If you’ve been following the site for a bit, you’ll note how Khand is a treasure trove for ambient/”cosmic” music lovers that has earned a nice reputation on our site for their previous studio albums. A few months back, this one man act mentioned it was simultaneously working on two albums for future release. Crimson, from which the provided track hails, is a science fiction concept album revolving around a hypothetical manned space mission to Mars. While it’s too early to say for sure whether or not this will live up to previous Khand albums, a teaser track is still an important milestone on the way to an official release.
Some of Khand’s work is available for download here.
Metallica is releasing box sets of both Kill ‘Em All and Ride the Lightning, possibly bringing new attention to their earliest and most virile content. Each box set includes several vinyls and CDs worth of material, ranging from newly remastered (and possibly brickwalled) versions of the albums to live concerts and demos of the albums’ tracks. While the mixture of vinyl and CD content and the frequently iffy nature of studio demos lead me to wonder exactly how useful these box sets are, the actual songwriting content is sound, and it could possibly help a new generation of metalheads learn crucial lessons about how to make metal; good foundations for more advanced studies like Slayer and Morbid Angel. The albums are available for preorder from Metallica‘s online store, and the official releases will be on April 15th.
Last year we covered Triguna‘s debut (Embryonic Forms) with some enthusiasm, placing hopes on their amateur form of discernment and enthusiasm in the writing of progressive speed metal. The first album shows a band that is still a little awkward around expression but displays a latent vision for natural development and a holistic consideration of affairs. Their following EP, released officially on February 11, shows work in the same direction with a little more confidence. The evolution of Triguna’s style has not yet reached a stable point, and may still seem a little rushed or incoherent to the average listener, since they still need more practice in inserting their songs’ “progressive” sections. But these interruptions and twists don’t rob the songs of a coherent narrative, and the upcoming content seems worthy of further study and attention.
Embryonic Forms can be purchased at Triguna’s Bandcamp.
Did you ever wonder where you could get those cool stickers that say “Employees Must Carve Slayer Into Their Forearms Before Returning to Work”? What about a Satanic, sleazy, anarchist and cynical mockery of American pop culture and Hollywood Entertainment? Shane Bugbee, who formerly threw metal festivals long before it was cool and now produces pop-art-satire, is selling these through his online shop. If you want to see Mickey Mouse as a Misfits skull or a Laveyan take on the Goonies, this is the place also. Shane sent over a raft of stickers, pins and buttons for us to check out at DMU HQ and we’ve enjoyed spreading these around to those who know how righteously these mock mainstream culture. The Slayer sticker is going in the corporate washroom however.
Aaron Aites, best known for his documentary work on black metal (the aforementioned Until the Light Takes Us) was recently diagnosed with kidney cancer. He and his partner Audrey Ewell have put up a GoFundMe page in order to raise money in order to treat it. If you’ve found any value in Aites’ work, like several of the contributors to DMU have, then you might want to contribute some money. Besides the aforementioned Until the Light Takes Us, Aites has also produced some other documentaries and films, and released lo-fi pop music through a band named Iran. Furthermore, you can read DMU’s interview with Aaron and Audrey here.
Destruction plans to release their next studio album, Under Attack, on May 13th, 2016; amusingly enough this’ll be their 13th album as well; at least if you count the especially disastrous mid-’90s lineup’s material. “Neo-Destruction”, as they call it these days, is especially important to understanding this band. Its studio work blew up so violently in their faces that it locked the band into the self-referential and especially formulaic route they tread today. Under Attack is unlikely to end that, and the trailer showcases little of the inventive riffcraft and melodic development that made the band influential and interesting in the ’80s, even though the rest of their songwriting eventually fell behind more advanced underground acts.
We’ve covered Cirith Gorgor’s latest album severaltimes now, but only today has Visions of Exalted Lucifer officially released to the public. According to the band’s official website, it’s available in several formats, including a 2-CD digibook that also contains the band’s 1997 Mystic Legends… demo. It should keep Dutch black metal fans sated until the release of Sammath’s upcoming album later this year.
Relapse Records and Incantation both recently announced through their various websites (including Incantation’s official page) that Incantation is rejoining Relapse’s roster. Incantation’s most recent studio albums (including 2014’s Dirges of Elysium) had been released through Listenable Records; this change of record labels coincides with the band’s upcoming album, which is currently being recorded at the band’s own studio. Incantation will also be touring Europe in April alongside Morgoth, Darkrise, and Omophagia, as well as playing the Czech “Obscene Extreme Festival”. Hopefully, the new album will not be afflicted the “tiredness” a DMU contributor saw in the band’s recent studio work.
The folks at Nihilistic Holocaustwebzine recently uploaded a rare cassette interview that an unknown fan or journalist managed to score with Quorthon of Bathory. To my understanding, while there’s a reasonable amount of historical documentation of early underground metal, a lot of it is locked away in unscanned fan magazines, unpreserved recordings, and so forth. It’s always interesting when someone unearths these documents. This specific interview showcases Quorthon documenting his experiences touring, working with Black Mark Productions, releasing various albums and so forth. Definitely worth your time if you have a spare 15 minutes.
Back in the late ’80s, Artillery was (to my understanding) one of the more musically literate speed metal bands out there, arguably peaking in commercial success on By Inheritance, which like many late ’80s and early ’90s releases in the genre reflected a more polished, assimilated, and mainstream take on the various ideas present in the genre. Artillery reformed in 2007 and has attempted to capture something of that era with their albums since; Penalty by Perception will release on March 25th and bears at least a superficial resemblance to the band’s previous material on first inspection. For the band’s sake, let’s hope it doesn’t fall victim to the lack of animating spirit that some other revivals from Denmark (like Denner/Sherman) have suffered.