Paganizer / Skinned Alive split hits shelves in 2016


Death metal bands Paganizer and Skinned Alive will unleash a split album on vinyl in early 2016, featuring two songs from each band. Released via Brutal Art Records, the split LP will feature art by Roberto Toderico and be limited to 250 copies.



  1. Bred by demons
  2. The hammerhead
  3. Skinned Alive

  4. Gallery of the Impaled
  5. Human landfill

Paganizer belts out mid-paced old school death metal with a focus on hook-laden choruses, reminiscent at times of old Pestilence and Kreator, with a fair amount of the ancient speed metal feel present in riff fills. These songs march along and keep the energy high but not excessive which is a welcome counterpoint to the lightspeed bands that blend into a blur in the background! These two tracks show the same style, but the second picks up the pace and has even more speed metal references. They use more of a stop-start approach to songwriting in the style of bands that influenced Meshuggah, but know when to break this pattern to allow riffs to interact and themes to expand to prime us for the restoration of order with the chorus.

Skinned Alive on the other hand sounds more like an uptempo version of Asphyx with influences from Swedish death metal in its tendency to use longer riffs with a broader space of intervals in them, making them technically melodic without overdoing the melodic tendency through tuning/higher register playing like the melodeath and retro-Maiden bands do. The clear crust heritage of bands like Carnage shines through in the percussion, but like Dismember they know how to write a heavy metal style catchy choruses. Riffing here also shares a space between middle death metal, speed metal and classic heavy metal, where the Swedish bands were more hard death metal. These songs move systematically toward intensity and then conclusion, avoiding the generic verse-chorus loop despite relying heavily on a verse chorus structure upon which to add additional riffs, Slayer-style, as divergent themes. Like Sodom or Destruction, this band knows how to build up to a good chorus and then work it into brain-programming, toe-tapping, pure motion music.

In other Skinned Alive news, the label Brutal Art Records announced that the split between German death metal legends Fleshcrawl and Skinned Alive will feature four tracks from each band, instead of three, in the CD release. For more information, pursue the link above.

For the Paganizer/Skinned Alive split, pricing is as follows:

  • 70 – Clear / Neon Green – 6,00€
  • 80 – Blue / Black – 6,00 €
  • 100 – Purple / Orange – 5,50 €

Obscure Oracle sneak previews “Pray for Nothing”


Texas heavy metal band Obscure Oracle has released its latest work, a track which takes us back to both the early 1980s and its grandiose power metal, and an improved version of the melodic death metal of the mid-90s. “Pray for Nothing” features 1980s style choruses with less repetitive verses than bands of that nature would use, sliding into melodic guitar riffing that would have At the Gates envious, but used sparingly like an Iron Maiden/Judas Priest era band would have used. This track foreshadows great things to come from this original Texan band! Because it is a sneak preview, you cannot hear the track at this time, but you can catch the band live just a few months ago:

Autopsy debuts “Waiting For The Screams” from Skull Grinder

Autopsy released a single from Skull Grinder today, giving me an opportunity to taste something of what the album might be like. If “Waiting For The Screams” is any indicator of upcoming content, this album is going to be overtly influenced by traditional style doom metal. Much of its runtime is given over to shouted vocals over slow, relatively consonant riffs reminiscent of Black Sabbath, interspersed with some passages of more standard death metal riffing more like what I’d expect from Autopsy. The band claims not to have made any stylistic changes, but this sounds to me like a more accessible and melodramatic Autopsy than the one that produced Severed Survival and Mental Funeral. I guess we’ll see what the full album is actually like.

