Chupacabra’s music comes from the heart – that is, the part of the individual that is between the mind and the gut. Working without an established template, the songwriter finds and applies sounds in a unique organization specifically to reflect a profoundly idiosyncratic perspective on existence. This is a risky move: Most musicians are content to operate within an established paradigm, adapting to the constraints and handicaps offered by the genre that produces music with which they most closely identify. To abandon paradigm altogether and strike out on one’s own, neither with nor against the current but out of the river itself, is quite bold. But for Chupacabra, it is completely natural. Take a listen to this musical example of what Jung called “individuation”; the process that unifies the unconscious and the conscious, completing a powerful circuit through which ancient genetic memory is filtered and refined by real-time intelligent planning and analysis.
Brazilian black metal band Mystifier outed themselves as avowed socialists, black supremacists, and evolution deniers in an unpublished interview from 1999 posted years ago to the Nuclear War Now! forum by the interviewer Werwolf.
We recently reviewed the 2015 EP from Undead entitled Blood Enemy. This underground metal release combines the best of late 1980s speed metal with the architectural song transitions of Swedish death metal. Fortunately, the band were on hand to answer our questions about their music, approach and the art of death metal.
Dismember are currently in the process of reissuing their merchandise and back catalog to combat rampant poor-quality bootlegs. Brett Stevens reached out to the band for an email interview and drummer Fred Estby most graciously agreed to answer our staff’s questions:
Paramus, NJ band Monument Of A Memory creates what some call “modern death metal” and others, with a nod to its origins in a late punk/death metal hybrid, deathcore. The band is about to release its second recording, Catharsis, and vocalist Tommy Gehringer and bassist Josh Correa took the time to give us some insight on music and the theory of being a metal band in the current age.
Death Metal Underground staffer Corey M reached out to the prolific French-Canadian black metal band Sorcier des Glaces for a written interview about their career. Our staff compiled a list of questions which Sébastien from Sorcier des Glaces thankfully and thoroughly answered:
This interview was completed with Blender Jeremy Reeves, Adam O’Neill and Ted Swearingen.
Like many Hessians, I enjoy Nicotine, not only for its calming mental state but for its cognitive benefits. While I love cigarettes, snuff, chew, cigars and cigarillos, my ultimate love is the pipe: a method of absorbing Nicotine slowly, with maximum flavor, that rewards the contemplative mind.
As a result, I have become a fan of not only Cornell & Diehl tobacco blenders, but also occultist Aleister Crowley’s blend of “rum soaked Perique” which he smoked to prepare for mystic rituals. When I heard that Cornell & Diehl’s new “Small Batch” division was planning on releasing a Crowley-themed tobacco named The Beast, I reached out to the C&D blenders with a few questions about the worlds beyond, heavy metal and pipe tobacco.
Cornell & Diehl is releasing a new The Beast tobacco blend. Some have said this is just an extended April Fool’s joke. Is it for real? When does it come out?
The Beast is certainly for real, and will be C&D’s second Small Batch release. There will be 777 tins made, and the official retail release date is April 29th.
What will The Beast be like, and will it feature tribute to Crowley’s lore-famed mixture of rum-soaked Perique?
The Beast is quite powerful and very heavy, being mostly Perique, and the whole blend has been soaked in rum for 7 days. It is undeniably Crowley inspired, and that in and of itself is our tribute.
Have you ever smoked rum-soaked Perique straight and if so, what did you think of it? How will The Beast compare?
I have and honestly I rather enjoyed it. I actually smoke our long-cut Perique straight occasionally on my drive home. If you puff like a freight train, it will knock your socks off, but if you just keep it simmering, the depth of flavor is mesmerizing, and the nicotine is slow to come on and builds nicely.
The Beast is a powerhouse, but it is not straight Perique. I like to think that we have tamed the beast a bit.
How long does it take you guys to invent a new blend recipe? Is there a lot of trial and error? What’s the most fun part?
That all depends on the specific blend in question. I always make several versions of a blend and try different approaches or methods. Sometimes I get it in the first few tries, and sometimes it takes weeks or months of experimentation. There are two blends that I have been working on for about 6 months, and they are getting close to completion but still aren’t quite right.
