One of the hidden influences on death metal, along with classical and progressive rock, was the wave of inventive ambient and electronica that came out in the 1970s.
In particular, this music like death metal, was highly structured in that verse-chorus structures would turn it into droning tedium. Thus it invented the narrative structures later used by death metal, the “riff gluing” as explained by Asphyx.
December 24, 2012 (Austin, TX) — The net’s oldest and longest-running metal site and home of the Heavy Metal FAQ, Death Metal Underground at deathmetal.org, announced today that the Inner Society blog at innersociety.org would be its exclusive representative in China.
Inner Society has for some time provided album reviews, news, commentary and information about heavy metal with the outlook that heavy metal is an art form with significant contributions to make in its critique of modernity, and in its gesture of a more naturalistic way of life. It is the premiere blog in China for underground metal from this perspective.
“We are pleased to announce this collaboration, as it enables us to reach more people worldwide with the message of true metal,” said DeathMetal.org spokesperson Rob Jones. “The more people we reach, the more wimps and poseurs leave the hall, and the greater likelihood that the remainder start seeing metal as an art form, not a distraction or a product.”
Founded in 1988 and originally distributed over dial-up bulletin boards, the Death Metal Underground is an archive of information about metal that has changed over the years but stayed true to its focus: revealing heavy metal as the art form that it is, similar to the work of Romantic writers like E.A. Poe, H.P. Lovecraft, Mary Shelley, Samuel Taylor Coleridge, William Wordsworth and Bram Stoker.
The premiere blog in China for heavy metal theory, Inner Society has provided information about underground metal to audiences in China while keeping its focus on the development of the music worldwide. Lauded for its articulate, no-nonsense reviews, the site has attracted a loyal following during its years online.
Mike Scaccia, the brilliant guitarist of Rigor Mortis and later, Ministry, has died. He collapsed onstage December 22, 2012 while performing with Rigor Mortis and could not be revived. He is survived by a wife and children, and much excellent music.
Before you read further, consider this song he created with Rigor Mortis:
What made Scaccia’s playing distinctive was his sense of melody, finely-tuned strumming and tendency to use more than low crunchy notes, as well as an ear for a quality riff and an ability to use precise arrangement to let a song unfold to the greatest impact on the listener.
No one wants to type words like this. This is a tragic loss for metal, for music and for humanity. Scaccia was not only a killer shredder, but widely acclaimed as a decent human being. He inspired many of us with his literate but emotionally intense music.
That music survives him and will serve as not only his legacy but the best insight into his character. What do you hear in this music? Darkness, beauty, equilibrium and violence. Like the man himself, more complex than a few paragraphs can do justice to, but also based of a fundamentally life-affirming but realistic outlook on existence.
It’s events like this that make me hope there is a Valhalla or reasonable equivalent. The body can die, but the greatness of a musical hero lives on long after the dirt obscures the coffin. We’ll be thinking of you, Mike, and the family and bandmates you left behind, with today’s all-Scaccia playlist.
Al Jourgensen (Ministry) tribute:
I JUST LOST MY LIL’ BROTHER AND MY BEST FRIEND – THE 13TH PLANET COMPOUND IS DEVASTATED,COMPLETELY IN SHOCK AND SHATTERED. MIKEY WAS NOT ONLY THE BEST GUITAR PLAYER IN THE HISTORY OF MUSIC, BUT HE WAS A CLOSE, CLOSE, CLOSE PART OF OUR FAMILY – AND I JUST LOST A HUGE CHUNK OF MY HEART TODAY. OUR LIVES ARE FOREVER CHANGED. LIFE WITHOUT MIKEY IS LIKE ORANGE JUICE WITHOUT PULP – KIND OF BLAND. I HAVE NO WORDS TO EXPRESS WHAT THIS GUY MEANT TO ME, MY FAMILY, MY CAREER….EVERYTHING!
GET TO KNOW HIS LEAD PARTS – FOR THEY ARE IN THE PANTHEON OF MUSIC! UNFORTUNATELY, MOST OF YOU DIDN’T GET TO KNOW MIKEY’S SOUL -WHICH IS IN THE PANTHEON OF HUMANITY. HE IS MY HERO, MY FRIEND AND MY IDOL. MIKEY WAS ALWAYS BESIDE ME – MY RIGHT HAND MAN – THROUGH THICK AND THIN, THE GOOD, THE BAD, THE UGLY AND THE BEAUTIFUL.
REST IN PEACE MY BROTHER, MY FRIEND, MY HEART. PLEASE PRAY FOR MIKE SCACCIA AND JENNY, HIS WIFE AND THEIR CHILDREN, AND HIS FAMILY…..AL
Deadlywhite will consist of the Iron Maiden-infused death-thrash that Deceased have been exploring since 1997’s Fearless Undead Machines; however frontman King Fowley has revealed the inclusion of a few new elements to their sound:
“A few songs will be lengthy tracks, including a 15 minute ride. Fitting interludes will lock in the actual tracks and little jolts of madness will also rear their ugly heads from time to time. This is a musical adventure we’ve been waiting to take and now’s the time.