Upcoming tours: Voivod

Promotional picture of Voivod by Valerie Gagne from their official site
Two tours of note today. First, and presumably better, is Voivod’s impending US tour. The band is currently traveling through Europe with Napalm Death and Obituary as part of Deathcrusher 2015. This February, they will join Vektor and Eight Bells for what is mostly a tour of the eastern USA, with some later dates in the Midwest. If an interview from February 2015 is to be believed, an album (and one that may be more overtly progressive rock oriented than usual for the band) is coming some time next year; the splits with At the Gates and Napalm Death that it mentions appear to have released without issues. The tour dates follow:

2/06 – Providence, RI – Fete Ballroom
2/07 – New York, NY – Gramercy Theatre
2/08 – Philadelphia, PA – Kung Fu Neck Tie
2/09 – Morgantown, WV – Mainstage
2/10 – Pittsburgh, PA – Altar Bar
2/11 – Asbury Park, NJ – Stone Pony
2/12 – Lancaster, PA – Chameleon Club
2/13 – Washington, DC – Black Cat
2/14 – Richmond, VA – Strange Matter
2/16 – Raleigh, NC – Kings
2/18 – Charlotte, NC – Neighborhood Theatre
2/19 – Sanford, FL – West End Trading Co.
2/20 – Ybor City, FL – The Orpheum
2/21 – Atlanta, GA – Masquerade
2/22 – Knoxville, TN – The Concourse
2/24 – Chicago, IL – The Abbey Pub
2/25 – Cudahy, WI – The Metal Grill
2/26 – St Paul, MN – The Amsterdam
2/27 – Omaha, NE – Waiting Room
2/28 – St. Louis, MO – Firebird
3/03 – Ferndale, MI – The Loving Touch

I could theoretically make it to the Rhode Island show, and I am certainly interested in doing so, but we’ll have to see how things shape up in the next few months.

Deadhead Fanzine #6 out now

Several copies of Deadhead Fanzine #6 stacked on top of each other
Afterlife Productions has recently released the latest issue of Deadhead Fanzine. This Malaysian label (calling themselves “Asia’s last stand for conservative metal literature”) has compiled an substantial quantity of metal literature into a package that’s apparently more like a paperback book than a simple magazine. Besides the usual reviews, articles, and etc, the major selling point is likely the dozens of included interviews with both well known and more underground metal bands. Morbid Angel headlines, with former members Mike Browning and Richard Brunelle talking about the band’s earliest days, and the latter also makes his way to the front cover. Deadhead Fanzine 6.66 also understandably devotes some space to Malaysian underground metal in particular, featuring interviews with bands from all over the country. The sheer quantity of content here could make it a very tempting purchase, and it is available from Afterlife’s website.

Swarming streams “Hideous” from Cacophony of Ripping Flesh: Recordings 2010-2012


Swarming brings together experienced old school death metal personnel from Finland and Sweden to slash out a putrid, raw, grinding and crusty form of death metal that borrows as much from Autopsy and Carcass as it does Demigod and Dismember. For Halloween, Dead Beat Media has released Cacophony of Ripping Flesh: Recordings 2010-2012 which collects the complete works of the band during the first two years of its existence.

Check out the exclusive stream of “The Hideous Incantation” right here:

Storming death metal riffs gain support from an underpinning of melody balanced by the sickening, dragging and decomposing riffs that like the unsteady hand of a drunken surgeon dragging scalpels through flesh, induce a mood of hopeless darkness and perverse enjoyment of the world’s suicide. Demonstrating competence in both the technicalities of death metal and the intricacies of rock guitar, Swarming show death metal at its most engaging and yet repulsive.


Swarming (formed in February 2010) is a Finnish-Swedish collaboration with Lasse from Hooded Menace, Phlegethon, and Ruinebell, and Rogga from Paganizer, Ribspreader, and Humanity Delete. The guys share the same passion for raw and filthy music and that is what they are here to deliver with Swarming. Downtuned and putrid, grinding, crusty death metal!

Swarming Cacophony of Ripping Flesh – Recordings 2010-2012 compiles tracks recorded during the band’s existence so far including the two tracks from Swarming/Zombie Ritual split (Doomentia 2010). Cover artwork comes from David of Extremely Rotten Records. The album was mixed by the band and mastered by Mikko Saastamoinen (whose other works include Hooded Menace, Ruinebell and Vacant Coffin).

Thanks to Jill at Dead Beat Media, we are able to offer you this exclusive album track stream on Halloween 2015. As you are gorging on candy and cider, take a moment to vomit purulent blood with Swarming!


