I'd say that music in general has become more important to me as the years have gone by for this very reason. As you get older, you get more responsibilities and more power, but you are also saddled with more stress and distractions. Going for a walk in the wilderness and listening to good music really helps with thought organization. I guess it's all an extension of the whole macrocosmic feel of the music I listen to: it all communicates the idea that you are an insignificant component in an impossibly large universe, but rather than consigning you to wallow in misery (like Leviathan, Xasthur, or SIlencer), good music empowers you to tackle life's obstacles by finding your place in the natural order.
It's a bit hard to explain all of this in writing (I think the old saying is that "writing about music is like dancing about architecture"), so here's some specific examples of sonic Windex for your brain:
Mordicus - OceansI know that it's a bit trendy to praise the "unknown" oldies, but Mordicus really exists outside of the generic oldschool style of Finndeath. Something about the way they link riffs together really feels organic and honest when compared to most modern death metal, and their frequent nods to older styles of music actually work to
enhance their style rather than distract you from their great songwriting.
Infernum - Reverence to the ObscureThe second Infernum album is truly a lost classic of Polish black metal. It was written around the time-period between
Thousand Swords and
Following the Voice of Blood if I'm not mistaken, and you can definitely hear echoes of that style in this music. For my money, this album is one of the greatest things Darken was ever involved with: epic, Romantic black metal of the highest order.
Robert Schumann - Manfred OvertureRobert Schumann was one of the most "black metal" of the Romantic composers, and this overture is a prime example of his firm grasp of atmosphere and timeless compositional excellence. It's too bad that I couldn't find Kubelik's recording of the overture with the Berlin Philharmonic on YouTube, but this version seems to do the job adequately. If you haven't obtained
this double CD set yet, you're doing yourself an egregious disservice. I found out about it in an issue of Heidenlärm back in high school, and it hasn't left regular rotation since I purchased it (for the record, I'm twenty-three-and-a-half now, so this isn't empty boasting).
Manuel Göttsching - PluralisThere's nothing quite so refreshing as some good old Kosmische Musik, and Manuel Göttsching's
Inventions for Electric Guitar is probably one of the best records in that style. It's a bit hard to come by, but well worth seeking out if you're into stuff like the ambient Fripp albums or Klaus Schulze. It got a bit slagged in one of the Sadistic Metal Reviews, but for whatever reason, I can't stop smiling while I'm listening to this album.
Horrified - Down at the Valley of the Great EncounterHorrified's early work is like the Varathron to Septic Flesh's Rotting Christ: under-recognized and composed in a similar style, but absolutely essential listening for all lovers of the Romantic and the morbid. I picked up a cheap copy of the digipack reissue of their first album (complete with tracks from some similarly well-written early EPs), and it's fast becoming one of my favorite Hellenic metal full-lengths. If early Rotting Christ is black metal's answer to '70s Judas Priest, this is death metal's answer to Rainbow: epic, progressive, and above all, sublimely
heavy.