Disciples of Mockery – Prelude to Apocalypse (1999)


Review contributed to Death Metal Underground by Kyle.

Hey bruh you wouldn’t believe what just happened to me. Ive been squatting in Venice Beach for a few days playing the first Disciples of Mockery record to my crystals. Twenty minutes ago they started projecting all kinds of imagery on the walls warping reality around me. I was having Kaleidoscopic autistic blood visions dude. One of them was the vocalist Craig Pillard and he opened his mouth like he was going to eat my face but he didn’t man he spoke to me.

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Thergothon – Stream From the Heavens (1994)

Murky and obscure like the style itself, a definition of doom metal proves elusive. Proponents of doom metal uphold it as a qualitatively discrete sub genre within metal on the grounds shared set of aesthetic, formal and ideological particularities that binds together a seemingly disparate conglomerate of artists and styles.

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Arghoslent – Arsenal of Glory (1996)

Arghoslent hailing from Virginia, USA are another one of those so-called “melodic death metal” bands with hardly anything in common with death metal at all. Rather Arghoslent play plain old heavy metal. Unlike their lame contemporaries from Gothenburg, Sweden, Arghoslent were once an effective heavy metal band who initially continued the work of their idols that past European power metal bands had merely emasculated. Arghoslent themselves would eventually stumble into these same stadium rock sins but not on Arsenal of Glory.

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Agressor – Neverending Destiny (1990)

Straddling the no-mans-land between past and present, Agressor’s full-length debut offers a high-octane mixture of late-period speed metal and death metal technique, coupled with pulpy occult/sci-fi lyrics in the vein of Nocturnus, Voivod and Obliveon.

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Pathologist – Putrefactive and Cadaverous Odes About Necroticism (1992)

Like thrash before it, grindcore was born out of a convergence of elements of punk and metal. Where thrash combined metal song structure and intensity with the brevity and minimalism of punk, grindcore merged the most abrasive aspects of hardcore punk with the techniques of death metal of the oldest school, arriving at an uncompromisingly direct and streamlined torrent of atavistic rage.

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