In the case of The Beast, Ted Swearingen and I collaborated on the blending. We each came up with several recipes and then smoked through the lot together with Shane Ireland and Sykes Wilford. What a time that was! Four guys in a little room smoking seven different versions of this really heavy, rum-soaked Perique blend for about an hour. By the end of it, we all were glazed over, dazed, sweating, and dizzy!
With the new C&D “small batch” line, you’re trying something different. Is this a way for C&D to “test the waters” with new blends? About how much of each small batch do you initially produce?
Yes and no. I don’t necessarily think of Small Batch as a way to test the waters for large scale production, but rather a way for us to be creative and try new things without having to commit to a blend that may be too niche to produce on a more permanent basis.
The C&D line is quite large already, so this model gives us more freedom to try things that might be be difficult in regular production or to use special ingredients that are in limited supply. The possibilities are a lot more open in Small Batch, because we are only going to make the blend one time.
The first round of Small Batch was “Straight Up English,” and we did 400 tins. They all sold in two hours. There will be 777 tins of The Beast released. Next time? That’s anybody’s guess.
Did this approach grow out of a previous marketing strategy by C&D? It seems like you were very adventurous in putting a lot of blends out there and seeing what “stuck” with the audience. How do you know if a blend “sticks”?
That’s actually a remarkably pertinent question given that The Beast is coming out under our Small Batch label. Our main vision for this line was to be able to be more flexible and creative in the blending process without having to commit to production of a large run. In the case of Straight Up English, we’d received some particularly good bright Virginias from Canada and wanted to showcase the interplay between those leaves and Latakia. In the case of “The Beast,” we just wanted a chance to tinker with Crowley’s famous blend, which is an idea we’d always toyed with, but we could never do before now.
As for whether or not a blend “sticks,” we use a combination of feedback and sales. Some blends might not sell so well, but get a lot of positive feedback. In these cases, we’ll usually just scale back production and keep the blend around.
When your team designs a blend, how do you handle the balance between “I would like this” and “our customers would like this,” or are the two very similar?
My approach is to blend things that taste like I want them to and then to consider whether there is broader appeal by taking it around the office and getting feedback. With a quite diverse group of pipe smokers with varied style and taste preferences all in one building, this approach helps me to hone ideas, improve blends, and gain insight into what other members of the pipe smoking community might think of whatever the blend in question might be.
Did you read any Crowley, practice any rituals or listen to any occult-influenced tunes during the invention and production of the blend?
Ted has read quite a bit of Crowley’s work, including The Book of Law, The Book of Lies, The Book of Thoth, and Liber 777 — the title that inspired the number of tins for this blend.
There was not enough room in the production area to make a proper altar, and not enough time in the work day to draw a sigil, but I listen to a lot of occult inspired music of many different genres. Pentagram, Diecide, Asphyx, Possessed, the Devil’s Blood, Celtic Frost, Bathory, Diamanda Galas, Skip James, Iron Maiden, Axe, Black Widow, Sabbat, Black Sabbath all find their way into my regular listening rotation.
Why a tribute to Crowley? Will you be doing tributes to other “interesting” writers?
It seems that Crowley’s idea of smoking Perique soaked in rum in order to reach an altered state for the purpose of performing the dark arts has really resonated with a number of people in the pipe community, inspiring many to try it, and many more to talk about it with varying tones of trepidation, disgust, or fascination.
We wanted to do something that was evocative of Crowley’s mixture but would also be a little tamer and more interesting than just Perique and rum.
I can think of no other author who has inspired such an intriguing bit of pipe lore than Aleister Crowley. That said, you never know where our next inspiration might spring from.
I write for the net’s oldest underground metal site and our audience are rabid death metal fans. Do you all listen to any heavy metal or death metal over there, especially when mixing up Perique? Why should a death metal fan adopt the pipe?
That’s really cool to know! I will have to check out your site!
