Rigor Mortis vocalist Bruce Corbitt facing health challenges

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Sometimes the people with the biggest hearts find those organs in trouble. Rigor Mortis/Wizards of Gore vocalist Bruce Corbitt has undergone a series of medical procedures to correct a misfiring heart, and has embarked on a grueling schedule of benefits to fund these costly undertakings.

As the Dallas Observer reports:

But last week, two heart complications in less than five days changed Corbitt’s reasoning. At the ER, Corbitt found that his heart was misfiring, which caused his blood pressure to skyrocket. The doctors told him that he would need heart surgery. After months of living healthy, even changing his diet, he finally agreed. He couldn’t take the chance of dying on stage like his late guitarist and friend Mike Scaccia, who died playing at Corbitt’s 50th birthday bash at the Rail Club in Fort Worth.

“It became very evident that I can’t live a normal life anymore without doing the surgery, without fixing the problems,” Coribtt says. “It’s not fair to me, my wife, my family and my band to have to worry. It’s no way to live: ‘Oh we can’t go out of town without worrying about his heart messing up.’ Nah, it’s worth the risk of surgery to live a normal life again. I feel like a walking time bomb.”

Fans can support Bruce through a crowdfund, shopping at the Rigor Mortis store, or attending a benefit show on October 17 in Forth Worth, TX.

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Altar / Cartilage split re-issued as 2CD on XTREEM Music

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During the heyday of death metal, Swedish band Altar and Finnish band Cartilage banded together to release a split album entitled Ex Oblivione / The Fragile Concept Of Affection . Long sought-after by collectors, it is being re-issued by Xtreem Music as a 2-CD set with other early recordings. The label made the following statement:

It was in 1992 when two promising bands from the swedish & finnish Death Metal scenes, released a split album, that now, 23 years later, it’s one of the most cult splits ever released in the early 90’s. Unfortunately, CARTILAGE never recorded anything after that and although ALTAR did a few demos later on, they disbanded shortly after.

But the legacy still lives here and this split album originally released through former Xtreem Music label Drowned Productions, gets a re-issue in form of a double CD with 7 bonus tracks by each band taken from their early demos, a total of 14 songs (60 min.) from each one.

All songs have been remastered (not remixed!) for an optimal sound, preserving the essence from the originals and this release comes with a new cover artwork, a remake of the original one made by cult finnish artist Turkka Rantanen. Of course, original cover art is included on the release and booklet comes with extra photos, flyers & demo covers to complete this cult re-issue. However, we know that purists won’t be satisfied with this release, so they can always go and pay a fortune on eBay to get the original (if they can). No hard feelings! For the rest, here you have a new chance to get this gem in an improved and extended way at a reasonable price. A vinyl version with the original split album tracks, will follow in the future.

Release date for the ALTAR/CARTILAGE “Split Album” 2-CD is set for August 20th and in the meantime, you can listen to one track by each band on the following links:

ALTAR

CARTILAGE

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Hammerheart Records re-issues At the Gates Gardens of Grief

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Hammerheart Records has re-issued the classic of Swedish death metal Gardens of Grief by pioneering progressive death metal band At the Gates. The label issued the following statement:

At the Gates are one of those Swedish bands that doesn’t really need an introduction for anybody really eager enough to dig as deep as their first EP, Gardens of Grief, which was released in 1991 on Dolores Records.

Being one of the more distinct sounding bands from the whole original Swedish death metal scene, they have managed to spit out a couple of really great albums in the 90s, the pinnacle of their career being 1995’s “Slaughter of the Soul”.

What we have here lads is a chaotic mix between great song composition, one of metal’s best vocalists (in my humble opinion) screaming his shit out and pure maniacal death metal the way its supposed to be played. Right from the start of the first track you will get nothing less than a punch in your face, to the groin and to the balls. Tempo changes along with the massive output of riffs used work perfectly to create a unique atmosphere that sends you right to hell. This is one of those birth moments of a band that further defined the typical “Swedish sound” that most of us know as being a kind of mix between crunch and white noise. Every song has a very mature approach towards composition, not sounding very melodic, but dark, vicious and awestruck. This is fierce, ruthless death metal played by people who had a spark in them and wanted to play crazy music.

This EP is a very good example of how a rough start can prophesy a band’s great career with no absolute low point whatsoever and be a marker for good things to come.

For fans of: Grotesque, Dissection, Watain

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Codex Obscurum: a retrospective

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From its beginnings as an unsteady homage to the zines of years past to its current role as commentator and gatekeeper of quality underground metal, Codex Obscurum zine has grown and refined its approach over the past five years. Today the editors released a photograph of issues one through eight in all their glory, and we thought we would share it with you.

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Malediction releasing Chronology of Distortion discography re-issue

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Previously under-appreciated UK death metal band Malediction, whose sole release was a live recording on Wild Rags Records entitled Chronicles of Dissention, has partnered with Dark Blasphemies Records to re-issue its discography as Chronology of Distortion, sixteen tracks spanning 72 minutes of death metal slated for release in December 2015.

Known for their laconic take on the Morbid Angel style of phrasal guitar riffs woven together into a narrative, Malediction specialized in using selective melody and introspective lead guitar to create a unique vision of the death metal style. Fans who could not get the songs on Chronicles of Dissention the first time around will appreciate these lost classics finally coming to light.

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Unearthly embarks on Unearthly Rites tour

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Brazilian speed/death metal band Unearthly have embarked on a tour of the United States which sees them which sees them hit over 20 dates with Krow and Nihilistinen Barbaarisus. Following the steps of Hate Eternal and Nile, Unearthly embrace a technical style of death metal which features the choppy riffs and stop/start techniques of speed metal. Listen to their 2014 album, The Unearthly, below.

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Dark Reign releases “Fire Power Resurrecting Death” demo (2015)

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Dark Reign, a band most known for its 1980s demos of speed/death metal hybrid high-intensity metal, has released a 2015 demo entitled “Fire Power Resurrecting Death.” A sample track follows, showing more of ripping riffs and thunderous choruses for which this band — which granted members to other Texas death metal acts — has been known and appreciated for during the past two decades.

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Infamous unleashes Tempesta

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Italian black metal band Infamous unleashed its third full-length album, Tempesta, on CD-R limited to a hundred copies. This band carved a niche for itself with its incredibly violent music that nonetheless conjured up the naturalistic, feral and sentimental spirit of black metal that confronts reality directly and generates a sense of opposition to decay.

Like the previous Infamous release, Rovine e Disperazione, the third album — as shown by the sample track below — emphasizes better riff definition and the slow emergence of depth of melody through layered composition. With recent work revealing a possible Ildjarn influence, Infamous tread waters of a careful balance between the emotional aspects of melody and the primal alienated violence which was characteristic of older Norse bands, albeit in a style which reflects its Southern European roots. Fans of Greek black metal and the more windblown releases from Graveland and Ancient might appreciate this one.

With any luck, a deserving label will pick up this band and re-issue its discography, a series of recordings which display raw creativity along with a steely-eyed glimpse at the ongoing failure of humanity.

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