Interview with Jan Kruitwagen of Kaeck (2021)

Already gaining a lead on all other contenders for the most compelling underground metal album of the year, Kaeck has on Het Zwarte Dictaat made the masterpiece of violent rhythm riffs and melodies that much of the underground wishes it could, combining black metal and war metal with doom metal and death metal to create a constantly changing mood within a fluid style. Fortunately, guitarist/composer Jan Kruitwagen had a few moments to give us his take on the band and state of the metal genre.

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Smoking Outside the Box

They always tell you to “think outside the box,” as if having everyone focused on non-conformity will result in anything but a new variety of conformity. So much of life comes back to the mirror image, where we are staring at a representation of ourselves, and trying to change how it looks, despite everything happening in reverse since left is right and right left.

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Kaeck – Het Zwarte Dictaat (2021)

Easily a candidate for album of the year, Het Zwarte Dictaat from Kaeck makes a form of war metal that incorporates the subtle melodies of black metal and the longer atmospheric riffs of later death metal, melding a primitive assault along the lines of Zyklon-B and Blasphemy with the type of elaborate construction we might expect from Emperor or Demigod.

With use of precise riffs, this album creates atmosphere in the classic underground metal style that contrasts loping hypnotic riffs with bursts of fury, allowing the song to emerge from a smoldering inner conflict like a car shooting out of a darkened tunnel into the light, looking for clarity within a shifting landscape of ambiguity and violence.

In its blend of war metal, doom-death, and black metal, Kaeck runs the gamut of tempi and rhythms over the course of this album, transitioning from the primitive to the almost reverentially mood-driven. By blending current methods with the most ancient of metal traditions, Het Zwarte Dictaat keeps a foot in the past while stepping into the future.

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Condemner Posts Rehearsal Track of “Male Patratis Sunt Atra Theatra Parata”

Texas post-death metal band Condemner — which seems to combine Celtic Frost, Incantation, and Blasphemy in its sound — posted its latest rehearsal track yesterday, showcasing its desire to stack primitive chromatic riffs against rumbling discursion in order to make wandering, melancholic tracks with an undertone of violent Nietzschean-Galtonian “might is right” conflict.

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Death Metal Baron Rewilds Estate

We all love a good feel-good news story, in this case about an Irish baron who rewilded his estate:

According to the UN, the world needs to rewild and restore an area the size of China to meet commitments on nature and the climate – but not everyone applauds Ireland’s pioneering effort. “You’d be surprised when you live in a castle how many times people think you’re an idiot,” says Plunkett, the 21st baron of Dunsany.

He still loves death metal, and sports a ponytail and (fake) leather jacket, but he decided seven years ago to turn over 300 hectares of his estate to nature – no livestock, planting, sowing or weeding.

Before, the estate had just three types of grass, now it has 23. “I didn’t do it, the birds did.” Trees regenerated and multiplied – oak, ash, beech, Scots pine and black poplar. “I see a lot of saplings growing that I haven’t planted.”

Death metal emphasizes reality over human pretense. This leads us to see the importance of eternal things, instead of immediate novelty-based social gratification, and therefore treasure that which is out of human control.

On the other hand, any time you get a committee or a herd of people together, they start demanding that human desires become more important than reality, and this never works, so they double down and it becomes an obsessive mania to smash anything other than human desires.

This culminates in a state like Communism or Consumerism where human rules control everything, and as a result, life detaches from both nature and common sense, leading to a tedious existence of servitude to the lowest common denominator.

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