After Death – Retronomicon

after_death-retronomiconRetronomicon compiles the demos and EP of After Death, the band Mike Browning formed as a replacement for Nocturnus as Nocturnus A.D., and then renamed to avoid confusion with the other version of Nocturnus that resurrected itself briefly in the 2000s.

While the roots of After Death are in death metal, the majority of this music is epic heavy metal or what would be called power metal at this point. It uses heavy metal riffs, has a melodic sense similar to that of later Budgie, and has a theatrical atmosphere like more recent Therion.

Most importantly, the rhythms and the way riffs fit together are not in the death metal style, but sort of like a “dinner theatre” version of heavy metal. These riffs are closer to leitmotifs than motifs, meaning that they reflect characters or themes of a developing drama directly, rather than conveying changes in overall mood as they do in regular death metal. Add to this groove and bouncy rhythms and what comes out is radio-friendly heavy metal with some death riffs and an occult vibe.

Retronomicon features odd vocals of wide-ranging sounds, some seemingly demonic processed voices, others like children or wailing women, and some in the death growl. This and the tendency to make very theatrical combinations of riffs give this music an otherworldly feel. Add to that the active keyboards that highlight riffs and also provide contrary motions and textures, and the result is the kind of subversively imaginative and esoteric musical pathway that Marilyn Manson and others could barely dream of.

It’s unfortunate radio metal did not go in this way rather than the more mundane ways that it did, but if After Death want to go mainstream, they’ll have to be a bit more consistently intense and emotional. People like simple because they’re generally distracted when listening. This music may be a bit beyond most because it requires an attention span, but it’s strikingly beautiful and multifaceted. The Nocturnus influence can clearly be heard in temp changes and the decision points before the conclusions of songs.

This will not be for everyone. Most death metal fans will be turned off by the aesthetics; Marilyn Manson, Rammstein, Ministry, Therion, et al. fans may be turned off by how rough and ambiguous much of this is. However, both groups should attend to this interesting musical pathway that could well be the most subversive and occult thing ever to visit radio.


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Eternal Rest – Prophetic

eternal_rest-propheticThis upcoming death metal band tries to explore the style that Immolation developed on Harnessing Ruin but give it additional forward force with war-metal-styled ripping fast phrasal riffs and battle-style percussion attacking in clusters of quick notes. What distinguishes this band is the inventiveness of its riffs and the ferocity of its attack.

Prophetic as a result carries through the intensity of death metal but imports many additions from both older speed metal, and modern metal. Vocals lead the riffs, giving the music a sense of uniformity interrupted by bursts of activity. Drums tend to blast or make textures out of alternating blasts and slower material. Songs often drop from a frenzy into a mid-paced death metal rhythmic harbor in which the band injects slowly played, resonant melodies.

Eternal Rest presents a strong compositional voice, and in many ways, this is what they work against; their language of songwriting is so clear and their ability to craft riffs so powerful that sometimes it swallows up everything else and thus songs seem like extensions of one another. Many riffs descend from the speed metal technique, like a more aggressive Exhorder or Exodus, but others are straight death metal and often quite inventive. The use of gentler melodies to balance the extended periods of furious blasting breaks up any grip on the sound any particular technique has.

Much like later Immolation, Prophetic shows us a band trying to find a way to merge high-intensity death metal with a mellower, almost doom-influenced melodic influence. Eternal Rest achieve this quite handily and throw out some powerful riffs besides. While the vocals may not be strong enough for traditional death metal, and the frenetic tendency may be too modern metal for some, the promise of this band is in its ability to create a mood on two levels of intensity and support each with the other.


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Sadistic Intent prepares “Reawakening Horrid Thoughts”

sadistic_intent-reawakening_horrid_thoughtsLong-dormant old school death metal band Sadistic Intent, whose members toured with the resuscitated Possessed during the resurrection of that august act, now prepares to release its first new material in many years.

Legendary for its 1990s material in the style of Slayer or Morbid Angel, the band continues in this style with three new songs which are being billed as “the unholy return of Sadistic Intent.” True to form, they will be released on 10″ vinyl from Iron Pegazus records.

Reawakening Horrid Thoughts could be crucial to getting Sadistic Intent material back into print, since the band’s prior releases, Resurrection and Ancient Black Earth, are out of print and the former is a re-release of earlier out-of-print material. If this attracts an audience, the band may be able to re-release compiled material so that new generations can appreciate this classic act.


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Bands that keep making the same album but do it well

unleashed-where_no_life_dwellsAlthough AC/DC and Motorhead have been putting out basically the same album over and over for 30 years, fans of these two bands never blamed them for not being different.

Instead the audience continues to cherish this phenomenon, as this straightforward, wild and raw music style is the trademark of these bands. Risen from rock music and propelled by underground metal, this kind of music stands for the desire of liberation, freedom and simplicity in this plastic world. It will never go out of time.

