I reached out to Nortfalke from Tarnkappe to see if he would answer some of our staff’s questions. Here we go:
Tomas Skogsberg, the producer of most of the early nineties Swedish death metal classics from Entombed and Dismember at Sunlight Studio, was interviewed by the Swedish Communist Party’s Proletaren news site a couple of years ago. Skogsberg of course speaks about his collectivist ideals and why he eventually became a card-carrying Communist. He mentions that the Boss HM-2 pedal is only good for chainsaw guitar death metal and is otherwise bullshit. In addition he talks of his love of The Beatles and unpristine, properly dirty productions, and how Sunlight only bought digital audio workstation software in 1995 that he still uses. This could explain why various Swedish bands have noted over the years that Skogsberg let Sunlight Studio fall into disrepair in the mid 90s. Overall, Skogsberg says he is proud of the “rattly and raspy” records he engineered over the course of his career with his favorite production have been Entombed‘s Wolverine Blues, death ‘n’ roll sellout from 1993.
Former Morbid bassist Dr. Schitz was interviewed by metal webzine Bardo Methodology. Dr. Schitz, a working psychologist in Sweden, tells what drove his bandmate Dead from Mayhem, Dead’s Cotard’s Delusion, and why H.P. Lovecraft’s Cthulhu mythos along with the related Simon Necronomicon from the 1970s (used for lyrical inspiration by Morbid Angel) was so influential to non-English speaking metal lyrics and themes. Check it out.
A interview with Jairo Tormentor who played lead guitar on Sepultura‘s legendary early, more blackened releases Bestial Devastation and Morbid Visions,was translated from Portuguese by a Reddit user named cantapaya and posted to the social justice warrior, autist, and Marxist infested dumpster. The two-part interview is incredibly extensive and entertaining.
Our very own Brett Stevens, author of Nihilism the book, has been interviewed by Red Ice TV. Brett explores his ideological journey through the tight ANUS of nihilism, philosophy, realism, conservatism, and traditionalism.
Tommi Gronqvist of Finnish death metal band Desecresy was interviewed by French webzine Mithra! Templezine this week. Tommi explains how Desecresy arose from the ashes of Slugathor, the cohesive songwriting, his homegrown production techniques, the role of those cryptic blackened lead melodies, and how Jarno Nurmi (Serpent Ascending) writes the lyrics.
Our world has submerged itself in functionalism because it fears the inequality involved when some people enjoy themselves and others have to work or suffer the consequences of their abilities or decisions. This has created a kind of totalitarian worker’s commune where pleasure is demonized, except for certain forms which help people go back to work, and work is praised as a type of new religion. As part of this ascetic dogmatism, pipes and cigars have been hunted to near-extinction by regulators, complainers, private businesses and whiny NGOs. A London woman named Shorty, one of the rare breed of independent tobacconists still extant as an endangered species in the modern world, agreed to answer some of our questions about her world of pipes, tobacco and Brexit…
Metal interview web zine Bardo Methodology interviewed Manuel Trummer, guitarist of the heavy metal band Atlantean Kodex today about herbs, psychedelia, mythology, and how Julius Evola inspired Dio’s “Ride the Tiger”. Want to find out what Trummer thinks of witches, psychedelia, and megalithic archaeological sites? Let’s find out!