Lousberg- Wintergemälde

Now here is a recording I am really quite enjoying, by Lousberg. This captures the spirit of the desolate winter-time, but not in a dreary way. Rather, the elegance of nature shines through. Low drones set the landscape, while tip-toing keyboard patches enunciate the mid and higher ranges. This has a nice balance between droning and suggesting a melody, which does a very nice job creating a virtual landscape. I prefer this to the other black metal I saw on this label such as Goat Semen, which was pretty cool too, since it reminded me of Norz Norz Norz. There is a sophistication to this particular composition, which reminds me of Maurice Jarre’s score to Runaway Train, which is a wintertime classic. Also, the Mosquito Coast, about leaving society for nature, is another majestic score by Jarre that this harkens. It seems easy to the passive listener to create such an album. As a keyboardist myself, I can tell you that it actually takes a lot of inspiration to write an album like this.

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Have You Droned Anyone Recently?

There is something delicious about a drone. Maneuver the joystick, trip the flaps, train the camera, identify the subject. With a deep sigh, avoid contemplating all that is ahead, then click confirm on your control screen. Watch the brief flash and distortion on your video feed as the missile falls free and ignites. Zoom in on the target. Seconds later, a gout of flame and fountain of body parts.

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KILLJOY IS DEAD

One of death metal’s pioneering vocalists has passed away today.  Frank “Killjoy” Pucci of Necrophagia died this morning as revealed on the band’s Facebook page. One of the original tape traders of death metal, Killjoy’s legendary vocals on the phenomenal  Season of the Dead album (which predated Death’s Scream Bloody Gore by several months) paved the wave for the death/black metal technique and inspired some of the greatest artists in metal.
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PISS ON TERRORIZER MAGAZINE’S GRAVE!

It has become apparent that the mentally ill mutant publisher of the failed Terrorizer Magazine pulled a classic Blake Judd-style heist on everyone stupid enough to subscribe to it in 2017.  Back in September, Terrorizer published a post on Facebooktarget=”_blank” rel=”nofollow external” indicating that “they’re having publishing problems” and promised to send everyone’s missing magazines that week.  In reality, subscribers were lucky if they got 1/4 of the year’s magazines delivered as most never received at least 3 of the issues and even got shafted on digital copies (!!!).  Absolutely no one has received the December issue (it was never published), yet everyone has been billed for the full year both last year AND THIS YEAR even though the last magazine was published in November!  I was just as shocked to hear about this as you were: I couldn’t believe people actually paid money to read Terrorizer last year!

So as of yesterday the lefty metal media has finally been reporting on the embarrassing death of Terrorizer Magazine, but so far they are taking a sympathetic tone.  But why is this, after the harshness they displayed on Blakey Judd for ripping off his fans in the exact same fashion?  The answer has been thus far carefully concealed by the liberal metal media outlets reporting on this:  Terrorizer’s publisher is trans.target=”_blank” rel=”nofollow external”
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#TWITTERPURGE: TWITTER SUSPENDS DMU FOUNDER FOR WRONGTHINK

Death Metal Underground founder and all time greatest metal writer Brett Stevens has been suspended from Twitter as part of their continued efforts to censor conservative voices.  Too dangerous and too masculine to be allowed to influence the masses, Brett joins a long list of censored and purged right-wingers that includes Baked Alaska, Milo Yiannopoulos, and Lauren Southern.   (more…)

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FRANK MULLEN RETIRES

Aging Suffocation vocalist Frank Muller has officially announced his retirementtarget=”_blank” rel=”nofollow external” from music as the extreme metal retirement wave continues.  Spanning an almost 3 decade career exclusively with the same band, Frank had one of the deepest gutteral vocal tones of the early 90s and enjoyed an unusual amount of success in his later years when Suffocation’s technical death metal style became interchangeable with the deathcore fad of last decade.  Frank now plans on attempting an acting career but will probably end up giving up on it soon and opening up a pizza restaurant in Staten Island instead.

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BASED DESTROYER 666 BTFOS SOYBOY CALI VENUE

Watain and Destroyer 666 have moved their 3/16 show in California to a new venue after the cucked owner of the soy-filled DNA Lounge publicly menstruatedtarget=”_blank” rel=”nofollow external” over mean words said by Destroyer frontman K.K. Warslut last year.  After trying to kick the band off the bill, the tour’s promoter promptly fucked over the venue by moving the show to Social Hall on 1270 Sutter Street on just a few days’ notice.  Warslut proceeded to verbally emasculate the DNA lounge owners via the band’s Facebook page:target=”_blank” rel=”nofollow external”
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RiffsandBeards Hosts Classic Riff-Off

There is an Instagram group known as “Riffsandbeards” that is currently running a contest until March 13 awarding prizes to whoever in the USA can contribute the best riffs meeting the following criteria: you must download and write to the given sample drum beat, and you must upload the video of yourself playing your riff to the beat in two weeks from when the contest was announced. You can view everyone’s contributions by searching for #riffsandbeards3 on Instagram. Given that the only people playing guitar anymore that use social media are modern metal guitarists, the results are an interesting window into the mind of the modern player and broadcasts the pitfalls therein in blaring, naked transparency.

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