Coathanger Abortion Debuts New Track

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Tennessee death metal band Coathanger Abortion have debuted a new track from upcoming album Observations of Humanity, to be released on  June 2.

Tracklist for the album:

  1. Suffering the Weak
  2. Media Mindsnare
  3. Wading Through Existence
  4. Prescription Paradise
  5. Coathanger Abortion
  6. The Possession
  7. Audra Sleeps
  8. Forget the Past
  9. Hypocritical Majority
  10. Detained Indefinitely

https://soundcloud.com/apochs-dotnet/coathanger-abortion-media-mindsnare

Sorrowful Angels sign with Roar Records

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Sorrowful Angels have announced they are back and are now going to be working with Roar Records. Furthermore, they’ve announced a line up change. This is the official band statement:

 

Exciting times ahead as Sorrowful Angels embark on a new journey with Roar  (Rock Of Angels Records) on our side as our new recording and managing label. We are very happy to be on their roster and we thank them for the trust they have placed in us.

This new journey however, will be without our longtime drum hitter Chris Stratigos. You will be missed brother. His place will be filled by Stelios Pavlou, an excellent musician. Welcome aboard!

 

Sadistic Metal Reviews 05-25-2015

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In the spirit of George Carlin:

Here’s a group of musical vermin whose mothers we wish had had a medical plan that included abortion.

Bone Gnawer – Cannibal Crematorium (2015)
An assault not only on the senses as their promoters say, but on human intellect, this is lowest common denominator death metal for the Cannibal Corpse crowd who think Scream Bloody Gore is an actual classic of the genre. Produced like later Vader albums, most of the appeal this release has relies on processed vocals, guitar tone and crispy drum sound. Everything about his album screams out mental retardation and posturing. A plage on the genre, this crowd should be stirred in the direction of rap, deathcore or any brutal or violent posturing “music”.

Korsakov – Unique Remains (2015)
As their name migt suggest, yes, this is yet another Swedeath clone. But it also shares traits with the 80s speed-going-on-death of Master or Death. Unique Remains is unimpressive in any way. You will not remember it for being the worse, but it is uneventful music showing no great blunders but nothing of value either. It is merely repeating what others have said in simpler and more incomplete ways. Genuinely boring, if you want anything like this, listen to Master.

Paganland – Fatherland (2015)
Full of feeling and good intentions, this music is as endearing as it is hilarious. Using the style of magical power-pagan-black metal so popular among the slavs, Fatherland presents us with a particularly derivative, musically uneducated and melodic-hook-based music. This music is more of a folk-themed pop rock music for people who do not actually listen to metal but like to think they do.

Massenhinrichtung – Закон Збро (2015)
Another slavic band making meandering folkish-paganish-blackish metal. Too many feelings and too little thinking. This is ambient music for nationalist teenagers of the region. This becomes evident when some macho man screams are heard in rapping style along with a numetal background. And for those who fetishize eastern Europeans and their culture. This music is like a souvenir, it can be attractive because it is reminder of something else. On its own it’s quite poor. A little similar to music like Cromlech’s or Primordial, guilty pleasures for those who like epic nationalism or medieval warrior themes.

Zatokrev – Silk Spiders Underwater (2015)
Ah, more casual black metal. No, kids, black metal does not do casual. Black metal is not “cool”. Silk Spiders Underwater is repetitive alternative rock-metal with stoner inclinations. Oriented towards appearing tough, but casual. Aloof music for angsty teenagers… don’t we have plenty of this subpar shit already?

Blasphemic Cruelty – Crucible of the Infernum (2015)

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Ripping, furious death metal in the vein of 1980s death metal with vestiges of speed metal, solos that bear the mark of Trey Azagthoth, this band is one of the many followers of the legendary Morbid Angel. However, Blasphemic Cruelty is not content with being a clone and continues the work of Angelcorpse by playing a style that takes one facet of Morbid Angel and expanding on it. It is basically the older band’s most brutal side taken as the parting point and center of the music. While Azagthoth would mix a few fast sections with his own trademark of mid-paced and slow riffs, Blasphemic Cruelty pushes the pedal to the max throughout the entire pieces.

 

While Crucible of the Infernum will not distinguish itself as innovative in any way, it is an example of excellent composition for this style of ripping, blasting death metal. The band’s work here is ideal in the sense that within the limitations it sets for itself, every single space it uses is purposeful by virtue of its integration within the big picture, even if this picture isn’t very big. Admittedly a work of modest reach, Crucible of the Infernum is a solid release strongly recommended for fans of Angelcorpse, Sodom and early Morbid Angel.

 

Imposition – Memento Mori (2013)

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Imposition is a single-man black metal project which can be compared in approach to what Sort Vokter did in their sole release, Folkloric Necrometal. Minimalist composition, backed with synths that outline a melody, Imposition creates a racing and urgent music which combined with the sensation of space that the synt-produced organ-voices, gives the listener the experience of going through a space-time portal into a darker dimension. But rather than another physical dimension, Memento Mori seems to bring into focus the spirit world of energies, the subconscious comes to the fore as the material and our conscious awareness of it recedes. Part of the solidness of this is that there is enough space between synth and guitar, but they are also close enough that there is no sensation of emptiness or vaccum between then, which can appear to be grander to some, but is ultimately a cheap trick to make the music appear larger than it actually is. Imposition plays no such trick on the listener and uses the elements at its disposal to honest use, building what it can without pretending to be more.

 

This release is probably only meant as an EP, as the duration of the whole thing is very short, as are the songs themselves. The songs being short is not a problem in itself, as when you string these together, the whole album becomes one whole work with minimalist movements. Taken this way, Imposition’s conspicuous music is one of the most promising if this man is able to solidify this into a full album. A word of advice from my point of view would be to try and develop the ideas in the songs a little further, with the same caution with which the music has been written until now. At the end of this Memento Mori, one has the impression that something amazing has been glimpsed, but no complete memory of it remains.

 

Imposition on facebook: https://www.facebook.com/Impositionbm

 

Frosthelm Release Official Video for “Silent and Dark, The Everlasting Sky”

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Playing a Speed Metal with black metal tinges ala Immortal on At the Heart of Winter, North Dakota’s Frosthelm offers the public a brand new video of their song “Silent and Dark, The Everlasting Sky”, from their new album The Endless Winter.