Article by David Rosales.
A trend in the modern conception of anything has been that the newer something else, the better we expect or assume it to be. Experience in reality, however, has also given rise to another perception: that the new tends to be worse and not better. Attempts at rationalizing this drive the pseudo-intellectual, pro-sheeple crowd to say that times just change, but ratios of quality do not vary. This is not only unscientific but an obvious politically correct answer that has as its premise that everyone is equal, and hence, that the resulting products of these “equal” people must also be probabilistically equal. Impermeable external influence seems to them the only changing factor, with the internal being either infinitely constant or practically negligible. This is assumed and then possible causes are haphazardly and desperately pieced together, the answer is assumed and then anything is either positive evidence or brushed aside if too problematic to incorporate into the fairy tale. Ignorance compounded with pretense and emotional insecurity always results in capricious imposition of an arbitrary and dogmatic concepts and scale of values.
Tags: Bathory, hell awaits, slayer, Under the Sign of the Black Mark, underground, underground metal, underground music, underground never dies
Article by Lance Viggiano inspired by International Day of Slayer.
A candidate for the best work within a genre of music should capture every manifestation as best as it can and be able to answer the question: what is X? One might make the argument that the best album must capture the genre at its summit; still, that is a far more difficult essence to capture as in the case of metal, both black and death metal scaled adjacent but different peaks and therefore offer their own unique views of the same musical landscape.
Tags: extreme metal, genre, hell awaits, music analysis, musical analysis, proto-death, Proto-Death Metal, proto-underground, slayer, Speed Metal
Article by Johan P.
The stylistically inclusive nature of progressive rock allows quite a lot of stretching of the genre’s musical boundaries. This part of Death Metal Underground’s 1970s Progressive Rock for Hessians series looks into the early, classic period of the English group Hawkwind – a group of sonic shaman-warriors who transgressed more than one genre border right from their inception. Well, almost. Their unconvincing 1970 self-titled debut album can rightfully be dismissed as a failed attempt at improvisational psychedelic folk rock, with songs that sound too much like flawed byproducts of the flower power era. Luckily, the following years saw the band re-forge their sound on In Search of Space (1971), articulate it on Doremi Fasol Latido (1972) and finally push their newfound style to its limits on Space Ritual (1973).
Tags: 1970s, 1970s Progressive Rock for Hessians, Ambient, ambient music, electronic music, hard rock, Hawkwind, lemmy, lemmy kilmister, music analysis, musical analysis, prog rock, progressive, progressive rock, psychedelic, rock, space rock
Dauphiné Witch Trials, 1428-47:
Johannes Cunalis had a book of necromancy [librum it nigromanda], and that when he who spoke opened this book at once there appeared to him three demons, one named Luxuriosus, another Superbus, and the third Avarus, [all of them] devils…
Tags: dethrone the son of god, havohej, History, Occultism, paul ledney, Satanism, witchcraft
Dismember‘s Like an Ever Flowing Stream turned twenty-five this weekend. Like an Ever Flowing Stream upped the intensity from Carnage‘s Dark Recollections in the same way that Legion would do from Deicide‘s debut. Like an Ever Flowing Stream was faster, heavier, and more distorted. Dismember drenched themselves in blood and plugged dimed Boss Heavy Metal 2 pedals into dimed Marshall JCM 900 stacks, generating a ridiculously fat, high-gain rhythm guitar tone to trample and mangle all others.
Tags: 1991, anniversary, carnage, death metal, Dismember, Like an Ever Flowing Stream, Nicke Andersson, Sweden
“Melodic death metal” is meaningless. What is popularly called “melodic” death or black metal can be roughly divided into the three different types of music sketched out by Ludvig Boysen in his “The Three Types of Melodic Death Metal” article for Death Metal Underground. While Ludvig’s three categories are essentially correct, refining and broadening them allows formal classification of all “melodic” death and black metal. Note that Death Metal Underground’s extensive Heavy Metal FAQ covers the topic of genre in great depth but a brief rundown for the ignorant and lazy is in order.
Tags: carcass, chromaticism, death metal, Flight of the Bumblebee, genre, Heartwork, incantation, melodeaf, melodeath, melodic black metal, Melodic Death Metal, melodic metal, music analysis, musical analysis, onward to golgotha, Rimsky-Korsakov
Article by Ludvig Boysen.
There are three different kinds of music that are popularly called “melodic death metal”. Each is distinct and none even belong to the same metal sub-genre.
Tags: amorphis, At the Gates, Deicide, Legion, melodeaf, melodeath, Melodic Death Metal, metalcore, musical analysis, Slaughter of the Soul, The Karelian Isthmus
Article by David Rosales.
Ancient myths are the remnants of an age when oral traditions were the main way by which humans preserved and passed on knowledge. This may be the reason why multi-layered symbols and complex relations in stories awkwardly designed to fit differing messages into a form that we may now consider silly. Differing schools of scholarship have developed distinct theories when compiling, reconstructing, and interpreting these messages. Many keep their own “updated” versions which have morphed on their own into the age of the text when the written word defined the transferring and preservation of human knowledge.
Tags: crimson relic, Donald Alexander Mackenzie, Forbidden Rites, franz berwald, merciless, Mythology, mythos, Purgatory's Reign, Richard Kieckhefer, Serpent Ascending, The Awakening, The Enigma Unsettled, underground metal, underground music
Article by David Rosales.
The Witch is a non-Hollywood movie set in the 1630s dealing with a witch psychological attacking a family of New England colonists. The Witch here is typical of traditional European folklore. The filmmakers took cues from historical documents, “first hand” accounts, and contemporary folk tales. Lurking behind the vague but shocking impressions veiled in mystery that our post-Christian society still has, are the insubordinate traditions and purposely asocial philosophies that defined the attitudes of practitioners of the left hand path.
Tags: 2016, art films, film, Horror, horror film, horror movie, Left Hand Path, Philosophy, review, Robert Eggers, The Witch
Sludgecore band Agoraphobic Nosebleed threw a fit for publicity over a recent batch of Death Metal Underground’s Sadistic Metal Reviews. Frontwoman Katherine Katz called us Fox News for our criticism of Agoraphobic Nosebleed’s shrieking short woman over a drum machine shtick and our psychological speculation as to why Agoraphobic Nosebleed would even bother releasing such failure other than for commercial exploitation of a musically-ignorant hipster fan base craving reaffirmation of their modern liberalism. Katz even claimed that artists should be responsible for the extreme actions of others in response to satire and that some topics should be completely off lyrics. For her, everyone who listens to “Embryonic Necropsy and Devourment” will potentially commit feticide. This is incredibly hypocritical for a band who shared a member with Anal Cunt and wrote Frozen Corpse Stuffed with Dope.
Tags: Agoraphobic Nosebleed, Angel Witch, Black Metal, black sabbath, blessed are the sick, communists, death metal, Heavy Metal, His Majesty at the Swamp, masculinity, mercyful fate, metalgate, morbid angel, NWOBHM, Occultism, Philosophy, Root, Satanism, varathron, Zjevení