Upcoming tours – Mgla, Aosoth

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Part of the Agonia Records stable is out on the road again. DMU contributors have discussed both Aosoth and Mgla in the past and at least in some cases have been able to find value in them (although I’ve found Mgla hasn’t aged too well and that their formula is need of greater nuance). Continental Europeans will get a chance to judge these bands for themselves during this upcoming tour. So far limited to 10 dates and leaning towards the northern part of the continent, this seems to be a standard “support previously released material” type of tour. Aosoth is also performing at the Netherlands Deathfest (a subsidary of Maryland Deathfest) on February 28th.

Iron Maiden working on their second video game

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Back in 1999, Iron Maiden released Ed Hunter, a greatest hits compilation that also included a video game of the same name. The game hasn’t aged well at all (and even in 1999, it was underwhelming). 17 years, though, have wrought enormous changes in the video gaming industries, and thusly, Iron Maiden’s second effort (at least, if you don’t count the minigame released for “Speed of Light”) is under development. Legacy of the Beast describes itself as “an epic free-to-play mobile role playing game, set in the expansive Iron Maiden universe,” and like any bandgame it understandably includes many songs from Iron Maiden’s career, as well as some live recordings that will remain exclusive to the game for some time. Little concrete information has been released on how this game will actually play, but a signup for a mailing list on the game’s webpage suggests upcoming information in the near future…

Enslaved and Wardruna members collaborate in Skjuggsjá

Metal flavored post-rock (modern Enslaved) and ambient folk oriented music (Wardruna) are both established things. I am not so sure the fusion of such in Skjuggsjá, a side project album featuring Ivar Bjørnson and Einar Selvik, is as common. Skjuggsjá does seem to feature all the pretension inherent in either, and was apparently written and first performed for the 200th anniversary of the establishment of the Norwegian constitution of 1814. This studio recording will release on March 11th; the released single does not seem to emphasis the potential metal instrumentation of such a project, although scattered live clips suggest some effort towards this end on other tracks.

Myrkur frontwoman receiving death threats

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It doesn’t take much time to notice that we’re not big fans of Myrkur’s music, to the point that I tend to drop a link to my review of the act’s full length debut when something displeases me in modern black metal and its descendants. Other parts of the internet are rather more vitriolic in recent times; a few days ago, Myrkur’s Facebook page disabled private messages in response to a torrent of death threats. Amalie Bruun promptly followed this up by claiming the problem was American in origin.

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In a more hyperbolic world, the internet would explode. In ours, it still triggered many of Myrkur’s fans and critics alike; even now, metal enthusiasts worldwide are trying to score social points by writing editorials about how sending death threats is bad (m’kay), and near-battles are almost fought over an issue that probably shouldn’t have been publicized in the first place. You don’t want people making threats against you to feel like they’ve accomplished something of value, have you? The more cynical part of me thinks all this is going to do is build up further buzz, attention, and record sales for Myrkur, as if her upcoming tour alongside Behemoth wasn’t enough of an opportunity. Still, responding to Myrkurphobia with xenophobia is not the answer we’re looking for here at DMU.

Upcoming tours: Behemoth

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Behemoth is still promoting their last album (The Satanist), despite rumors of the next. To this end, the band is going on a lengthy “Blasfemia Amerika” tour where they play the album in its entirety. There are two major legs to this tour – the European portion that is described on Behemoth’s CSS transform heavy official website, and a second part in the United States that is just making its way to major news sites as we speak. Neither supporting lineup is particularly interesting – in Europe they’ll be supported by Abbath, Entombed AD, and Inquisition, while the USA will have to deal with Myrkur. For those who absolutely need this in their lives, the following dates have been announced in the USA:

Apr. 21 – Philadelphia, PA – Theatre of the Living Arts
Apr. 22 – New York, NY – Webster Hall
Apr. 23 – Boston, MA – Royale
Apr. 25 – Montreal, QC – Virgin Mobile Corona Theatre
Apr. 26 – Toronto, ON – The Phoenix Concert Theater
Apr. 27 – Detroit, MI – St. Andrews Hall
Apr. 29 – Chicago, IL – Thalia Hall
Apr. 30 – Minneapolis, MN – Mill City Nights
May 1 – Lawrence, KS – The Granada Theater
May 3 – Denver, CO – The Gothic Theatre
May 4 – Salt Lake City, UT – The Complex
May 6 – San Francisco, CA – The Regency Ballroom
May 7 – Santa Ana, CA – The Observatory

Upcoming Tours: Ghost

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One of our targets is coming to the United States. Ghost has repeatedly made their way into our Sadistic Metal Reviews for Meliora alone, but their retro rock/metal sound and vaguely clerical aesthetic has won them a lot of fans. Thusly, they’re making their way to the United States. This tour loosely coincides with the upcoming Grammy Awards in February, giving the band many an opportunity to further boost their commercial success. While it’s not necessarily to our fans’ interest, maybe someone could visit a concert and give us a writeup? I’m sure it’d make for interesting reading; we’ve had success with the concept in the past.

