Voivod recently released the title track from the upcoming Post Society EP. Its overall Voivodness (in the French-Canadian metal sense, as opposed to the Polish administrative one) supports my previous theory that the band is continuing with the approach that they outlined on Target Earth; in my own previous words, “…an accessible mixture of of their signature late ’80s sound with more modern alternative and progressive rock influences.” The EP is still scheduled for February 26th, and Voivod is still going on tour next month. The good track record so far bodes well for the quality of the involved content, although the fact so much of it having already been released piecemeal may cut into its overall sales.
We got a hint of Voivod’s upcoming plans a while back. Post Society may or may not be building up to Voivod’s next full length, but it still might be of value to fans of the band; it will release on February 26th. Besides compiling the tracks Voivod released as part of their recent splits with At the Gates and Napalm Deaths, this EP will also feature two original tracks and a cover of “Silver Machine” by Hawkwind. At least going by “We Are Connected”, it seems that Voivod is continuing the path set forth by their previous full-length – an accessible mixture of of their signature late ’80s sound with more modern alternative and progressive rock influences.
Two tours of note today. First, and presumably better, is Voivod’s impending US tour. The band is currently traveling through Europe with Napalm Death and Obituary as part of Deathcrusher 2015. This February, they will join Vektor and Eight Bells for what is mostly a tour of the eastern USA, with some later dates in the Midwest. If an interview from February 2015 is to be believed, an album (and one that may be more overtly progressive rock oriented than usual for the band) is coming some time next year; the splits with At the Gates and Napalm Death that it mentions appear to have released without issues. The tour dates follow:
2/06 – Providence, RI – Fete Ballroom
2/07 – New York, NY – Gramercy Theatre
2/08 – Philadelphia, PA – Kung Fu Neck Tie
2/09 – Morgantown, WV – Mainstage
2/10 – Pittsburgh, PA – Altar Bar
2/11 – Asbury Park, NJ – Stone Pony
2/12 – Lancaster, PA – Chameleon Club
2/13 – Washington, DC – Black Cat
2/14 – Richmond, VA – Strange Matter
2/16 – Raleigh, NC – Kings
2/18 – Charlotte, NC – Neighborhood Theatre
2/19 – Sanford, FL – West End Trading Co.
2/20 – Ybor City, FL – The Orpheum
2/21 – Atlanta, GA – Masquerade
2/22 – Knoxville, TN – The Concourse
2/24 – Chicago, IL – The Abbey Pub
2/25 – Cudahy, WI – The Metal Grill
2/26 – St Paul, MN – The Amsterdam
2/27 – Omaha, NE – Waiting Room
2/28 – St. Louis, MO – Firebird
3/03 – Ferndale, MI – The Loving Touch
I could theoretically make it to the Rhode Island show, and I am certainly interested in doing so, but we’ll have to see how things shape up in the next few months.
In the mid-1990s, it became clear that death metal and black metal had run through their formative and matured material and were now in decline, so bands experimented with developing older styles of metal using the new techniques. Voivod dropped Negatron into this period with a fusion of Ministry, old Voivod and Master of Puppets-era Metallica accented by alternative rock vocals. The result came about a decade before the audience was ready.
Continuity from classic Voivod remains present throughout in not the odd riffs, angular melodies, inverted guitar chords and challenging tempo changes but also the overall sensibility, which creates a sense of unease and infinite possibility at the same time as is appropriate for the sci-fi theme of the band. That impulse translates into Ministry-styled industrial-influenced percussion and the complex phrase-based but rhythmically-centered riffing of mid-period Metallica, creating a smooth fusion that can hold its own against mainstream heavyweights like Pantera, who dominated speed metal at the time. Instead of focusing on easy grooves however, Voivod center their music around disruption and order emerging from chaos, giving these alternative-rock style choruses built around the vocal a space to expand and a strong musical bedrock on which to develop. Vocalist/bassist Eric Forrest gives a strained vocal cord performance which adds to the urgency of the material, and creates a sinister suspension of what we normally think of as reality.
