Mortum Eheieh Chaos (2017)

Mortum have by now focused, or rather reduced their approach to black metal to very specific kind of musical statements, manifesting in more prominent melodies and an overall stability. The first thing the listener may notice in contrast with The Rites of Depopulation (2011) is that texture is now kept constant, rather than having it change for the sake of variety of expression. (more…)

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Septic Flesh – Temple of the Lost Race (1991)

It is not without good reason that the early 1990s are heralded as the golden era of metal music around these parts. In less than 5 years, not only did death metal reach its hitherto most mature stage, but in its immediate wake came the pinnacles of the by-then emerging black metal movement which remains unsurpassed to this day. (more…)

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Sadistic Metal Reviews: Rehash Buffet Edition

Given that newer metal musicians are quickly realizing that current trends within the genre are artistically bankrupt, many new bands are reaching backwards into previous sounds forged during the splintering of the death metal genre in the mid-90s. Superficially these bands may succeed in gaining metal cred through filtering their outsider millennial approach through the lens of those who had created the sounds they are aping, but we at DMU know better. Onward to the gallows!
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Bethlehem – Dictius Te Necare (1996)

Bethlehem are a German band that was formed with the intention of adding sorrow, melancholy and madness into extreme metal. Their first opus “Dark Metal” used a mixture of black metal, slower primitive death metal and the melancholic rock inspired British sound that bands like My Dying Bride were developing. (more…)

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Defender – They Came Over the High Pass (1999)

As the successive death- and black metal craze of the 1990s lost its grip over Scandinavia, many musicians started a journey back towards their earliest of musical infatuations. Often this meant a return to classic 1980s heavy metal, although filtered through contemporary developments in the metal craft and coupled, at least in the more auspicious of cases, with a melodic flair distinctive of the region. One of few interesting products of this slightly schizoid period is the one-man and seemingly one-off project Defender, brain-child of a certain Phillip von Segebaden. (more…)

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Blood Stained Dusk – Dirge of Death’s Silence (2001)

Upon listening to this album, the listener familiar with the classic Norwegian black metal albums from the first half of the ninetiess will undoubtedly be reminded of Emperor In the Nightside Eclipse (1994). But apart from the way in which the keyboards are used for effect, the first Blood Stained Dusk is quite distinct in songwriting approach and in the crafting of individual sections. And while less clear and profficient in expression than Emperor, relegating the present release to a lower tier, Dirge of Death’s Silence is still a highly suggestive and imaginative work of black metal.
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Wormreich / Diabolus Amator / Gravespawn / Vesterian – Infirmos Vocat Deus Fidei (2016)



This is a split with contributions from four different bands, each of which present three full recordings, making the release altogether rich and diverse. Most, if not all, of the tracks sound under produced, which is a good thing when the listener wants to dig into the real bones of the band, undistracted by the direct impression of “great sound.” While none of the bands here is particularly original, or even possessing a clear line of musical development, the split is enjoyable as a forcefully elaborate underground effort to develop expression within the modern black metal (actual black metal, that is) context.
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Alpha Hydrae – Venomous Devotion – The Hematic Lust (2013)


Article by Belisario

Alpha Hydrae is a rather recent metal outfit hailing from Monterrey, northern Mexico. Their only official release to date is their full-length Venomous Devotion – The Hematic Lust from 2013. Despite its misleading title, this is no symphonic metal, but rather old-style melodic black metal with a strong use of keyboards. It could be described as “gothic” as well, not in reference to the terrible metal subgenre of the same name (that swarm of early-Paradise Lost copycats), but according to its ambiance and obsession with tales of vampiric fantasies.
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Sadistic Metal Reviews: Write Good Riffs Or Die Edition

Article by Salustiano Ferdinand

I was listening to Persecution Mania yesterday when I opened my email and saw some new releases thrown my way to sift through for potential reviews. Although I’m generally skeptical of newer metal releases, the Shadows in the Crypt album was a pleasant and recent surprise, so I figured why not.
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