Metal blog CvltNation demands censorship and coverup

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Turkish record label Merdumgiriz — people who might actually face law enforcement consequences for their anti-Islamic expressions — found itself in the center of yet another controversy as band Azerine withdrew from the label after pressure by modern metal blog CvltNation.

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Although only the least savvy of metal fans would go to some place named “Cult Nation” for their news, the blog has made a name for itself by covering war metal alongside the usual wash of hipster black metal and tryhard imitators. Merdumgiriz, on the other hand, is a small label which spends its time dodging Turkish religious authorities and authoritarian Western SJWs alike.

Merdumgiriz issued the following statement:

Yesterday I released the album of a so-called “extreme” metal band. I worked so hard on the released that I forgone one of my PornHub premium shemale sessions. Not to mention the money and hard work spent making merchandise. They are a band that uses Lovercraftian lyrics (the trigger on their brains must be malfunctioning for using that “racist” writer) and much “occult” symbolism. Today they wanted me to remove their entire name and work from my label like my label had Ebola saying “Pull all support for my band from any Merdumgiriz websites immediately. Members were not fully aware of the political associations with your label, we wish in no way to have any political or religious anti religious associations.”

Mind you, they share the stage and a member with Anti-Cosmic Satanist bands and frequently use upside down pentacles.

I have heard from good sources that the website CVLT NATION have told them not to work with my label. I apparently support National Socialist bands (which band is this?) anyway, this “Nazi” was kind enough to disregard the legally binding record contract those grown up men have signed with him and let them go. Not to protect their fragile feelings or PC image, but because I do not want to insult the name of “extreme art” with supporting pussies like this.

It is no secret that Viranesir uses racist and sexist terminology to open discussion and mock taboo subject matter. I think using overly offensive language will pull the strength out of taboo subjects and render them unusable for those in power.

Here are some lyrics for the VIRANESIR song HITLER RAPE:

I have lost all my sensitivity toward the taboo subjects in my life through art and I think it can be the same for everybody else. Of course, this will be a nightmare for those in power because they won’t be able to use those taboo subjects as a means of control anymore, hence they will do all within their power to not let words like “nigger, hitler, rape” lose their power. All you have to do is use them without fear. All you ever have to do is commit the greatest sin of freedom.

I am as shit as everybody else, but I seem to be the only one knowing, not fighting, even celebrating and all the while changing it…

You make fools out of yourselves doing extreme art and being pussies. You aren’t extreme, and you are not fooling anybody with screaming and playing loud. I am the real Satanist; I am LUCIFER the bringer of true black light. I change the false meaning of things into harsh truths and fight a lonely fight to break the tyranny of cosmic order, unlike pseudo-prophets singing safe songs about mythical phenomenon. Makes me vomit.

Emir Togrul
9.12.2015

While many of us are not fond of hearing some of the words in those lyrics, we realize that defending speech means defending unpopular speech, even Christian speech. And while this blog has no anti-Christian, anti-Islamic or anti-Semitic agenda, nor a racialist one, we understand that throughout human history demonized ideas have become the basis of the next era of society, and so we encourage open discussion of all topics. Viranesir, Merdumgiriz and Blighted take it further with pure provocation for the sake of pointing out how censored our society is, and for that reason as well we refuse to censor them.

Others feel differently. They have an agenda, but will not state what it is, preferring to work behind the scenes to sabotage the ability of others to express their point of view.

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By threatening to “blacklist” metal bands for not conforming to its agenda, CvltNation creates the exact opposite of a safe space: a paranoid community where people fear accidentally saying or thinking the wrong thing as their careers will then be destroyed. This is the same method of control used in totalitarian systems like Soviet Russia and Nazi Germany.

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A second band, Chronovorus, withdrew in fear of the blacklist as well. The fear spreads, and in the name… what? Fear of ideas? How metal is that?

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Rotting Christ reveals new album – Rituals

Rotting Christ’s 12th studio is in the works. Entitled Rituals, it will come out on Feburary 12th, 2016; a single has already been officially released to the internet for streaming. Given the timing, I’m not under the impression that Rotting Christ’s latest upcoming album was directly inspired by Varathron’s most recent efforts, but that’s something to ask the band’s personnel, if at all. Interestingly, the album is currently available for preorder from Season of Mist‘s online store. While I am not familiar with Rotting Christ’s later discography, I haven’t heard much complimentary about it from the DMU types. If they’re to be believed, it doesn’t really measure up to the band’s strong formative work, perhaps even coming off as a pale and overly streamlined imitation of such. Might be better for you to stick to modern Varathron if that’s the case.

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Destroyer 666 unveils new album

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The guy who went to Black Flames of Blasphemy VI seems to have liked them – Destroyer 666 is returning with a new studio album after 7 years of inactivity on that front. They’ll presumably continue to be a partial throwback to ’80s first-wave black metal on Wildfire, which is currently set for release on February 26th. The band’s frontman, K.K Warslut commented on the artwork his band has procured for this album, saying that he “…was after something very simple and very metal, being sick to death as I am with pseudo-occultniks dressing everything up in the garb of mysticism.” It’s probably not just him, although the local occultists here at DMU might take issue with that. After this album’s release, the band has a few tour dates lined up in Europe for 2016.