As I mentioned earlier, I do listen to a lot of metal, and old school death metal is some of my favorite music. Cancer, Disembowelment, Death, Slayer, Onslaught, Monstrosity, Exhorder, Goreguts, Cannibal Corpse, Pestilence…. not counting my physical collection, digitally I have over four months of music, and I’d guess that about 60% of that is metal of various styles (doom, thrash, death, tech, grind, classic, prog, shoegaze, etc.). A couple of the other guys here listen to metal as well.
I think that pipe smoking goes beautifully with classic doom like Candlemass or Solitude Aeturnus, or even the sludgy kind of stuff like Crowbar. I find that I have to concentrate a bit more on keeping my smoking cadence slow if I am jamming to something really speedy like Origin or Pig Destroyer.
How did you get into smoking pipes, blending and eventually working for an innovator like C&D?
Really, that all started in 2003, when I took a position as a sales clerk at a cigar shop in Chicago called Blue Havana. The owner of the shop rented a number of properties in the area, and as it turned out, one of his tenants was our shop’s Lane sales representative, Jeff. I smoked cigars and cigarettes at this point, but Jeff was a dedicated pipe smoker and gave me my first pipe, an old Stanwell sandblasted Billiard that was well smoked.
This pipe and Jeff’s careful tutelage really started my curiosity and interest in pipes and pipe smoking, but it wasn’t until I left that position in 2006 and went to work at Iwan Ries that pipes really clicked. I have always been an adventurous smoker, always looking to smoke something new, and Iwan Ries certainly offered more pipe tobacco and pipes in one place than any other shop. Suffice to say, I tried as much as I could get my hands on. It was also while employed at Iwan Ries that I first became aware of the greater pipe smoking community, eclectic and strange as it is. This was also the first time that I became aware of Smokingpipes.com.
When I left Iwan Ries in 2007, I went back to working in restaurants, and when I left Chicago to move to Portland, OR, Smokingpipes became my primary source of pipes and pipe tobacco. I was continuing to work in food service, making wood-fired pizza at Pyro Pizza. We were using local ingredients, making our own mozzarella, butchering, and curing our own meats, making our own sodas, growing our own herbs, etc. I had always cooked from a young age, but this was really creating food on a whole new level. I also had the opportunity to build two wood fire ovens for the company, which was really cool.
After a few years at Pyro, I learned of a job opening at Smokingpipes and decided, at the urging of my girlfriend at the time, to apply. They called me the next day, and a week later I flew to South Carolina to interview. I was hired in the Customer Service department for Smokingpipes.com. Cornell and Diehl had become my favorite blending house, and I was delighted to learn that they were merging with Laudisi, SPC’s parent company. Later it came to light that when C&D was to South Carolina, head blender Ted Connolly would be taking retirement, and toward the end of 2014, I was offered the position as his replacement, which I gladly accepted.
I began traveling to Morganton to train with Ted C. and the team in the beginning of 2015, and in May of that year the company relocated to join the rest of Laudisi in the new facility, located in Longs, SC. That’s the condensed version, anyway.
If people like what you’re up to, how do they follow your activities and those of C&D online? Is there a C&D tobacco you’d recommend to start with?
We’re pretty active on all of the usual platforms — Instagram, Twitter, Facebook, and YouTube — plus, as you know, we tend to lurk around the forums.
New pipe smokers tend to roll with Aromatics when they first start out. As such, Autumn Evening (by far our most popular Aromatic) is perfect for newbies, as it smokes dry and cool, which means less relights and tongue bite. Plus it has the same unique red Virginia Cavendish we’ve used in The Beast, only with a topping of boozy maple.
A few weeks ago I conducted a short interview with Brian Tatler (center), the guitarist and primary songwriter of Diamond Head. Their new self-titled album was released on April 7th and will be reviewed on Death Metal Underground shortly. Marred by technical difficulties, here is an edited transcript:
Hi Brian, I’m Daniel from Death Metal Underground. I understand Diamond Head has a new album coming out this spring?
Yes we do. Diamond Head comes out April 7th.
Did you try to hearken back to your early work or go in a more commercial direction?
In a way. We took a look at everything we’ve done over the years. This album should sound like Diamond Head. We took a very Diamond Head approach.
Did you modernize your music? Use digital production and all that?
