An album judged some of The Best Underground Metal of 2016 but hitherto had yet to receive a dedicated review.
Kshatriya‘s Vsque ad Sidera Vsque ad Inferos is a black metal album celebrating the prehistoric conquest of everything from Ireland to India by pastoral Proto-Indo-European peoples from their urheimat located in the northern reaches of the Pontic-Caspian steppe in what is now Russia and Ukraine. The Indo-Europeans were a martial race among the first peoples to domesticate horses, worshiped the sky father Dyeus Pater, and spoke antecessor of most European languages.
Continue reading Kshatriya – Vsque ad Sidera Vsque ad Inferos (2016)
Before lapsing into embryonic death ’n’ roll on their second LP False (1992), Gorefest were among the earliest Dutch proponents of solid bread-and-butter death metal with a sense of melodic contour joining the many rhythm riffs into coherent songs which reach a point of focus in their cycles, forcing re-interpretation of its parts. The early style more or less complete on their demo recordings was brought to a fuller and more refined form on the 1991 debut album Mindloss.
Continue reading Gorefest – Mindloss (1991)
Article by Lance Viggiano.
Autechre‘s elseq 1-5 is a four hour anthology consisting of five individual EPs, each compiled together loosely upon conceptual coherence between the constituent tracks. elseq 1-5 is an exercise in release format rather than just content; the artists behind Autechre seek to utilize the immediacy of the digital age, releasing tracks “as they go” without traditional limitations imposed by the “album.” Granted of course this collection appeared as a hulking and impenetrable dump rather than a sequence. This point bears worth remembering as this overview proceeds as the temptation to view elseq 1-5 as a complete work, or works, is ingrained in popular habits.
Continue reading Autechre – elseq 1–5 (2016)
2016 is over. The funderground mentality continued spreading forth, infesting metal over the last year just the same as it had in the decades past the genre’s artistic high-point in the early nineties. Rehashes of past greats pandering to a lowest common denominator audience continue to dominate the release schedules of metal labels all too willing to please the lemmings with music fit to safely ignore during drunken socializing. Ever-flowing streams of posers are desperate to be rock stars, pumping out plagiarism, and paying their way to record deals. File sharing and streaming reducing the cost of hearing new music to essentially nothing has led fans to constantly consume whatever is new regardless of quality. However the purging is at last at hand. The day of doom is here. The filth who have lied and corrupted the underground must be cleansed while the commendable elite few will remain.
Continue reading The Best Underground Metal of 2016
Most excellent drummer Craig Smilowski has joined Disma. Smilowski drummed on the first two Immolation albums, Dawn of Possession and Here in After, and will be an excellent addition to the band. Will social justice warriors and the Deathfest organizers burn early Immolation records now as Smilowski joined Craig Pillard‘s band? Let’s find out!
Continue reading Craig Smilowski Joins Disma
Compact cassette music sales rose 140% over last year. Wow, noise, and flutter! How quaint. Hipsters have declared their love for a format that, unlike the vinyl LP, does not even sound particularly good. The most commonplace Dolby noise reduction systems in most cassette decks cause immense loss of high end detail. Most hipsters collecting cassettes can’t even find a player with a properly aligned tape head. Most will probably be using ghetto blasters or Talkboys as they were six in 1992 when Home Alone 2 came out.
Continue reading Hipsters Fetishize Cassettes
Memoriam posted the first track and track list for their upcoming death ‘n’ roll album For the Fallen. Hear Karl Willets sound tired and rip off himself on “Reduced to Zero” over riffs that make Benediction‘s The Grand Leveller sound like a peak of death metal in comparison. I’m so excited! Let’s find out what this single sounds like!
Continue reading Memoriam Snore Through “Reduced to Zero”
Lord Wind quietly released a new demo late last year for free download on Bandcamp. The Graveland side project’s last album, Ales Stenar, was one of the best of 2012. Hopefully a new record will follow soon.
Rob Darken posted his own account to the Graveland website of how anti-fascists and communists shut down the Messe des Morts VI festival in Montreal late last year. As readers are probably aware, the local police eventually shutdown the festival and forbid Graveland from taking the stage.
Marduk are touring the United States this February to promote their repetitive failed album Frontschwein. Incantation are opening for every American headbanger who hasn’t seen Incantation live yet.
Continue reading Marduk & Incantation February 2017 US Tour
Finnish death metal band Abhorrence are releasing a live album of their comeback performance at the 2013 Tuska Open Air Festival. Totally Vulgar – Live at Tuska Open Air 2013 is coming out February 10th on Svart Records. Svart released an earlier anthology of the band, Completely Vulgar, that was some of The Best Underground Metal of 2012.
Continue reading Upcoming Abhorrence Live Album
Memoriam‘s For the Fallen is coming out this March on Nuclear Blast according to Amazon.com. Memoriam is the death metal band with Karl Willets and Andy Whale of Bolt Thrower and former Benediction members on guitar and bass.