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Upcoming tours – Cannibal Corpse, Obituary, Cryptopsy, Abysmal Dawn

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When you’re like us and operate on the assumption that most metal music is bad (or at least mediocre), you probably want to avoid Cannibal Corpse, since they’re still kind of the poster child of lame albeit studio-proficient death metal. In case you don’t, you can always see them on their upcoming US tour. As mentioned in the title, Obituary, Cryptopsy, and Abysmal Dawn will be supporting them. The first two bands in that selection admittedly produced some good content in their early days, but seem to be operating at a similar level of tired rehashes these days. Tickets will go on sale this Friday (December 11th), so you should soon be able to ignore our warning if you feel doing so is absolutely necessary.

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Dødheimsgard to rerelease Kronet Til Konge

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As part of Peaceville Records’ holy mission to rerelease every shred of music they can, Dødheimsgard is releasing a vinyl pressing of their debut album on December 11th. I haven’t actually listened to Kronet Til Konge, but it’s apparently a fairly standard work of Norwegian black metal perhaps most notable for showcasing one of Fenriz’s many performances. It also predates both Dødheimsgard’s brief flirtation with the small black-thrash ‘movement’ (read: Monumental Possession) and their evolution into a goofy experimental metal act. This repress also contains the usual sort of additions – contemporary photographs, new liner notes, and other biographical material for the sake of added value.

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Buried treasures: Adversary – Forsaken (2001)

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Adversary came to us from the heartland of Indiana and released two solid old school death metal albums, the second of which, Forsaken, may deserve more attention. This one is misunderstood because its form is old school death metal, but its heart is in classic heavy metal with melody and groove, as well as some of the more atmospheric 1980s rock.

As a result, listening to it presents a dual experience. It sounds like Num Skull or Nunslaughter doing their version of a Possessed-Venom hybrid, but with more attention to melodic guitar hooks. Vocals take the form of barfed out gruff explosions, guiding the rough-hewn riffs like a second drum track, but the heart of each song is a 1970s heavy metal riff with a broad chord progression through which melodic lead-picked figures wind. Songs mostly follow the speed metal pattern of verse-chorus with interludes and transitions, but each song is wrapped around a presentation of dynamics to bring it to a dramatic close.

While other bands worked with this formula, none have done so with such old-school technique and so this album neatly slipped between its potential audiences. Compounding this fact was the trouble that Adversary’s first album, The Winter’s Harvest, used a drum machine and so was overlooked by many. But for those wanting the feeling of 1985 — that nexus of different influences and unresolved potentials — this album deserves a second look.

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Vader to release 2nd album of cover songs

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Back in the day, Vader earned a bit of extra notoriety by releasing the original Future of the Past and presumably documenting their influences (and their taste for Depeche Mode) through cover songs. Nearly 20 years later, they’re doing it again. Future of the Past II: Hell in the East showcases a set of somewhat more obscure bands, trading in familiar speed/thrash acts for the Polish underground of the 1980s, as well as a few outliers like Krabathor from the Czech Republic. This cover compilation will be released on December 14th, along with another separate pressing of Vader’s demos and a re-release of Future of the Past [I]. I do not know why Poland produced such a disproportionate amount of metal during its last years under communism; Vader, having lived through it may very well have a better grasp on the causes.

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Anthrax sets release date for For All Kings

Anthrax has always been vaguely relevant at best – selling not quite enough albums to be huge, but never really going away and always drawing some amount of media attention. Perhaps it’s lower expectations, but they seem to have aged more gracefully than most of their famous speed metal counterparts in recent years. 2011’s Worship Music must’ve paid the bills for a while, since the delay between that and the upcoming For All Kings is quite lengthy (albeit not as lengthy as the wait between WM and its own predecessor). So far, Anthrax has released the track “Evil Twin” as a single, which makes for an accurate if unnecessary imitation of the band’s past work. Anthrax has also promised that For All Kings will be “heavier” than its predecessor, perhaps due to the presence of Jon Donais from the metalcore band Shadows Fall. I wouldn’t stake any important bets on it, though.

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Pestilence releases The Dysentery Penance demo compilation

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Pestilence’s demos have been repressed at least once before, most notably on some printings of Malleus Malificarum, but this most recent compilation of them may end up being of at least historic value to the band’s fans. The Dysentery Penance combines both of the band’s 1987 demos into one release, showcasing what we described about two months ago as the “formative years” of the band. Possible added value comes from some remastering work provided by Dan Swano, as well as some live material bolted onto the end of the album. Whether or not the remaster ends up enhancing this product, it’s still probably a better purchase than the band’s post-reformation studio albums.

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Upcoming tours – Gorgoroth, Kampfar, Gehenna

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This December, a few notable black metal acts are touring Western/Central Europe. Gorgoroth and Gehenna, at the very least had some fame and notoriety back in the 1990s and are still well known today, although the former has drifted quite far from their best days. On the other hand, I’ve never heard of Kampfar until just now, although a cursory look at Encyclopedia Metallum suggests they’ve existed since the mid-90s. Supporting acts are expected to vary, but in the UK, these three bands will be joined by De Profundis, who is at least tangentially related to the black metal focus this tour has. I’d like to label this a “tour of the fallen” like the recently covered Slayer/Testament/Carcass tour, but it seems less definite than in that case.

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