Crustfund social justice warrior, hypocrite, alleged groupie, liar, and Vice columnist Kim Kelly openly supported white genocide on Twitter late last month. She gave her “total support” to Drexel university associate professor George Ciccariello-Maher who publicly wished for a white genocide as a gift last Christmas on Twitter and slammed his critics as “white supremacists”. He followed up his initial lust for ethnic cleansing of his own race with another tweet stating:46 Comments
Vince Neilstein (Ben Umanov) of scenester social justice warring metalcore blog MetalSucks called Varg Vikernes of Burzum racist for stating that the Western liberal media do not feature the heroism and cultural achievements of white men, specifically Alexandre Migues who helped stopped the Islamic fundamentalist terrorist truck driver in France last week, as it doesn’t their promote their multicultural agenda. Neilstein then reneged on his apology to K.K. Warslut from Destroyer 666:
But what else should we expect from Varg? Perhaps he should invite his buddy from a certain Australian black metal band for a weekend at his home in the French countryside so they can lament the struggles of white men everywhere as they drink their fine, white privilege wine and kiss and cuddle by the fireside.
Not only did Vince/Ben go back on his word to not call Destroyer 666 cock rock stage banter racist again, he made a gay joke which surely won’t endear him to his overly-sensitive social justice warrior hipster readers. Later, Vince tried to backpedal on the current version of the page:33 Comments
The inaugural September installation of Shadow Woods Metal Fest, the new mid-Atlantic, open-air, camping-based metal fest, has moved slightly Southeast, from its initial placement in Southern Pennsylvania to White Hall, in Harford County, Maryland.
Set to take place September 25th – 27th, 2015, the new location of Shadow Woods Metal Fest is similar to the previous site, with deep woods, cabins and tent camping fields, yet is slightly closer to both Baltimore and Philadelphia, making it even more accessible to East Coast metallers planning on attending the diverse three-day festival. The more intimate setup of the new camp is equipped with several cabins, modern plumbing bathrooms, a professional kitchen, a lodge building, and access to a river, as well as an indoor stage.
Since initial announcements, Menace Ruine dropped from the lineup and was replaced by Black Table, yet the remainder of the Shadow Woods Metal Fest lineup remains the same, including lead performances from Midnight, Falls of Rauros, Occultation, Velnias, Iron Man, Anagnorisis, The Flight of Sleipnir and Stone Breath, along with twenty-six additional acts. The fest is also likely to be the first live performance for the surviving members of Wormreich since their tragic vehicle crash in April. The gathering showcases underground black, doom, death, and noise and experimental metal bands on two alternating stages all day Friday and Saturday. Camping and workshops on topics such as runes, guitar maintenance, yoga and more will be offered and are included in the ticket price. Artists and record labels will be vending alongside several onsite food stands.
There will be ZERO ticket sales at the gate for Shadow Woods Metal Fest– advance presales to those 21 years of age and older is the only way into the fest, and is still BYOB. Cabin beds are now included in the ticket price but are limited to first-come first-served. There is a list you can sign up on mentioned in the private group. There are only 350 tickets in total, and half of those tickets have been sold.
Additionally, the Shadow Woods Metal Fest website has been redesigned to include a store — including a new poster for the event designed by Fred Grabosky of Sadgiqacea. — as well as the newly-launched Shadow Woods Radio, showcasing artists set to perform at the festival. Check it all out RIGHT HERE.
SHADOW WOODS METAL FEST 2015 Alphabetical Lineup:
- Anagnorisis (Louisville, KY – black metal)
- Anicon (New York, NY – black metal)
- Ashagal (New Hope, PA – ritual folk)
- Black Table (NYC/NJ – experimental metal)
- Bridesmaid (Columbus, OH – instrumental doom-sludge)
- Cladonia Rangiferina (VA – ritual black metal, doom, acid rock)
- Dendritic Arbor (Pittsburgh, PA – black metal / powerviolence)
- Destroying Angel (Philadelphia, PA – folk music for exorcisms)
- Dreadlords (Philadelphia, PA – ritual black metal blues)
- Dweller In The Valley (Frederick, MD – black, death, doom)
- Existentium (Baltimore, MD – melodic technical death metal)
- Falls of Rauros (Portland, ME – folk/atmospheric black metal)
- Fin (Chicago, IL – black metal; unsigned)
- Heavy Temple (Philadelphia, PA – psychedelic doom)
- Hivelords (Philadelphia, PA – experimental psychedelic black doom)
- Immortal Bird (Chicago, IL – black/death metal)
- Iron Man (MD – doom metal/heavy rock)
- Midnight (Cleveland, Ohio – black heavy metal)
- Molasses Barge (Pittsburgh, PA – traditional doom metal)
- Occultation (New York, NY – doom metal)
- Oneirogen (New York, NY – dark, doom, drone)
- Psalm Zero (New York, NY – experimental black doom)
- Sentience (Woodland Park, NJ – death metal)
- Slagstorm (Hagerstown, MD – prehistoric doom thrash)
- Snakefeast (Baltimore, MD – jazz metal sludge)
