Retortion Terror – Retortion Terror (2018)

Grindcore reduces music to basic chromatic riffs which operate solely by pattern contrast in the changing of phrase and rhythm, making it one of those rare musical instances that creates a new “space” within music where other musicians do not deign to tread. This makes grindcore often resemble a kitchen sink: you turn on the tap, and grindcore pours out, about like all other grindcore.

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Sammath – “Across The Rhine Is Only Death” (2018)

Notorious violent black metal band Sammath gained a fanbase among the black metal horde for refusing to tone down the intensity of black metal, and instead mixing it with elements of fast technical death metal to achieve an uncompromising sound. Following up on the epic Godless Arrogance, the band faces a massive challenge in exceeding what it has already achieved, but a new demo suggests that this Dutch-German black metal assault has done just that.

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DMU Song Contest Results Part 1

The second DMU song contest has been closed and the results have been compiled. More than fifteen contestants ranging from the hilariously bad to the inspiringly potent have shared their works for brutal and honest criticism. Our ever growing Discord community has submitted a few of these compositions,here is a permanent invitation for those wishing to partake in various discussions on the subject of metal and other related Hessian activities.

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Mordor – Csejthe (1992)

Medievalism with disdain towards life, punishingly tardive and yet theatrical, this is epitaphial death metal with an aim. This aim is to reframe a life of industrial decay by the droning transcendental funeral of the God in man. This is the soundtrack of living in Mordor.

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J.C. Newman – Tampa Trolleys

Every review site in the world likes to review fine, nuanced cigars, but this is a metal site, so let us look at cigars with the subtlety of an axe murder on a subway car. J.C. Newman named the Tampa Trolleys after the railcars that workers would take to the last American cigar-making plant in Tampa, Florida which was known as “Cigar City USA.” Coming from one of the birthplaces of death metal, these cigars aim for a similar brutality on the smoker but have lessons to teach.

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Profanatica – Altar of the Virgin Whore (2018)

Following the peak of John Gelso’s manic laughter melodic sensibility on Thy Kingdom Cum, Profanatica entered artistic decline by releasing the excuse-to-tour Curling Flame of Blasphemy where the riffs were merely those of Disgusting Blasphemy Against God in a lull given a slight boost in populist consonance for the purpose of pleasing crowds. The G.G. Allin of black metal Paul Ledney sounded tired and uninspired which was reflected by the shark-jumping biker bar promotional pictures which were included in the booklet of the album. With Altar of the Virgin Whore we find Profanatica once again selling an excuse to tour only this time it is said plainly.

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Inverloch – Distance | Collapsed (2016)

Inverloch are an Australian death/doom four piece mostly known for being composed of half of the members of Disembowelment and for being considered their rightful heir. With projects like these there is a fine line between upholding the heritage of a previous project and reiterating past works in hope of achieving former glory. Inverloch straddle that thin line but also manage to find influence in much more recent branches of death metal and the funeral doom subgenre and overall create an enjoyable piece of work that may push the listener towards the greater releases in the genre, especially Transcendence into the Peripheral.

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