Hidden Metal In Plain Sight

Underground occult metal blog Praefuscus Ferrum recently posted a piece entitled “Underground turned Funderground, and the Obscurantist Elite” proposing that what killed underground metal was widespress consumer access to new technologies such as the internet. These and the increased exposure to fans led artistically successful underground metal bands to pursue raw consumerism at the expense of writing transcendent music. D.A.R.G. points out that “the truest artists purposefully hide away from the profane eye” as the communication mediums the underground metal utilized (physical mail, tape trading, and BBSes) have been usurped by ones more accessible to laymen. He states the underground became the “funderground” in the blink of an eye as mainstream rock and pop fans who felt adventurous wanted rock and pop music with “black” and “death” “metal” production aesthetics, not actual death, black, or even heavy metal. Now the musicians actually writing novel underground metal compositions hide unbeknownst to the typical beer metaller in plain sight.

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The Sad Pandemic of West Coast “Black Metal”

Today’s American black metal has found itself right within the parameters of Poe’s Law which, when applied to this abomination of a music scene, would sound something like this:

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Metal In An Age Of Insincerity

Over at Clrvynt, filmographer David Hall finally notices what DMU has been saying for 22 years: that heavy metal died in 1995 or so through lack of new ideas, and has been assimilated by rock music because metal is a better product as a flavoring than a separate entity. (more…)

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Revisiting The Days When Black Metal Died

“Nothing gold can stay,” reminds us the poet Robert Frost, and this applies to black metal. Its gold occurred between 1991 and 1994, when its progenitors innovated a new style and took it to great heights, but after Burzum – Hvis Lyset Tar Oss, it became clear that black metal was not content to be a normal, rock-style music genre.

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Thirty Years Under the Sign of the Black Mark

Bathory‘s Under the Sign of the Black Mark turned turned thirty years​ old last month. The album marked the start of Quorthon adding in the epic atmosphere of Manowar and Iron Maiden which would come to fruition on Blood Fire Death. Under the Sign of the Black Mark also happened to be one of the first black metal CDs I ever purchased, which I preceded to play non-stop for about a week until getting bored of it and going back to listening to Altars of Madness.

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Vice Magazine’s Embarrassing French Black Metal Film

As part of their quest to ruin everything interesting and appealing about both metal and life, the gullible cronies of media pyramid scheme Vice Magazine have journeyed to the grim countrysides of the French black metal underground to film what is undoubtedly the most boring film in the history of music. While Vice markets this abomination as a “documentary” calling it such is actually a misleading statement as the film is little more than a collection of autistic ramblings without a single question or narrative statement. In any case, the eyesore is a bastardization of the region’s legacy as any shred of decency still possessed by the founding members of Mutiilation and Drakkar Productions have been urinated directly into the toilet as they hammed it up for the same forces that they claim to be rebelling against. Fortunately, the film’s lack of credible sources and unbelievably poor post-production prevents it from succeeding in the demystification of what was once one of the more intriguing regional black metal scenes.

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Dark Economic Truths of Underground Metal

Recently many of the other “metal” websites, blogs, publications et cetera have been doing articles about the business side of music industry. Unsurprisingly none of these articles had the testicular fortitude to address the ugly reality of the underground metal economy as they are written by either slaves to the machine itself or losers who genuinely believe that they have “careers” in music which heavily depend on acceptance by the community. Since the Death Metal Underground staff bow to no masters social or corporate, we are in the rare position give you the truth in its rawest form. So with absolute disregard for the powers that be in metal, let’s take an honest look inside this machine to see how it really works.

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Onward to Golgotha: The Deepest Death Metal

Incantation‘s debut and best work, Onward to Golgotha, remains the deepest death metal album I have ever experienced a quarter century after its release as of today. With material (“Unholy Massacre” and “Profanation”) dating back to the initial founding of Incantation by guitarist John McEntee and drummer Paul Ledney, Onward to Golgotha was a record influenced as much by Bathory and Beherit as it was Morbid Angel and Autopsy.

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