The creative riffs of classic Voivod are here, but bent and twisted around complex rhythms and given more standard power chords to anchor them around an increasingly irresistible rhythm. Like most of mid-90s metal, Negatron anticipates the underground being re-absorbed into the larger world of metal, and does so with distorted vocals and death metal strumming techniques mixed in with the progressive speed metal touches from earlier bands. What propels this album forward is its ability to bring out an underlying narrative and reveal a hidden side to the previous explanation for how its pieces fit together, causing — like good death metal, or even Carbonized which it periodically resembles — a sensation of discovery for the listener. Its task was Herculean because the type of listener who likes mainstream power metal will probably find this inscrutable, and underground listeners balked at the Nirvana-plus-Amebix vocal stylings. Their loss, because this album provides solid speed metal with the best integration of progressive and industrial influences yet seen.
Members of Amebix and Voivod have joined with other experienced underground musicians to launch Tau Cross, a new project already signed to Relapse Records and planning to release its debut album in 2015.
Recorded in three different countries over several months in 2014, the Tau Cross album will see release in spring. According to the official press release, Tau Cross formed in 2013.
Rob Miller (Amebix) spoke of the new band: “The music that evolved over this time is difficult to categorize, as there is clearly a lot of Amebix in the songwriting as well as some elements of gothic, Joy Division, Pink Floyd, Black Sabbath, Industrial and hard fucking old-school punk rock. This is an entirely original work that is the organic fusion of four unique people. We decided to let the songs form themselves around the original demos and allow people to bring themselves into the mix, to allow the bark to grow around the tree.”
- Rob ‘The Baron’ Miller – Bass and Vocals (Amebix)
- Michel ‘Away’ Langevin – Drums (Voivod)
- Andy Lefton – Guitar (War//Plague)
- Jon Misery – Guitar (Misery)
The Metal File recently interviewed Voivod drummer Michel “Away” Langevin. To no surprise, the interview mainly concerns the band’s new (thirteenth) album, Target Earth, released on January 22nd by Iron Gang Factory and Century Media.
According to Langevin one of the reasons why the album sounds a lot like earlier Voivod is because bassist Jean-Yves “Blacky” Thériault is back in the band after a 17 year absence, being closely involved in the songwriting with new guitarist Dan “Chewy” Mongrain. Among all the “very progressive” songs with “strange time signatures”, Langevin requested to include two more thrash-y songs à la Motörhead, which resulted in “Kluskap O’Kom” and in the band’s first French song, “Corps Étranger”.
Langevin also says that due to Voivod’s 30th anniversary this month, the band plans live tours throughout the world this year, starting in Canada, crossing North and South America, then going to Europe and ending in Asia. In between tours they want to write new material. The past is alive.
If the two tracks released so far are any indication, then the album sounds exactly as the promo blurbs have been describing it (which makes a change): a cross between the claustrophobic, spacey weirdness of Dimension Hatross and the rockier, more mid-paced Nothingface with a touch of the sing-songy style of Angel Rat.
Unusually for a band of Voivod‘s stature, their decision to continue touring and making albums after the death of original guitarist Piggy has been greeted mostly positively. This is probably because his stand-in, Dan Mongrain, at times sounds more like Piggy than Piggy did; studiously recreating the tone and feel of classic Voivod whilst helping craft new material faithful to the era of the band most people always wanted to hear continued.
The album is released in Europe on January 21st and in North America on the 22nd. Eagerly awaiting this one.
Full tracklist for album is as follows:
1. Target Earth
2. Kluskap O’Kom
3. Empathy for the Enemy
4. Mechanical Mind
8. Corps Étranger
Canadian metal innovators VOIVOD will release their original demo tape from 1984. Entitled “To the Death 84”, the set will include material that was recorded in the band’s Quebec jam space in January 1984. The lineup for this record includes Snake (Denis Bélanger) on vocals, Piggy (Denis D’Amour) on guitar, Blacky (Jean-Yves Thériault) on bass and Away (Michel Langevin) on drums.
In addition to material that would later appear on the band’s “War And Pain” debut, this collection includes several other early VOIVOD offerings, as well as covers of MERCYFUL FATE and VENOM.
“To The Death 1984” will be released on November 22 as a CD or double LP via Alternative Tentacles.
The track listing is as follows:
02. Condemned To The Gallows
03. Hell Driver
04. Live For Violence
05. War And Pain
07. Buried Alive / Suck Your Bone
09. Slaughter In A Grave
10. Nuclear War
11. Black City
12. Iron Gang
14. Bursting Out
15. Warriors Of Ice
My inner metal nerd gets excited for this.
Before the hybridization of different genres such as metal and industrial became something of a holy grail for underground musicians, an intermediate genre known as post-punk turned toward an eclectic and more contemplative mode of expression.