Well it’s still the old Diamond Head sound. I used a Diesel amp and we recorded into Pro-Tools too. We wouldn’t have been able to get that sound back in 1982. Writing is the main thing. We try to capture the magic in the rehearsal room.
Songwriting is the most important thing.
So much modern metal is just one cool guitar riff and then chugging along until the next part that has no relation to the first.
You still need to write a song.
Who are your songwriting inspirations?
Well, Led Zepplin, Black Sabbath, those sorts of bands. I don’t listen to that modern sort of stuff that much. Some say we write the same songs over and over. That’s the way that stuff is. Diamond Head sounds like Diamond Head. The most influential records were the first few Led Zeppelin, Sad Wings of Destiny, Machine Head.
How do you feel about your influence on the metal and the more extreme sub-genres? Inspiring bands like Metallica, Celtic Frost, and Darkthrone who sometimes copied directly from you?
It’s easy to get deep into the stuff from your youth. You watch these bands play, get a tape from across the ocean a thousand miles a way, and after a few months of playing and writing your own material, what do you know? You have the same riff that’s on the tape! It’s nice to be influential. It makes the band feel important; justifies what we were doing. It’s been said Diamond Head were a musicians’ band: a band that other bands liked. We never sold that many records.
Even things like “Search and Destroy” having the same riff as “Sucking My Love” in a different key?
“Dead Reckoning”. It’s not the same; it’s slightly different. It’s flattering. I’ve got my own stuff from somewhere. Bits of Black Sabbath and AC/DC. Diamond Head were a stepping stone between thrash and them.
I noticed on songs like “The Prince”, you have tempo and rhythm changes in the drums uncommon for metal of the time.
Well we moved the drums around to get more out of each section. We had to get it as good as it had to be. No nudging through
“Am I Evil?” is perfect.
“Am I Evil?” took a while. It took a while to do it. The intro, lots of verses, the last section to the ending, and then going back to the main riff, and testing it out live.
So many bands never have the opportunity to play live now. How important was that?
We tested out everything live to see what songs and verses did work. What would work up a crowd. Some songs didn’t work. This one worked.
Did you start playing live early on?
We formed in ’76 and played our first show in February of ’77.
In local venues like pubs?
Lots of venues. Some not local. One in Birmingham. We started playing in pubs. No clubs. We would put on our own gigs.
Sabbath were from Birmingham. Was that a big deal?
We felt we were following in their footsteps: Black Sabbath and Judas Priest. It’s the second biggest city in the UK. Birmingham had so many bands. Always did too…
How much pressure did Diamond Head feel to become more mainstream and commercial rock?
A bit of pressure. We signed to MCA in 1982. Iron Maiden, Motorhead, and all UK bands appeared on Top of the Pops with their singles. Our long songs prevented that: “Sucking My Love” is 9 minutes long; “Am I Evil?” is 7:40 even. Not a comfortable fit. MCA wanted us to be more like Led Zeppelin except we had no PR, no real touring support with good lineups , nor a huge studio budget. Being managed by our singer Sean Harris’s mother didn’t help. We were dropped from MCA as she wouldn’t agree to a change in management.
Was it a Manowar type situation where he lived with his parents?
He lived with her then. I believe he still lives in the same place but on his own.
The Manowar singer still lives in his parents’ basement in upstate New York.
Any upcoming touring plans?
Lots of dates across Europe. We’re playing Hard Rock Hell and some dates in Germany, the UK, and Ireland.
Each of us finds a path through life. Along the way we collect things we believe in, and things we enjoy. Sometimes those become what our commerce-brained socially-manipulated society might call “hobbies,” but these are often closer to a calling. I was fortunate to interview someone who straddles that line. He calls himself “Metalhead Y Cigarguy” and he runs a successful YouTube channel where he analyzes cigars, pipes and often, heavy metal.
You’re both a metalhead and a pipes/cigar smoker. Do you think the two go together?
If you’re going by stereotypes, no, but that’s why stereotypes are bad. Typically the pipe/cigar smoker is viewed as educated and an upper class individual, whereas the Metalhead is viewed as the uneducated lower class individual. You and I both know this is not the case at all. Now when I first got into pipes/cigars I thought I was one of a few Metalheads that actually enjoyed “the finer things in life,” but I quickly learned that there were a lot of individuals that smoked pipes/cigars that listened to all forms of Heavy Metal music.
