SOYBOY LEFTIES USE BOTNET TO TARGET DEATH METAL UNDERGROUND

A bunch of pussy beta male cucks have spent a ridiculous amount of money on a botnet to shut down Death Metal Underground, the free speech social network Gab, and a number of Alt Right websites such as Amerika, The Right Stuff, and American Resistance.  Why did they consider DMU “Alt Right” despite the fact that we’ve never written about race and have even expressed support for Israel emasculating their scumbag neighbors?  The answer is simple- DEATH METAL UNDERGROUND IS DANGEROUS AND FEARED BY LIFE’S LOSERS.

In an age where the terms “far right” “Alt Right” “fascist” “Nazi” and “racist” are all collectively lobbed at anyone who expresses social/political/cultural views that are not liberal (including centrists), depressed failures are dedicating much of their time and money to try and shutdown any school of thought outside of the pop culture group think of the moment.  This has spread to all forms of society, ranging from the mainstream normies to obscure music genres as niche as death metal.  With nothing to look forward to in their future, these neo-communists want to drag the entirety of society to their world of emptiness and sorrow.  A world where feelings supersede logic and nothing matters in the world outside of the individual’s comforts.

The war with the left must be waged in every space, on every front, by every rational human being in this nation.  Therefore Brock Dorsey, Brett Stevens, and the whole Death Metal Underground team will keep fighting until we are obliterated from cyberspace.  Fortunately, this fate will take a lot more than a lightweight botnet and a bunch of nu-male dweebs spending a ton of money to do little more than elevate our status to the stuff of legend.

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SAD! MetalSucks Flagrantly Plagiarizes Death Metal Underground

They say imitation is the sincerest form of flattery, but such is not true when it’s done by a fat, zit-faced loser with fedora tattoos who calls himself “Emperor Rhombus.”  Because right now, plastered on the MetalSucks front page at the time of this writing, is a ridiculously obvious rip off of an editorial I did just a month ago.  Seriously, the damn thing is worse than when Nile blatantly stole the melody from the Candlemass song “Well of Souls” in their “Unas Slayer of the Gods” mess of a track.  Hell, it’s even worse than that top hat wearing Dimmu Borgir keyboardist replicating the piano from Magnum’s “Sacred Hour” and using it as the intro for Stormblast. But I guess that when your life is regulated to creeping out young girls at Selena Gomez concerts with your virgin-tier Electric Wizard shirt, you’re bound to spend much of your days fantasizing about being a true alpha badass like Brock Dorsey.

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Polarized Metal Genres Must Unite Against The Funderground

Metal is facing a decisive moment in time. As a genre and an entire sub culture, it’s threatened with a massive flux of outsider interest into what was once an isolated community forged in passion. Metal was a cause for tight bonds among like minded disillusioned youth that wanted nothing to do with the status quo, a lawless free for all where no ideology or point of view was too extreme. Thus grew a voice to rally against the farce of mainstream politics, social acceptability, resolute contentment with mundane lifestyles and herd mentality. Though acts like Black Sabbath and Iron Maiden were to find great success within the public large, they laid the groundwork for that rebel yell that gave the disgruntled youth the foundations for connecting with others so disconnected. And with such a ground roots movement that metal was, true artists and musicians who may have never have been given an opportunity to rise otherwise were now rising and exponentially so. Quickly NWOBHM became speed metal became death metal became black metal. Then, as with all great explosive cultural movements, metal began losing its traction and sight of its original goals of fighting against the mainstream culture of quantity over quality. But it is now that we see its greatest threat in its acceptance by the masses. Now it is being taken for a boutique exotic exploration into what most really don’t want to explore: cold unforgiving reality.

