A Kiss in the Charnel Fields
This reviewer generally hates ”art black metal” and that is why the first
thought at this was that Napalm Records and these Austrians got a plan to kill
christians with boredom but ended up selling the poison to the wrong audience.
This first album by KOROVA is ”innovative”, meaning that it has surprisingly
ineffective riffs and structural ideas, it’s also ”progressive”, meaning loss of
all coherence and it’s also ”nice”, meaning that it’s actually quite homosexual!
Now that I’m off to insulting this album I might add that it isn’t totally
worthless if the listener can stomach FLEURETY, IN THE WOODS, new ULVER and
everything else that is very individualistic but not respected by the true black
metal audience because they have better than demo production.
© 2000 black hate