Swedish death/black metal band Sarcasm‘s first LP, Within the Sphere of Ethereal Minds, is coming out in March as announced on their Facebook page. The band’s Burial Dimensions demo compilation was extremely promising but featured too many in-congruent keyboard interludes and too much fat that needed trimming.
As part of our ongoing attempts to be more like normies who like catchy lines and irrelevant banter, Death Metal Underground embarks on a disturbingly social activity for our audience, who are mostly alienated noticers living in bunkers far removed from the cities.
After Slayer‘s foray into narrative composition on Hell Awaits, Slayer could have taken any number of directions in the then fertile metal landscape: gone in for the throat of aggression, matured their pubescent approach to long-form content, or paired down on riff quality for focused but circular songs. Reign in Blood was something of a compromise bred to appease more Floridian tastes which crave motion before coherence or purpose. The album is brief but bookended by two of the better songs in their discography which daftly elevate the questionable content residing in between. The remaining material siphons off of the paired down and quintessential “Angel of Death” by meandering in whatever assortment of good but disconnected riffs the Hanneman/King dichotomy happened upon in between Heinekens; held together in tacit alliances by a sweltering pace which exhausts itself right as the title track closes the record. The foresight required to write an album such as this is commendable but Reign in Blood is not Slayer’s watershed moment if for nothing more than the sheer amount of disposable songs – not riffs – which constitute the majority of the runtime. This uncomfortable fact goes unrecognized due to the sheer brevity of this work. Yet as I wrote this brief paragraph I must have recited the full album in my head at least a few times and I have not listened to the album is many years. May the resolve of Reign in Blood’s memetic warfare continue to withstand assailants from the ever flowing genre compost bin and grant listeners to the strength to withstand the torrents of nature herself.
In times of chaos, the primordial appeal of Slayer comes forth as the vision of clarity that it is. This metal fan chose to meet the winds head-on, whether as tribute to the power of the storm or resistance to it, or both. The result proves entertaining, including the possibility that the video cut off before Matthew hurled a six-ton SUV with irritating family stickers on the back into the fan, leaving a very Slayer-esque red spot on the pavement.
Enslaved‘s debut 1994 album Vikingligr Veldi is out on vinyl for the first time for all the crazy collector hipsters out there who need a CD on wax courtesy of Norse Music. The 2x LP comes in a gatefold sleeve and features a new layout designed by Zbigniew Bielak (Mayhem, Zom, Ghost).