Why write bad reviews at all? Good music is rare, and bad is everywhere, but if you do not explicitly identify the failings of bad, most people will find it appealing because it does not interrupt their steady stream of self-centered thoughts and is easier than seeking good. If you like good music and want more of it, you must bash as well as praise, as Machiavelli would tell you. And with that, the latest installment of the Sadistic Metal Reviews…
Morbid Angel recorded what was supposed to be their debut album in 1986. Compositionally excellent and novel, Abominations of Desolation was a Manhattan project of death metal as a truly musically distinct sub-genre. However, band leader Trey Azagthoth and then producer Dave Vincent were unhappy with the recording. Azagthoth quickly fired drummer/vocalist Browning and bassist John Ortega, and shelved the album, which Ortega later released as a bootleg. Vincent and Azagthoth had a point though: Browning’s drumming was shaky and he sounded like a wimp. His drumming lacked power, never making use of blast beats while his vocals could have come out of a whiny fourteen-year-old.
Gothic rock band Fields Of The Nephilim are famous for their ability to mix the industrial-dance edge of underground goth music with the driving guitars of punk and rock. On their newest release, Prophecy, the band go in a new direction — one that will be familiar to metal fans.
Morbid Angel have been booked as one of the headliners for Maryland Deathfest 2017 despite having only two members in Trey Azagthoth and Steve Tucker. The crusty, SJW-infested parking lot festival announced the initial round of bands this week on their Fuckbook page:
Akercocke (UK) – Exclusive U.S. appearance!
Behexen (Finland) – Exclusive U.S. appearance!
In The Woods… (Norway) – Exclusive U.S. appearance!
Morbid Angel (with Trey Azagthoth and Steve Tucker)
Sargeist (Finland) – Exclusive U.S. appearance!
Terrorizer (World Downfall set)
War Master clandestinely premiered a new track from their upcoming second album, To Live Suffices To Conquer, on their sold-out Japan only compilation CD. The new track abandons most of the Bolt Thrower influence in favor of the Carnage and Dismember ones introduced on the Blood Dawn EP. Enjoy it now on Youtube:
Manilla Road‘s unreleased “Mark of the Beast” album, recorded between Invasion and Metal, has been pressed to CD and LP by High Roller Records as Dreams of Eschaton. This is the highest fidelity version yet, pressed from a collector’s tape that originated from Mark Shelton himself as detailed on the Nuclear War Now! forum: