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Death Metal Album of the Week: Tenebrarum - Alta Magia

Album Reviews: Gontyna Kry - Welowie

Live Reviews: July 16th, 2011 - A Day of Death in Buffalo, New York

Book Reviews: Jeff Wagner - Mean Deviation: Four Decades of Progressive Heavy Metal

Film Reviews: Romero's 'Dead' trilogy: An autopsy

Essays and Research: Forgotten Death Cults from Finland: An Overview

Morbid Scriptorium: A Museum of Metal Zines

DeathMetal.Org is a joint project of the net's oldest underground metal resource Dark Legions Archive and collaborating writers who share the commitment to serious Death Metal. Bands, labels, zines, gig organizers and other parties working in the true spirit of Death Metal who wish to get the word out there through our site are invited to get in touch.


In order to establish a solid, even scientifical basis for the study and appreciation of Death Metal, we are collecting and digitizing diverse materials related to Death Metal history, such as zines, flyers and demo covers. The death metal zine reference center and the death metal art repository are at your disposal. If you appreciate the contents of these archives, please get in touch and contribute something from your own collections in order to preserve memory, information and knowledge and to save these rare gems from being buried by the sands of time: The Past is Alive. We also would like all our noble readers to stay active in their own productive manner and through their contacts spreading the word about all these projects, archives and analyses which ultimately achieve their meaning by the responsive awareness of the intelligent observers somewhere out there, who prowl as wolves among the sheep. Here are some Death Metal related flyers, links and banners you can spread like the plague in order for our hordes and communication networks to grow towards world domination and eternal victory.

100% Death Metal and Black Metal Forum: death metal, black metal, heavy metal and ambient philosophy, discussions and MP3100% Death Metal and Black Metal Forum: death metal, black metal, heavy metal and ambient philosophy, discussions and MP3

Glorious Times, A Pictorial of the Death Metal Scene 1984-1991

100% Death Metal and Black Metal Forum: death metal, black metal, heavy metal and ambient philosophy, discussions and MP3

Dark Legions Archive

Hessian Studies Society: Political Rights for Death Metal Fans Now

Abraxas Neoclassical Music Reviews

Death Metal, Punk, Heavy Metal, Classic Rock Features

Death Metal, Heavy Metal, Black Metal Encyclopedia

National Day of Slayer

Forest Poetry

Metaleros


Violence and Force: The Age of Speed Metal

All the harder, faster and more progressive styles of metal were basically created by the emphatic and fanatic support of dedicated headbangers, who promoted bands such as Metallica and Slayer through zines, tape trading, flyer circulation and college radio stations long before the major labels or the common rock fan thought that the "music" of these bands is anything but noise. While the zines didn't possess much in the way of in-depth analyses or interviews of the core bands, the astute ears of the metal maniacs were always one step ahead and beyond the trends of the time, especially in contrast to the hyped hard rock of the year we already have forgotten about.


Dreaming with the Dead: The Age of Death Metal

It took about six years for Death Metal to reach mainstream ears and by then it had generated a virus of cult following that had spread its tentacles to even the remotest corners of the civilized world. Denizens of death corresponded by mail, formed more new bands than ever before because of easier availability of technology and less importance placed on materialistic goals such as achieving high sales of records. The perpetrators were mostly youngsters interested in mysterious concepts, symbolism and having a good time while trying to discover more sensible ways to relate to Universe than the banalities of modern society and the compromises and hypocrisy of adults.


Diabolic Unity: The Age of Black Metal

The dark majesties of the North engaged in verbal and physical warfare which ignited in zines but gradually engulfed the attention of everyone even a bit interested in metal and others' too. Heathenism, Romanticism and many much more filthier ideas gained themselves a breeding ground unparalleled in the century's other artistic movements and the authenticity and credibility of the personalities, obscured by layers of face paint and mythological pseudonyms, was as important as the quality of the music. The zines integrated black metal fans across the world into a complex of ideological terrorists right before Internet and publicization brought about the downfall of the movement.


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