Raven Music selling sheet music of Emperor’s debut

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Raven Music Editions is a relatively new company that sells sheet music transcriptions of various ‘alternative’ musics, including black metal. Recently, they’ve published a transcription of In The Nightside Eclipse, Emperor’s classic debut whose quality and notoriety should require no introduction. While the rest of their catalog is fairly limited at this point (consisting of two non-metal albums by Ulver), supporting the company by purchasing these transcriptions at their website may allow them to transcribe more music. Given how much you can learn about a work of music from reading it and analyzing it, it’s my hope that this company is able to continue their work. I’d also like to hear from anyone who does end up purchasing these transcriptions, since the very act of putting music to notation involves some interpretation and opinions are understandably going to vary on how Raven handles that.

Upcoming Tours – Absu

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Spring 2016 will see Absu on their… cumbersomely named “Merelogical Nihilism Connexus Tour”. The main purpose of this tour is building up hype for Absu’s next studio album, which creatively will be named Apsu. As of now, said album is partially constructed, band frontman and percussionist Proscriptor claims that he’s completed recording the rhythm tracks, and makes statements that suggest that a great deal of effort has gone into the lyrics. Hopefully similar effort is being placed into the other aspects of the recording; word on the street is that Absu lost some critical direction and cohesion when they reformed. I guess we’ll just have to listen in; a release date has not yet been set for this material.

A list of confirmed tour dates follows. The gig in Somerville, MA places this technically in my commute radius.

March 17, 2016:  Richmond, VA – Strange Matter
March 18, 2016:  Charlotte, NC – Amos’ Southend (with Abbath & High On Fire)
March 19, 2016:  Charleston, SC – The Tin Roof
March 20, 2016:  Jacksonville, FL – Burro Bar
March 22, 2016:  Tampa, FL – Brass Mug
March 23, 2016:  Gainesville, FL – The Atlantic
March 24, 2016:  Atlanta, GA – The Basement
March 25, 2016:  New Orleans, LA – Siberia
March 26, 2016:  Houston, TX – Walter’s
March 27, 2016:  San Antonio, TX – The Korova
March 28, 2016:  Corpus Christi, TX – Boozerz
March 29, 2016:  Austin, TX – The Sidewinder
March 30, 2016:  Arlington, TX – Diamond Jim’s Saloon
March31, 2016:  El Paso, TX – The Sandbox
April 1, 2016:  Scottsdale, AZ – The Rogue
April 2, 2016:  San Diego, CA – Brick By Brick
April 3, 2016:  Los Angeles, CA – Complex
April 5, 2016:  Bakersfield, CA – Babylon
April 6, 2016:  Oakland, CA – Metro Operahouse
April 7, 201616:  Sacramento, CA – Starlite Lounge
April 8, 2016:  Portland, OR – Ash Street Saloon (Northwestern Black Circle Fest)
April9, 201616: Victoria, BC – Upstairs Cabaret
April10, 2016: Vancouver, BC – Astoria Pub
April 11, 2016:  Seattle, WA – The Highline
April 12, 2016:  Missoula, MT – The V
April 13, 2016:  Boise, ID – The Shredder
April 14, 2016:  Salt Lake City, UT – Metro Bar
April 15, 2016:  Denver, CO – Hi-Dive
April 16, 2016:  Kansas City, MO – The Riot Room
April 17, 2016:  St. Louis, MO – Fubar
April 18, 2016:  Omaha, NE – Lookout Lounge
April 19, 2016:  Minneapolis, MN – Triple Rock
April 20, 2016:  Milwaukee, WI – Frank’s Power Plant
April 21, 2016:  Columbus, OH – The Summit
April 22, 2016:  Pittsburgh, PA – The Smiling Moose
April 23, 2016:  Rochester, NY – Bug Jar
April 25, 2016:  Burlington, VT – T.B.A
April 26, 2016:  Portland, ME – Space Gallery
April 27, 2016:  Somerville, MA – ONCE Lounge
April 28, 2016:  Brooklyn, NY – Saint Vitus
April 29, 2016:  Philadelphia, PA – Kung Fu Necktie
April 30, 2016:  Raleigh, NC – The Maywood

Deströyer 666 premieres “Live And Burn” off Wildfire

It sounds like K. K. Warslut has achieved his humble goals for Wildfire if “Live and Burn” is anything to go by. This promotional single sounds like a fairly by-the-numbers bit of 1st wave black metal worship. The aesthetics are modernized, the songwriting is intentionally basic, and so forth. Wildfire seems to still be on the schedule we mentioned when we first wrote about its upcoming release a few weeks ago. I don’t know how long this is going to stay in anyone’s rotation, but it sounds like reasonably good party metal and a safe bet at live shows, including their upcoming tour in Europe.

Relapse Records streaming remastered edition of Death’s Leprosy

It’s not the Chris Reifert enhanced Scream Bloody Gore, or the technically proficient (if structurally and aesthetically hollow) Human, but Relapse Records has remastered Leprosy and made it available on YouTube. Whether or not this digital remaster does the album any justice, it’s still a boost in visibility for what’s arguably the strongest era of Death’s career. Leprosy doesn’t bring the structural improvements that would’ve kept “Chuck Schuldiner was a Christian who died of AIDS” from becoming a favorite slogan on the old DLA, but its good production and apparent lack of pretensions towards being high art (compare to Death post-1991) make it difficult to hate. I feel the same way about Spiritual Healing, which is mostly cut from the same cloth and also receives a similar instrumental skill boost from James Murphy.