into Stone CD

INCLUDES A DIGITAL DOWNLOAD OF THE RECORD ON TUE 4/24 at 12:01AM (Open your account and look in MY DOWNLOADS)

Tracklisting
1) Eternal Heat
2) Keep on Living in Pain
3) Ammunition
4) Revenge … Best Served Cold
5) State of Rebellion
6) Put Myself to Sleep
7) List of Grievances
8) Carved Into Stone
9) Subtract
10) Path of Least Resistance
11) Reinvestigate

Sadistic Metal Reviews: Inquisition of the Unworthy

Burn them all!

Continue reading Sadistic Metal Reviews: Inquisition of the Unworthy

Sadistic Metal Reviews: Defile the Inferior

Death Metal Underground’s staff makes great personal sacrifice to ensure that we degrade the unworthy, the inferior, and the charming. We show no mercy and will defile your corpse.

Continue reading Sadistic Metal Reviews: Defile the Inferior

Sadistic Metal Reviews: 10-23-2016

melting-cdr

Humans and metal bands are self-replenishing resources. There are always more to burn!

Continue reading Sadistic Metal Reviews: 10-23-2016