Demoncy‘s Within the Sylvan Realms of Frost has been quietly reissued by Nuclear War Now! Productions on CD as part of their series of Demoncy reissues. Within the Sylvan Reams of Frost is the most Norwegian sounding recording of Demoncy’s work and is a nice point in-between the classic Joined in Darkness and the controversial, almost Gothenburg, Empire of the Fallen Angel. Nuclear War Now’s remaster of Faustian Dawn last year sounded great so check this out if you’re a fan of Ixithra’s earlier material.
Earache Records is repressing the vinyl LPs of Bolt Thrower, Carcass, and Morbid Angel from the original tapes due to popular demand and inflated Ebay and Discogs prices. I reviewed the “Full Dynamic Range” remaster of Altars of Madness last year which sounded great. All are available for pre-order from Earache’s webstore and digital versions of most are on Earache’s Bandcamp page.
The music of Emperor is commonly misconceived by the mainstream metal media and certain YouTube clowns to be merely an atmospheric wall of sound or symphonic black metal orchestration engineered for superficial, surface level aesthetic appeal to an audience atypical for black metal. This is in fact not the case. In the Nightside Eclipse is just as perplexing to typical headbangers on first encounter as it was upon release in 1994. Mainstream audiences are even more flabbergasted and regard the record as a mere curiosity produced by those murderous church burners, preferring Emperor’s more rock-structured later work such as Anthems to the Welkin at Dusk, which abandoned the band’s signature riffing style and method in exchange for ones influenced by more stereotypical Norwegian B-listers such as Enslaved and Kvist. Emperor did eventually sell out, becoming technical guitar wank, rock-structured heavy metal after their rhythm guitarist Samoth and drummer Faust were imprisoned in 1994 and their songwriting influence subsequently waned. Yet In the Nightside Eclipse‘s hymns to Satan and Sauron remain as natural mutations of their metallic predecessors’ attempts to imitate horror scores and classical music’s overwhelming power of sublimity.
Tommi Gronqvist of Finnish death metal band Desecresy was interviewed by French webzine Mithra! Templezine this week. Tommi explains how Desecresy arose from the ashes of Slugathor, the cohesive songwriting, his homegrown production techniques, the role of those cryptic blackened lead melodies, and how Jarno Nurmi (Serpent Ascending) writes the lyrics.
Vader are touring North America this year in support of their mediocre new release, The Empire. Hopefully Vader will play a good amount of material from their better, older releases such as The Ultimate Incantation and De Profundis. Tour dates and the press release are after the jump.
The first batch of bands for the Fall of Summer 2017 festival in France were announced in an overenthusiastic press release for a decent but not great lineup. Blasphemy, Demolition Hammer, and Bulldozer are playing along with a bunch of dumb hipster bullshitters and stoner doom idiots. Check it out if you’re nearby and want to deal with a bunch of drunken beer metallers.
Project Veritas caught wind that anti-fascists and communists were planning to stink bomb the presidential inauguration of Donald J. Trump. The Progress Unity Fund, Worker’s World Party, Americans Take Action, the Answer Coalition, and other Marxist organizations were implicated. The DC Anti-Fascist Coalition was caught on video planning to pump a pint of butyric acid into an inaugural ball. Planning and scouting out locations for such an action is a violation of anti-terrorist laws.
Most excellent drummer Craig Smilowski has joined Disma. Smilowski drummed on the first two Immolation albums, Dawn of Possession and Here in After, and will be an excellent addition to the band. Will social justice warriors and the Deathfest organizers burn early Immolation records now as Smilowski joined Craig Pillard‘s band? Let’s find out!