If we do what we are setting out to do, it will ooze of dark melody without forgetting the rough aggressive edges and catchiness in the songwriting that we’ve kept in our sound since day one,” said Fowley on Deceased’s official site.
Surreal Overdose was one of the stand-out albums of last year, genuinely matching up to the quality and ferocity of their earlier work without showing the least signs of the band becoming jaded. Any change or development is almost sure to be within the bounds of faithful enhancement of their influences.
Finnish old school death metal trailblazers Abhorrence have reformed to play a handful of shows, the first of which will be Tuska Open Air on 28 June 2013.
Perhaps most widely known as the precursor to another notable Finnish death metal band, Amorphis, Abhorrence took the sound of old Nihilist and Bolt Thrower and reduced it to the most crepuscular and nightmarish elements, forming the basis of what would be Finland’s idiosyncratically menacing regional sound.
Following on from the release earlier this year of Completely Vulgar, a compilation of all their early recordings through Svart Records, the band intend to play a small number of gigs for those newer fans that never had the chance to see the original incarnation, before disbanding once again.
According to Blabbermouth, the editors of Sweden Rock Magazine have named the 100 greatest Swedish Hard rock and Metal bands of all time, with Candlemass, Entombed and Europe topping the list.
Candlemass and Entombed were both highly influential (I actually even liked Clandestine for its goofy humour), but SRM’s list inevitably provokes a (short) DMU list.
In no specific order, I consider the following as a Top 6:
Bathory — The passionate Satanic hardcore punk band, blasting its way through the Heavens with Wagnerian leitmotifs. Totally worthy of its legendary status.
At the Gates — Mix the depressing avenues of Gothenburg with these fellows’ beautiful minds and you get the ultra-melodic, twisted art showcased on Gardens of Grief and The Red in the Sky is Ours.
Dismember — Their first album (and their demos) may have been their only worthy contribution (all right, Pieces is definitely not bad), but it takes them a long way. Like an axe-wielding ballet dancer, its impact is relentless yet sensual.
Therion — At first listen, Beyond Sanctorum may sounds like a random rock album, but pretty soon you’ll realize you’ve stumbled upon one of Metal music’s most magical releases, with riff upon riff flowing like an endless stream of imagination.
Unleashed — Described as “an exercise in the rhythms and textures of the battlefield in musical form” this anti-psychological, windswept creation might very well be the soundtrack of any ancient Norse saga (and, yes, we’re talking about the first two albums).
Carbonized — An almost forgotten side project. Their first two albums and their early demos are excellent. While For the Security paints a nightmarish world of the Swedish welfare state (or so I assume), Disharmonization flies into space forging its own interesting world. Like some Hamlet, it may seem insane on the surface.
“…after having learned the art of conducting with second class orchestras, he became a reputed conductor from 1922. But the nazi era imposed him to make a choice : Furtwängler stayed in Berlin, but as an exiled in his own country, as he used to say. With the end of the war, he was given the opportunity to come back at the head of European musical culture, promoting humanity in music. But times were changing, and he was perceived more than ever as distant from “modernity”, as this concept was understood then.” – www.furtwangler.org
Furtwängler believed that he captured the time signatures that the composers intended. Though, not as popular as Karajan and others, the unique standpoint which Wilhelm Furtwängler displayed shouldn’t go unnoticed.
For the past 13 years, Adversary Productions have held an annual showcase of their extreme metal productions in Houston, Texas — Anti-Christ Mass. On December 22, 2012, the fourteenth instalment will feature the following bands:
You once requested to be notified when new Demilich stuff is available. Well, a new batch of Demilich shirts is ready for sale at Record Shop X ( http://www.recordshopx.com/artist/demilich/ ). Currently there’s the classic design in T-shirt, long-sleeve, and for the first time also in zipper hoodie! When the sales start rolling, I’ll also order more of the other styles, and patches + other shit.
This also means Demilich stuff moves from An Entity Shop to Record Shop X, completely. The good thing is that you’ll be getting your stuff a lot quicker, the bad thing is that it costs more now. I’ll try to keep the prices as low as possible, though.
It’s hard not to love this progressive death metal band from way before this was a trend. Ignored for most of the 1990s and early 2000s, the band experienced a renaissance in 2005-2008 and has been returning slowly to the fore ever since. Frontman Antti Boman now plays with Jess and the Ancient Ones.
The days of acceptance to bulk should be forgotten. Bulk is excess. Excess leads to destruction (not the destruction which infuriates society), but rather an influx of estrogen that supports cute things. Cute things are cute, but not part of the spirit of metal.
What metal captured was something desolate, isolated, and most importantly; realized.
As most Romantic art captured the joys and fears of life, our society tends to suckle on the opposite. Quick fixes for a quick stimuli, with no real objective. Actually, there is an objective. It’s money and acceptance.
Art is meant to challenge, which an abyss would. We could attribute art to the abyss.