That’s the nice thing about the hobby of pipes and cigars, most individuals don’t care about race, religion, political view etc. as we all have a common bond and that’s pipes and cigars. When individuals come together, say the doctor and the Metalhead, at the local cigar lounge, the two can always have an interesting conversation about the hobby even if they disagree about everything else in life. The hobby of pipes and cigars is open to anyone and everyone.
How did you get into smoking cigars? When did you add pipes to your routine?
I used to just smoke a few cigars on the back deck in the summer time. At the time I really wanted to take up pipe smoking, but like most I didn’t really know where to begin, and I didn’t want to spend a bunch of money on something that I may not enjoy. Cigars seemed like an easy first step. After I found myself enjoying cigars I decided to get more into the hobby, so I purchased a small humidor and things took off from there. I soon found myself with several humidors and about 300 cigars on hand.
After being into cigars for a while I decided it was time to try a pipe, so I went to my local tobacconist and picked up a basket pipe and a couple ounces of Lane RLP-6. For the first couple months I only smoked my pipe about 2-3 times a month, but as I got the hang of it more I decided to spend a bit more money on a nicer pipe. Of course just like the cigar hobby, my pipe hobby took off as well. I now have a very well stocked cellar of tobaccos and about 35 pipes. Needless to say I really enjoy my pipes and cigars and pretty much all my spare cash goes into the hobby. My wife always asks, “Don’t you have enough tobacco/cigars?” and my response is always “no.”
You run a YouTube channel with pipe and cigar videos. Where can we find it, and what is on it?
I post a variety of videos on my channel. I have a Sunday Evening Cigar series where I usually review cigars but also discuss cigar related topics, I have a Thursday Pipe Chat where I discuss a variety of pipe/tobacco topics and sometimes I do an occasional pipe tobacco review. I have also done videos on my sports teams, as well as videos where I discuss Heavy Metal music. I’m open to all subjects, but mainly keep it to pipes and cigars.
What do you like about making videos, and why did you pick that format over others?
I started out many years ago on Heavy Metal forums like Metal Rules, Encyclopedia Metallum, Roadrunner Records etc., and when I got serious about cigars I discovered the Cigar Geeks forum. I posted on that forum daily for a good 3 years straight, and there is a great group of individuals over there. As I had grown in my cigar hobby I decided to give pipe smoking a try as I had always wanted to smoke a pipe.
After beginning my adventure into pipes I discovered there was a community on YouTube. After seeing the interaction from people I decided to jump in and give it a go and make videos. As with most people my videos sucked at first, heck they probably still do, but it gave me a better interaction with individuals in the hobby. Forums can be useful, but many times people don’t get to detailed about a particular subject; where as with YouTube a person can spend 5, 10, 15 + minutes talking about a particular subject and provide more in depth information about something you want to know about.
With YouTube its more of a face to face type interaction as you are watching the individual demonstrate tips, tricks, how-tos etc. with the actual pipe and/or cigar, so as a visual learner it was ideal for me. For a long time I didn’t have anyone to sit back and enjoy a pipe or a cigar with either, so by watching YouTube Pipe Community (YTPC) videos I was able to simulate that experience even if it was only a one way conversation. I think that’s why a lot of us do it… to share a smoke with someone and to have some interaction that way.
What is the YouTube Pipe Community (YTPC) and how did you become part of it? What does it do, and how can people find out more?
YouTube is full of different communities that cover topics from Guns/Self Defense, Bushcraft, Gamers, etc., and if you’re interested in a particular hobby then chances are there is a community for it on YouTube. YT has a strong pipe/cigar community that’s been around for a long time. I’ve been a part of the YTPC for four years now, and it was going strong when I joined. It’s basically a community of individuals that post pipe and/or cigar related videos, and create dialog with individuals based off those videos.
Its similar to a forum, but the dialog is generated from the videos. Sometimes instead of just typing out a text reply to the video, individuals will make a video response and post a video that will respond to the topic mentioned in a video by another person. Within the community you will find people that post tobacco and pipe reviews, cigar reviews, how to videos related to pipes and/or cigars, and sometimes people just create ramble videos.
