Tommi Gronqvist of Finnish death metal band Desecresy was interviewed by French webzine Mithra! Templezine this week. Tommi explains how Desecresy arose from the ashes of Slugathor, the cohesive songwriting, his homegrown production techniques, the role of those cryptic blackened lead melodies, and how Jarno Nurmi (Serpent Ascending) writes the lyrics.
Our world has submerged itself in functionalism because it fears the inequality involved when some people enjoy themselves and others have to work or suffer the consequences of their abilities or decisions. This has created a kind of totalitarian worker’s commune where pleasure is demonized, except for certain forms which help people go back to work, and work is praised as a type of new religion. As part of this ascetic dogmatism, pipes and cigars have been hunted to near-extinction by regulators, complainers, private businesses and whiny NGOs. A London woman named Shorty, one of the rare breed of independent tobacconists still extant as an endangered species in the modern world, agreed to answer some of our questions about her world of pipes, tobacco and Brexit…
Metal interview web zine Bardo Methodology interviewed Manuel Trummer, guitarist of the heavy metal band Atlantean Kodex today about herbs, psychedelia, mythology, and how Julius Evola inspired Dio’s “Ride the Tiger”. Want to find out what Trummer thinks of witches, psychedelia, and megalithic archaeological sites? Let’s find out!
Jarno Nurmi was interviewed by black metal blog Raw War to promote his one man band Serpent Ascending‘s new album, Ananku. Jarno reveals he has left Desecresy and discusses the Finnish black and death metal scenes along with the mythological, occult, and esoteric motivations behind his latest work, Ananku.
Aṇaṅku is a different concept from ancient Tamil language and the word was chosen because it is widely unused and unknown, in many senses, but also because of it’s meanings of course. This is a nod to my earlier interests towards Indian and Asian esoteric traditions from where the process began though it ended up in something quite different.
The album turned out to have emphasis mostly on Northern European culture and identity from which it seeks to find the hidden sacred force that the word Aṇaṅku symbolises in the context. The album is adoration to Earth’s and Nature’s holiness, soil, blood and death.
Occasional Death Metal Underground contributor and Dawning and Pale Existence mastermind Steve Cefala was interviewed by Doom-metal.com about his No God Only Pain project. Want to read Steve discussing his influences, the corporate metal of Bob Rock and Scott Burns, survivalism, Hillary Clinton, and how the world is moving into a new dark age of uncertainty following the collapse of neoliberalism? Let’s find out!
Webzine Bardo Methodology interviewed Dead Congregation guitarist and frontman Anastasis Valtsanis. AV touched upon Dead Congregation‘s imitators (even though they worship Immolation and Incantation), record labels forcing bands to conform to release schedules, the decline of Greek black metal in the mid 90s, how most “lost gems” are mediocre, and why the accessibility the internet affords along with the decline of the music industry revenue genericizes metal bands into pedestrian products.
Webzine Bardo Metholody interviewed frontman Pete Helmkamp (Order From Chaos, Revenge) and guitarist Gene Palubicki (Perdition Temple, Blasphemy Cruelty) of Angelcorpse. Helmkamp talks about music as a sort of arcane magic ritual, quitting drinking, his career, and why Order From Chaos and Angelcorpse both disbanded. Palubicki reflects on the weaklings of modern metal.
Tomas Nyqvist, the founder of legendary Swedish label No Fashion Records and the Putrefaction Magazine zine, was interviewed by Bardo Methodology. Tomas talks about his zine and label, the careers of Morbid, Mayhem, Merciless, Dissection, and Katatonia, and how the infamous Stockholm record store House of Kicks screwed them all over. A book compilation of Putrefaction Magazine is scheduled for 2017 too.
Everitt Foster has interviewed Amerika.org honcho, Death Metal Underground writer, and author of the Dark Legions Archives and Heavy metal F.A.Q. Brett Stevens over at his A Natural Reaction blog. Brett is promoting his Nihilism book and in the interview reveals how the liberal social narrative led to crowdism and that leftism is a system designed to breed mediocrity. Note that socialism, liberalism and identity politics are all merely attempts by elites grasping for political power to wield the unwashed, functionally illiterate masses as a mob to crush their rivals and obtain social respect amidst their new world order. The new ideologies were just bread and circuses from a printing press.
Chupacabra’s music comes from the heart – that is, the part of the individual that is between the mind and the gut. Working without an established template, the songwriter finds and applies sounds in a unique organization specifically to reflect a profoundly idiosyncratic perspective on existence. This is a risky move: Most musicians are content to operate within an established paradigm, adapting to the constraints and handicaps offered by the genre that produces music with which they most closely identify. To abandon paradigm altogether and strike out on one’s own, neither with nor against the current but out of the river itself, is quite bold. But for Chupacabra, it is completely natural. Take a listen to this musical example of what Jung called “individuation”; the process that unifies the unconscious and the conscious, completing a powerful circuit through which ancient genetic memory is filtered and refined by real-time intelligent planning and analysis.