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Underground Record Labels in 2159 Pt. 3

The pigeon decided to return.  Had it not, the retro-Powermetalers would have maimed him fatally, with buckshot fire. Despite his cute appearance with those tiny post apocalyptic goggles of his, he would have then been eaten slowly by cockroaches over time after falling from grace.  Before he returned to Daryl he grabbed a 5 Bolivar silver coin from what was left of Panama. It was hard to fly back over the 500 foot wall that Trump had built, back in the technology age.  Not only did it have retracting metal spikes on top, but there was a moat with alligators on both sides.  Dead bodies were strewn along both sides of the fence, with vital organs missing.  No one ever came in.  No one got out alive either. Fortunately for Latin America, the wall mitigated the radiation winds on that side.

Upon the bird’s return, Daryl noticed the silver Panamanian coin in his beak.  It was a very low mintage coin and he was thrilled of the indication that there was power still now in that region of the world.

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Underground Record Labels in 2159 Ch. II

It was very late at night now. The moon was full, and the path had gave way to a blood paved street. Some very pale women and children with red eyes came out and played on the swings in the forest in the dark, giggling.  There was a shanty town, many huts, with a Gerry-rigged cathedral with Satanic stained glass mirrors in the center.  A small class was being held inside of one of the huts. he had heard of this place, a weird Swiss corporate enclave that had been on the route to Stoner Mountain since the early 1600s and which , strangely, still remained as part of Switzerland (formally), though it was in the middle of what used to be known as California, in the former USA.  Rumor had it that not far from this place, the tech titans had made a pact with the Satanic Illuminati (Octagon) to provoke nuclear war in order to further control the supply chains. From time to time, large amounts of cryptos had been reported (as having been dumped on the road) to GovCore.  People were likely harvesting DeathCoins out here, using biomechanical hydro power. Death coins stored up all the vitality of the people killed onto a tradeable digital coin.  Luckily, these people were more into the tech side of the system. They let the low lives and the scavs in other regions do most of the killing these days. Their killings were merely ritualistic at this point.
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Underground Record Labels in the Year 2159

It is the year 2159. All the world’s capitols have been obliterated- save South America and Africa (the only continents free of nuclear weapons)- and humanity is no longer able to reproduce due to the over-manufacturing of sex-bots.  There had been three nuclear wars already, first of which involved USA and North Korea and the most recent involving Britain and Iran.  EMP’s and cyber-hacks had taken out the grid long ago, leaving only a strand of humanity left whose bodies could physically adapt to life without WI-FI.  Most of the main bands in the US which were based out of major cities perished as urban conditioning caused them to starve with no wherewithal to survive in the wild.  All that was left were rag tag bunches of malnourished but darkly inspired bands of street trash scavengers who roamed the land with metal detectors seeking alkaline batteries to power their equipment (though these were also needed to power their sex-bots).  Guitarists went back to using hand cranked Pignose amps, with vintage EV megaphones held in front to further amplify the vocals and guitars.
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Dark Economic Truths of Underground Metal

Recently many of the other “metal” websites, blogs, publications et cetera have been doing articles about the business side of music industry. Unsurprisingly none of these articles had the testicular fortitude to address the ugly reality of the underground metal economy as they are written by either slaves to the machine itself or losers who genuinely believe that they have “careers” in music which heavily depend on acceptance by the community. Since the Death Metal Underground staff bow to no masters social or corporate, we are in the rare position give you the truth in its rawest form. So with absolute disregard for the powers that be in metal, let’s take an honest look inside this machine to see how it really works.

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Death Metal Underground Tshirts Are Here


Our first round of Death Metal Underground tshirts have arrived and can be yours within only a few days. Thanks to Cliff Kemple and the team at T.C. West Graphics, these tshirts are pro-printed Port & Co. “Core Blend” 50% cotton/50% polyester tshirts with the Death Metal Underground logo on the front and an inspirational message on the back.

All are size XL to fit giant Viking metalheads. We ship first class in sturdy packaging that is totally not discrete so your neighbors know that you worship Satan, Darwin and Nietzsche on the altar of the music of the undead ancients, or words to that effect. This first batch is not huge, so if you want one, speak up sooner rather than later!

SOLD OUT! — for now.

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