- Stone Breath (Red Lion, PA – experimental folk)
- The Black Moriah (Dallas/Fort Worth, TX – Western occult black/thrash)
- The Day of the Beast (Virginia Beach, VA – blackened death metal)
- The Expanding Man (Baltimore, MD – solo improvisational electronic soundscapes)
- The Flight of Sleipnir (Denver, CO – black metal)
- The Owls Are Not What They Seem (York, PA – experimental ritual soundscapes)
- Tyrant’s Hand (Baltimore, MD – deathened black metal)
- Unsacred (Richmond, VA – savage black metal)
- Velnias (Denver, CO – blackened folk/doom metal)
- Wormreich (Huntsville, AL & Nashville, TN – black metal)
- ZUD (Portland, ME – bluesy outlaw black metal)
Social justice warrior Paul Resnikoff of Digital Music News whined that some metal bands on Spotify were on a Southern Poverty Law Center list of “hateful” bands on Itunes in hope of virtue “signal boosting” his pathetic music industry blog.12 Comments
Tags: ad hominem, attention whore, battlecry, Bolzer, censorship, centurion, communism, communists, cultural marxism, Dark Fury, digital music news, endless pride, geimhre, Grand Belial's Key, granulosum, hate forest, kamaedzitca, kolovrat, metalgate, music streaming, national socialist black metal, news, nokturnal mortum, nsbm, paul resnikoff, political correctness, seges findere, selbstmord, sjws, social justice warriors, socialists, southern poverty law center, spear of longinus, special snowflake, spotify, streaming, thunderbolt, virtu
With the fiftieth anniversary of metal music around the corner, forthcoming years will witness an increase of publications dealing with the history, legacy and defining characteristics of the genre. This could finally resolve the lack of consensus that still exists regarding the definition and origins of heavy metal.25 Comments
Tags: Ambient, article, black sabbath, cream, electronic, Genesis, hard rock, Heavy Metal, heavy metal history, heavy rock, metal history, origins of heavy metal, progressive electronic music, progressive rock, proto-metal, psychedelic rock, punk, tangerine dream, the stooges
Sadly apart from Sammath, some other Dutch metal, and reissues, Hammerheart Records appears to publish many moronic releases produced by poor excuses for neurons in hopes of flooding shelves like every other larger metal label.10 Comments
Tags: 2017, brutal unrest, cirith gorgor, dead head, ereb altor, exoskelett, funeral twilight, hammerheart, hammerheart records, metalcore, mourners lament, sadistic metal reviews, stinking shit, the monolith deathcult, trinitas
Tags: 2017, angelcide, bereft of light, black 'n roll, crypto-indie, curved blade, ein, folk metal, folk rock, gevurahel, karne, magoth, mavradoxa, metalcore, posers, reviews, sadistic metal reviews, sator malus, screamo, shit, stygian temple, symposium of torments
Article contributed to Death Metal Underground by Richard Sullivan.
Western civilization is currently gripped in a culture war unlike any that preceded this one. You may ask what makes it so different than the others, considering the West witnessed a similar one of its kind back in the late 1950s with the emergence of the New Left. Arguably, there’s never been a real difference in the left’s rhetoric. For as long as anyone cares to remember, white, heterosexual, “cisgender” men, who maintain the “capitalistic, racialized, cisnormative patriarchy” have always been at the center of their ideological attacks. The only thing that has changed has been their ability to have said rhetoric heard beyond the confines of university lecture halls. It was rare to encounter an enlightened™ human™ bombarding you with vitriol and threats of violence – because you failed to recognize the intersectionality between race™, gender™, and sexuality™ – outside a gender studies class. Of course, these things still occur, but with greater frequency, and to the point where a flash mob of overweight, hipster beta males twerking in tutus in a school’s atrium is viewed as them just “expressing themselves”, but, more boldly, as an act of defiance against conventional norms of masculinity.50 Comments
Tags: alt-lite, alt-right, attention economics, beta males, capitalism, communism, communists, democracy, economics, feminism, gender identity issues, hippies, hipster invasion, hipsters, human rights, identity politics, idiots, internet drama, mental retardation, metal forum, metal-archives, metalgate, political correctness, politics, sjws, social justice warrior, social justice warriors, social realism, special snowflake
White Death turn black metal into pop rock on their self-titled album, White Death, for scenesters who want to be tough and are mad that black metal songwriting was based melodic narratives instead of hooky pop-singalongs like Gothenburg metal. White Death aim to reach out to that group of scenesters who used to shop at Hot Topic back when they were teenagers. White Death even have an edgy Finnish nationalist theme to go with their generic, non-descript Satanism! Scenesters don’t have to want to send the world back to the Dark Ages anymore, they can just drink beer for the evil and chant sing-alongs about the 5’3 Simo Häyhä shooting hundreds of frost-bitten Ivans! Wait White Death’s lyrics are not even about the Winter War, just generic mall Satanism; the Auntie Anne’s Pretzels of evil.5 Comments