Some releases go neglected upon release as their poor production makes it too hard to discern what is actually being played for those without neutral high-fidelity setups. Upon upgrading my own, I realized that Irillion’s debut Egledhron EP is one of them. The production is so muddy and filthy that even warm “audiophile” style setups have a hard time discerning what the downtuned and distorted electric guitars are playing. While two earlier Sadistic Metal Reviews from our staff noted the recording as a promising but inferior, listening on a more revealing setup reveals Irillion’s self-recorded musical intentions and goals: Irillion wish to play flowing Eastern European black metal like Graveland with a filthy Joined in Darkness era Demoncy style production and atmosphere and an almost Transilvanian Hunger manner of variation.10 Comments
Living in a dying time presents as many troubles as recording in a dying genre. Something went wrong with metal in 1995, and since that time we have had big oaf idiot metal from the NWN/FMP types which bores us, versus popular metal music which is vapid and consumerist at its core and so has nothing to offer of substance.11 Comments
With Verity, Nokturnal Mortum continue down the more commercial path they started embarking on The Voice of Steel and their half of last year’s The Spirit Never Dies split with Graveland: commercialized rock-constructed music with Ukrainian folk and power metal aesthetics. On the inferior half of the The Spirit Never Dies, Nokturnal Mortum abandoned the use of the progressive rock techniques with speed, power, and Gothenburg metal riffs to craft compositions similar to the extended, droning flowing black metal compositions of past greats. Verity continues the slide down into Wacken fare.16 Comments
Havukruunu, despite their Burzum like cover, worship Bathory‘s Blood Fire Death and 1980s synth pop on Kelle Surut Soi. Havukruunu attempt the folk choruses, epic atmosphere, and melodic solos as Quorthon did in his successful attempt at mixing black and speed metal. Unfortunately for my ears, Havukruunu are not so successful on Kelle Surut Soi.6 Comments
Burial is a hipster/ bald beardo band from Manchester, England who claim to play black metal. Unholy Sedition‘s tracks are all pretty short, staying within the radio rock “about 3 minutes” window. Thus all of the songs are arranged like radio rock songs rather than in death metal riff mazes or black metal melodic narratives. Burial do not even try to actually play those genres of music; only to imitate the aesthetics of prior imitations in a poorly done Khyber Pass Copy constructed in a cargo-cult fashion by primitive tribesmen in a pathetic attempt at idolization.28 Comments
Lantern take the Finnish black and death metal and move it back in time towards eighties speed metal to better appeal to a funderground hipster audience who never bothered to listen to Beherit or Demigod. The production of II: Morphosis is clean but slightly cavernous and vocals that sound like Per Boder of God Macabre help deceive inattentive millennials that Lantern are quality death metal and not Finnish Pantera.
Readers can probably infer from the title, logo, and cover of Unstoppable Power that this Condor are not the Colombian heavy metal / progressive rock act. Norwegian Condor plays rocking speed metal similar to the Canadians Exciter and Razor. Riffing is primarily in the Motorhead influenced style of those two mixed with the chromatic, tremolo-picked styles of early Slayer. Leads are Slayerian noise bursts or imitations of Kirk Hammet. Norwegian Condor’s drumming is mostly crusty, background d-beating which lends the music some extreme percussive aggression not found in many 80s speeding oldies.6 Comments
Cirith Gorgor try to apply the technical musicianship of the best death metal to black metal as Demonaz did on Immortal‘s heavily Morbid Angel influenced last gasp, Blizzard Beasts. However Cirith Gorgor’s songwriting on Bi Den Dode Hant cannot even hope to approach the level of the Norwegian greats and best death metal bands of the early nineties; Cirith Gorgor sound more like Hate Eternal or any other generic rock band recorded by Erik Rutan‘s Klingon forehead trying to be Mayhem as black metal is cool with the kiddies now due to them reading on Facebook that Varg stabbed Euronymous in the face over twenty years ago.3 Comments