Those are simply the individual talking into the camera as if they were sitting next to an individual and sharing a pipe and/or cigar with them. There are a lot of people that don’t have the opportunity to have a smoking buddy, so many of us can simulate that by watching the ramble type videos and pretend we are hanging out with said individual. Those types of video’s aren’t for everyone, but some people really enjoy them.
Anyone can join the community, all you have to do is post videos. There are no requirements to join other than to just start posting videos. What kind of videos is up to the individual. For lack of a better term, the community is filled with many “lurkers,” which are individuals that watch the YTPC videos, but don’t actually post videos themselves. Some comment on the videos and some don’t, but they watch to gain knowledge when it comes to pipe/cigar related topics.
Really that’s the whole idea behind the community, to help educate other pipe/cigar smokers with tips/tricks and how to information. For example how to pack a pipe, how to properly light a cigar etc. I started out as a lurker, and began watching how to videos before buying my first pipe. I then continued to watch and found that the community was full of a lot of great people. After watching for about five months I decided to give it a go and post a video. It was really weird just talking into a camera all by myself, but the community was very welcoming.
In the past four years I’ve made some good friends, and have had the pleasure of going to pipe/cigar related events where I’ve been able to meet up with other individuals from the YTPC in person. A lot of us will from time to time talk via Skype or Google+ Hangouts, and via a phone app called Voxer. I regularly talk via Voxer with individuals from Australia, Great Britain, and all across the the US who are a part of the YTPC. So it really is a community that goes beyond just posting how to videos etc.
When did you get into heavy metal? What attracted you to it, and what were your favorites? Do you have a “top ten”?
Growing up in the Pacific Northwest when the Grunge/Alternative Rock scene broke open it was easy to get into bands like Nirvana, Alice In Chains, Pearl Jam, Mud Honey, Soundgarden, etc. After a few years it was clear to me that the scene was dying, and the new bands that were coming out were very stale and provided nothing new. As the casual Hard Rock and Heavy Metal listener I expanded on the Heavy Metal side and I became a huge fan of Ozzy Osbourne and Black Sabbath in the mid 90s.
I then got into the Nu-Metal scene, but realized fairly quickly that there was heavier stuff that was better. By the end of the 90s I was getting into more Thrash, outside the Big Four, and into Death Metal and even some Black Metal. As time passed I really came to enjoy the old school Death Metal and Thrash Metal that I missed in the 80s as a young kid and while I was listening to Grunge/Alternative in the early 90s.
Now days I find myself mainly listening to the Traditional Heavy Metal like Ozzy, Black Sabbath, Judas Priest, along with the old school Death Metal bands, Death, Cannibal Corpse, Obituary, Deicide, Malevolent Creation, and Thrash Metal bands like Overkill, Testament, Exodus, etc. outside the Big Four. I enjoy all varieties of Metal though as you can find me listening to Progressive Metal, Power Metal, Doom, Folk Metal, Black Metal etc. I enjoy all of the sub-genres.
What do you look for in a cigar or pipe tobacco blend? Are some better than others? Are there others you “just like”?
When it comes to cigars I like anything from Mild up to Full bodied, though if I’m having a Full bodied cigar I need to go slow and make sure I have a nice meal before hand otherwise I’ll feel the nicotine punch. I prefer a nice Mild-Medium cigar in the morning with a nice cup of coffee, and in the evening I prefer a nice Medium-Full cigar with a nice ale or some whiskey. My favorite brand of cigar is Romeo Y Julieta, and of those lines I really like the Reserva Real and the classic 1875 line.
As for pipe tobacco, I started off with aromatics like many do. I still enjoy an aromatic from time to time, and if I do have an aromatic its usually in the morning with a cup of coffee. As I got more into pipes I really found that I enjoy English/Balkan blends the most. Typically anything with Latakia, Turkish/Oriental, Virginia and Perique will be a favorite of mine. Looking back on most of my favorite blends, they all have those components to them. I also find that I really enjoy McClelland tobaccos. Not saying they’re better than brands like MacBaren, Cornell & Diehl etc., but I find I really enjoy a lot of the McClelland blends.
