Grafjammer play crossover thrash with a black metal production on Koud Gemaakt.7 Comments
The Lurking Fear ludicrously claim that:
The Lurking Fear is bringing sheer, natural weirdness and horror back to the scene, as we want our death metal ugly, twisted and possessed.
Riffs should stir up real feelings of repulsion, and disgust deep down in your soul, and vocals should sounds like hounds of hell howling at the moon.
Those of you who despair about the lack of good contemporary metal music take notice –- it could be worse. One striking example is progressive rock which, after five years of unprecedented creative activity in the early 1970s, blew all of its fuses and left only pale imitations of a glorious past in its wake.9 Comments
Many have noted the rise of the music in the intersection between martial industrial, synthwave, dark ambient and dungeon synth which has produced a number of offshoot genres. Coming to us from China, Psycho Survivors (失常幸存者) attempt to meld death metal and synthwave music into a new form that has the techniques of industrial with the compositional sensibilities of death metal.16 Comments
Tau Cross regress from playing Motorhead and Killing Joke influenced crust punk and heavy metal on Pillar of Fire to mainstream 1990s alternative rock similar to Amebix‘s Sonic Mass swansong. Boredom awaits.
Pek brings death metal of the traditional, direct kind to your table that advances through simple but effective melodic phrases in low register and makes ample use of chromatism. Pek makes a progression between riffs happen, but it is more of an exchange than something that feels “through-composed”. Instead, we find cyclic structures that help expand simple content into longer songs simply by playing upon the replayability of the collection of riffs as narrative paragraphs, which helps the music support itself on more than the complexity of a single riff.1 Comment
Review by Linus Douglas.
Heresiarch is the only band to have made so-called ‘war metal’ into something that was not just head bashing and blood splattering nonsense.38 Comments
Heavy metal was born in very late 60s and early 70s as a merger of heavy rock, proto-punk, horror film scores and progressive rock, carving out a new form of dark music that spelled out longer phrases than rock by using moveable power chords in complex riffs.60 Comments
Tags: 1973, article, composition, hard rock, king crimson, lark’s tongues in aspic, metal history, music theory, narrative, progressive, progressive rock, proto-metal, review, robert fripp, through composition
Whoredom Rife are exactly what is wrong with modern “underground” “metal”. All these posers do is take a bunch of riffs from records over twenty years old, chop them up, and randomly attach a few of them together to make… a track.13 Comments
Tags: black 'n roll, dommedagskvad, funderground, melodeaf, metalcore, modern metal, norway, poser metal, posers, poseur metal, poseurs, rehash, review, scenesters, terratur possession, terratur possessions, trash, trends mosh core fun, whoredom rife