In the realm of death metal, there is a band which greatly influenced by AC/DC and Motorhead also has a constant style of music. This band is Unleashed.

Unleashed was formed after the disbanding of Nihilist. Unlike the other key figures Entombed and Carnage whose members were in Nihilist, Unleashed brought the roadhouse rock style of AC/DC and Motorhead into death metal. However as a death metal band, Unleashed has more creative ideas than the old classics. You can tell that by just looking at the names and covers of their albums, each one is as exciting to look forward to as a new Pirates of the Caribbean movie. The scent of fighting in their music also demonstrates that death metal ponders on our existences in world.

The mystic and adventurous sense of Unleashed comes from the extension of the typical “verse-chorus-bridge-verse-chorus” structure the phrasal riffs of death metal. Under an emphasized theme, each phrasal riff acts like a puzzle and combine into an epic scenery. Therefore Unleashed’s musics are richer and more narrative comparing to AC/DC and Motorhead (Before the Victory which completely lost all apprehension of mysticism). To the fans of AC/CD, Motorhead who also enjoy underground metal, do not miss Unleashed.

Translated from this post.


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Megadeth – Super Collider preview

megadeth-super_colliderSpeed metal legends Megadeth have released the title track from their upcoming album Super Collider. Sounding similar to the late 90s albums which found Megadeth exploring a more commercial direction, the new work features the standard hard rock structure designed for maximum radio exposure.

Although fans of their older material may not appreciate the return to that style of music, it will almost assuredly increase awareness of the Megadeth brand. Along with Metallica and Slayer, Megadeth was one of the foundational pillars of speed metal.

Mixing a blend of bursts of aggression in among longer songwriting narratives, the bands created an organic presentation of death, war, and other dark subjects; not simply to glorify the carnage but to break free of the politically correct time in which they were conceived and to present an alternative.


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Bring us another Toba catastrophe

volc1For those that are unaware of the Toba catastrophe theory – it’s based on a supervolcanic event in present-day Indonesia that changed the world. Around 75,000 years ago one volcanic eruption bottle-necked the human species and put the Earth into a decade-long volcanic winter. The human species was rendered to less than 10,000 breeding pairs and the planet was cooled. These volcanic events are nature’s way of bringing a balance back to the planet; something that modern civilization doesn’t pay any heed to because most people pigeonhole themselves in mundane routines.

How do volcanoes transpose to metal? Well aside from their “bad” nature, the Earth reclaims its shell by cutting out the fat on its crust. This is something that needs to happen in the metal community.

How often do you find yourself at a show and every band on the bill are generic rehashes of the past or common variations of pop formulas? The scene is infested with hundreds and hundreds of boredom inducing clones that mimic their favorite bands – not extending upon the concepts that were previously founded. They are imitations. The prolegomenon of mediocre bands doesn’t leave much room for more quality music to thrive. Perhaps a metaphorical influx of lava and ash clouds would keep the weak at bay and let true metal flourish.



Last Burzum metal recording ever

burzumBurzum composer Varg Vikernes has posted a “goodbye” to his old self as a metal composer and in a sentimental posting, announced his retirement from metal and his intent to pursue ambient music alone.

Burzum appeared from nowhere in 1991 with a demo tape made up of a dozen guitars-and-bass-only tracks in rehearsal quality. I made a few more or less successful metal albums, but they all always included at least some ambient music. With time I moved further and further away from metal, and today only the ambient music remains. Today (2013) I think I am done playing metal music for good.

Many of you followed Burzum through the years, some even from the beginning, and I think metal-Burzum deserves a proper “good bye”. So, just like I started out I will finish metal-Burzum with a guitars-and-bass-only track in rehearsal quality. “Back to the Shadows” is made up of the last metal riffs I ever made (in 2012). It was never released in any way, or recorded (beyond what you hear here), and it will not either — beyond this short “video”.

Take it for what it is; a sentimental good bye to metal-Burzum.

The music is playing with an image of the 17 year-old me, taken from the time when some of the first Burzum tracks were made. You can see this track as a good bye to that fellow too.

For those of us who have been watching Burzum and Vikernes over the years, this is a welcome development. Heavy metal is beautiful but it will always be attached to popular conceptions of entertainment. Ambient music, especially complex material, gets treated as culture.

While we hope to change that perception of metal and to have it be studied as art and part of culture, that’s an uphill battle when the fans routinely rush to gimmick bands and depthless clones in a hope to be part of the next popular trend.

Either way, this bodes well for more interesting compositions in Burzum’s future.


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Necropsy’s demos re-released

necropsyCentury Media Records will release all demos of Finnish death metallers Necropsy on June 3rd in a compilation containing three CDs, all songs remastered from the original tapes. CMR promote it thus:

The result is mindblowing: Without ever destroying the analog charm of the old tapes, all songs sound fresh, just like they have been recorded just a few years ago.