  1. The Hideous Incantation
  2. Reeking of the Bowels
  3. It Came From the Graveyard
  4. Hacksaw Holiday
  5. Feasting on Drowned Flesh
  6. Amputation Frenzy
  7. Convulsing Into Eternal Doom
  8. Premature Embalming

You can find the CD and cassette at the Dead Beat Media store at and keep track of the band through Facebook pages for Dead Beat Media and Swarming.

THEM releases the first single from Sweet Hollow

Them - Sweet Hollow (2016)

October is indeed the season for Mercyful Fate, or at least pretenders to its metallic throne. Earlier this month, we saw two members’ underwhelming reunion in Denner/Sherman. More recently, THEM, composed of an unrelated group of musicians despite likely being named after King Diamond’s 1988 solo album, has released a track from their own upcoming attempt to capture something of that band’s approach.

Sweet Hollow is a concept album very much in the vein of King Diamond’s projects; at this point perhaps most notable for featuring members of Symphony X and Suffocation. The single (“Forever Burns”) resembles an exaggerated, more technically ambitious take on KD’s melodramatic heavy/speed metal sound, to the point of including a great deal of falsetto singing. Even if the final product turns out to be any good, this may scare some of its potential listeners away. Currently, Sweet Hollow is planned for a January 2016 release.

Overkill working on new studio album

In a review with, Overkill’s frontman (Bobby “Blitz” Ellsworth) revealed that their next studio album is intended to come out by October of 2016. This might be something for fans of old speed metal to look forwards to, especially if the band continues in their current vein. While Overkill always tended towards the earlier, more punk inflected forms of the subgenre, they pulled it off in a versatile fashion with some room for experimentation and elaboration, as evidenced by their famous work in the late 1980s. Overkill also has recently released a box set of their middle period work; entitled Historikill: 1995-2007, it showcases the band repeatedly trying to reinvent themselves for a new era by imitating the more rock-like (Pantera-like) material their genre inspired. It also stops short of the band finally succeeding in this regard with Ironbound, which proficiently built off their early work and made it onto this site’s best of 2010 list.

#Metalgate: Jimi Hendrix, Nazi collector


An astute reader spotted this picture of Jimi Hendrix, and in the spirit of #metalgate showing us the more complex world than the good/bad binary in which commerce and ideology define it, revealed this about what’s going on in this picture:

PC police and SJWs look away now. Apparently Jimi Hendrix collected Nazi stuff. In this Retronaut photo of his 34 Montague Square flat’s wall: Luftwaffe Flying Clasp (unknown mission and grade), Krim shield, DAK/Army pith helmet eagle and national colors shields, and Mother’s Cross. To the right, a fireman’s dress bayonet with portapee. Japanese Samurai sword hilt visible above the bookshelf, too. Reckon Jimi and Lemmy talked about more than just scoring drugs.

‘Scuse me while I sieg this heil, eh, Jimi?

Malediction to release Chronology of Distortion compilation


English death metal band Malediction, previously only released on small run vinyl and one live CD on Wild Rags Records, has engineered the issue of a 16-track, 72-minute compilation of material entitled Chronology of Distortion slated for release on Dark Blasphemies records in December 2015.

Covering the period 1990-1994, the material shows this innovative band at the height of its personality. Artwork by Sean Fitzgerald and remastering by Matt Richardson at Full Stack Studios, Lancashire, England promises to deliver these recordings in a better format than their original issue.

Tracklisting for the CD is:

1. Infestation (1990 demo version),
2. Murdered From Within (EP Version),
3. Waste (Remix) [Previously unreleased],
4. The Abyss Gazes Also [Previously Unreleased],
5. Longterm Result (1990) [Previously Unreleased],
6. System Fear (EP Version),
7. Insect in the Infrastructure (EP Version),
8. Dark Effluvium/Weeping Tears of Covetousness,
9. Doctrines Eternal Circles,
10. Framework of Contortion,
11. Longterm Result (“Pantalgia” compilation),
12. System Fear (1993 session) [Previously Unreleased},
13. Mould of an Industrial Horizon (1993 session) [Previously Unreleased],
14. Insect in the Infrastructure (1993 session) [Previously Unreleased],
15. Ruinous Opiate,
16. Waste (Live audience recording) [Bonus Track].