What should people know before getting into cigar/pipe smoking? What about before they start listening to heavy metal?
With pipes/cigars… just know that its going to be expensive, especially cigars. A nice cigar here runs $5-9 so the cost can definitely add up. The higher end premium cigars range from $10-15+ so its not cheap at all. That doesn’t include accessories like humidors etc. With pipes and pipe tobacco its not as bad as you can get away with an inexpensive corn cob pipe (which are really good smoking pipes) and some inexpensive bulk blends. Though you can find yourself spending hundreds of dollars on some very nice pipes too, so it can be very costly as well. Then adding tobacco to your tobacco cellar will generate an expense as well. Either way you’re going to be spending some hard earned cash. How far into the hobby you want to go will determine how much money you’re going to invest in the hobby.
Heavy Metal carries a bad stereotype, and the music is viewed by many as a guy standing there screaming into the microphone while the band plays unorganized loud music. Now in some cases that may be true, depends on who you’re listening to, but the professional Metal bands are actually very talented musicians with many playing at a high level. Though most people can’t get past the loud noise. Then there is the typical images of hate and satanism.
Now some bands have this image or have lyrics about these types of messages, but not all bands are that way. There are plenty of Metal bands that sing about a positive message. Its up to the listener to decide their preference. For someone that wants to explore Heavy Metal… go for it! You have to look past the stereotypes. There are all kinds of sub-genre’s of Metal so while one genre may not fit your style another might. Sometimes it takes time to really wrap your head around what you’re listening to as well.
For example the first time I listened to Mercyful Fate (King Diamond), his falsetto singing really threw me off and I was like, “What the heck is this?” I wasn’t ready for it, so I put the album on the shelf for about a year. When I came back to it I was blown away by what i was listening to. Now Mercyful Fate and King Diamond are two of my favorite bands. Sometimes you just need to recognize you’re not ready for something, and instead of just dismissing it, come back to it at a later time. Your outlook may change.
Is there a “generation gap” between older pipe smokers and younger ones regarding the video format? Are there any newer formats that bridge the gap?
The forums are most likely to bridge the gap, because unless an individual shares information about themselves you don’t really know the age of the different individuals. As for YouTube, there are many older pipe smokers that make YouTube videos. It’s not just a young pipe smokers format.
The individuals in the YTPC don’t care if an individual is in their early 20s and just picked up a pipe, or if they’re in their 60s and have been smoking a pipe for 40 years. Everyone interacts with everyone. It’s a great community full of helpful information and individuals that love to share their thoughts on the hobby.
How do you make your videos? About how long does each one take? Does it require special equipment, software or a studio?
I keep it real simple as i do it for fun. If it gets to detailed it becomes a chore and then it’s not fun anymore. When I was doing my Thursday Pipe Chat and my Sunday Evening Cigar series on a weekly basis with editing, I was spending a lot of time on my computer (hours). Now I just use my cell phone which records in HD quality. If I do any editing it can take a little bit of time, but I don’t do that much anymore as I prefer to just click record and stop and then upload. It’s so much more easier. Is the video quality lower?… that’s for the viewer to decide.
If people are interested in what they read here about you, where do they go to find out more and stay on top of your latest doings?
I still chat on the Cigar Geeks forum from time to time, but not as much anymore. I chat on the Pipes Magazine forum on a regular basis currently and of course I’m still making videos for my YouTube channel. I can’t see how anyone would want to keep up with me, as I don’t find myself that entertaining, but if they really want to then the best place is my YouTube channel.
The folks at Loudwire recently conducted an interview with Tom Araya. In it, Araya talks about a great swathe of topics relating to his career with Slayer; what particularly stood out to me was his discussion of what went into Repentless. While we’ve probably reiterated more than enough that Repentless wasn’t very good, it’s still interesting reading about the differences Araya perceives between it and previous albums. There’s also some bits of interesting trivia in there that I personally wasn’t aware of before; such as Araya’s affinity for ’70s rock and the Beach Boys, and the varying work ethics and styles of various bandmembers past and present.