Tomb Of The Forgotten – The Complete Demo Recordings will start anno 1989 and end in 1993, a time period in which the band, frankly, only recorded demos, with the exception of an EP and a split with Demigod in 1992. The band’s first full-length, Bloodwork, arrived as late as in 2011, after a 17 year long hiatus.


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Iced Earth announce new album “Plagues of Babylon”

iced_earth-live_in_ancient_kourionPower metal is a sub-genre composed of aggregates. The most basic definition of it is heavy metal catching up with speed metal and (sometimes) death metal. There are variants within that.

For example, there’s the Blind Guardian fusion of inspirational rock, speed metal, death metal technique, glam metal and heavy metal that forms one branch. Then there’s Helstar, who sound like Iron Maiden meets Slayer. And on the far side, there’s Iced Earth, which sounds like really advanced speed metal.

Plagues of Babylon is to be Iced Earth’s latest album. Frontman Jon Schaffer describes the release as having a “late 2013” touch-down date, and being “something very special” and that he is “very excited about how killer things are sounding this early in the writing/demo process.”

Iced Earth is coming off the release of Live in Ancient Kourion, a CD/DVD of a recording of a 2.5 hour show in a 6,000 year old amphitheater on the island of Cyprus. In support of this and other past work, the band is touring Europe this summer.

The tracklist for Plagues of Babylon was announced by Schaffer as follows:

1. Plagues of Babylon
2. Democide
3. Among The Living Dead
4. The Resistance
5. If I Could See You
6. Peacemaker
7. Cthulhu
8. Parasite

Iced Earth will be appearing at numerous festivals and a full range of European dates this summer. Catch them at the following locations:

ICED EARTH – summer festivals 2013:

  • 6.20.2013 – GER Sankt – Goarshausen Metalfest
  • 6.21.2013 – NED Dokkum – Dokkem Open Air
  • 6.22.2013 – GER Dischingen – Rock am Härtsfeldsee
  • 7.12.2013 – GER Ballenstedt – Rock Harz Open Air
  • 7.13.2013 – GER Balingen – Bang Your Head Festival
  • 7.25.2013 – SLO Tolmin – Metaldays
  • 7.27.2013 – GER Obersinn – Eisenwahn Festival
  • 8.8.2013 – SWE Gävle – Getaway Rock Festival
  • 8.10.2013 – POR Quinta do Ega, Vagos – Vagos Open Air

ICED EARTH – European Tour 2014:

  • 1.9.2014 – GER Saarbrücken – Garage
  • 1.10.2014 – NED Hengelo – Metropol
  • 1.11.2014 – BEL Antwerp – Trix
  • 1.12.2014 – GBR Birmingham – O2 Academy
  • 1.13.2014 – IRE Dublin – Button Factory
  • 1.14.2014 – GBR London – O2 Academy Islington
  • 1.15.2014 – FRA Paris – Le Trabendo
  • 1.17.2014 – ESP Madrid – Sala Caracol
  • 1.19.2014 – ESP Valencia – Rock City
  • 1.20.2014 – ESP Barcelona – Razzmatazz 2
  • 1.22.2014 – SWI Pratteln – Z7
  • 1.23.2014 – ITA Romagnano – Rock ‘n’ Roll Arena
  • 1.24.2014 – SLO Ljubljana – Kino Siska
  • 1.25.2014 – CRO Zagreb – Pogon Jedinstvo
  • 1.26.2014 – BIH Sarajevo – Club Sloga
  • 1.28.2014 – ROM Bucarest – Juke Box
  • 1.29.2014 – TUR Istanbul – Kucukciftlik Park
  • 1.31.2014 – GRE Athens – Gagarin 205
  • 2.1.2014 – GRE Thessaloniki – Principal Club
  • 2.2.2014 – BUL Sofia – Mixtape 5
  • 2.4.2014 – SER Belgrade – Dom Omladine
  • 2.5.2014 – HUN Budapest – Club 202
  • 2.7.2014 – GER Nürnberg – Rockfabrik
  • 2.8.2014 – TCH Zlin – Masters Of Rock
  • 2.9.2014 – GER München – Backstage Werk
  • 2.11.2014 – GER Berlin – Astra
  • 2.12.2014 – GER Köln – Essigfabrik
  • 2.13.2014 – GER Bochum – Zeche
  • 2.14.2014 – GER Osnabrück – Rosenhof
  • 2.15.2014 – GER Hamburg – Markthalle
  • 2.16.2014 – DEN Copenhagen – Vega
  • 2.18.2014 – SWE Gothenburg – Sticky Fingers
  • 2.19.2014 – SWE Stockholm – Debaser Medis
  • 2.22.2014 – ISR Tel Aviv – Reading 3


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