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2
Chasm / Re: Female vocalists
« on: September 12, 2011, 10:28:00 AM »
Definitely of interest: Arianna Savall, daughter of early music specialist Jordi Savall.
http://www.youtube.com/watch?v=r_zRyZq_I1k
http://www.youtube.com/watch?v=tiF2qeY2pEQ
She's released two albums of her own music. Worth looking into if you like this sort of thing.
http://www.youtube.com/watch?v=r_zRyZq_I1k
http://www.youtube.com/watch?v=tiF2qeY2pEQ
She's released two albums of her own music. Worth looking into if you like this sort of thing.
5
Chasm / Re: The Irrationality of Richard Dawkins
« on: April 27, 2011, 10:29:23 PM »
I closed the tab the second I saw he was an Intelligent Designist.
6
Metal / Re: Best of Underground Metal 1982-2002
« on: April 21, 2011, 12:01:14 AM »Sacramentum is weeeeeeeeeeeeeeeaaaaaak, it should without a doubt be replaced. It is easily the worst album on that list
Odd, I find it to be one of the best. I agree with you on Joined in Darkness, though.
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Commerce / Re: New MORBID ANGEL Album to be Released on 6/2/11
« on: April 19, 2011, 06:49:34 PM »
I think you mean x-Treme.
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Metal / Re: Alternate mixes of Justice for all?
« on: April 01, 2011, 07:32:33 PM »
Doesn't exist; anything labeled as such is simply a recording of one random guy sitting in his basement playing along to the entire record.
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Audiofile / Tveitt, Geirr
« on: January 11, 2011, 07:52:51 PM »
Tveitt, Geirr: Rapidshare, Blogspot, Megaupload
Geirr Tveitt
Geirr Tveitt - Piano Concerto No. 4 'Aurora Borealis' / Variations on a Folk Song
Gunilla Sussmann & Havard Gimse, piano
Bjarte Engeset conducts the Royal Scottish National Orchestra
Geirr Tveitt - Baldurs Draumar op. 81, Telemarkin (2003, Ruud, Stavanger SO)
Geirr Tveitt - Piano Concertos Nos. 1 op. 1 & 5 op. 156 (2001, Gimse, Engeset, RSNO)
Geirr Tveitt - Prillar op. 8, Solgud-symfonien (2001, Ruud, Stavanger SO)
Geirr Tveitt plays Geirr Tveitt
Piano Concerto No. 3 op. 126 (1947), Piano Sonata No. 29 op. 129 (1955), Eolsharpa op. 132 (1949), Morild WoO (1952)
Geirr Tveitt, piano
Albert Wolff conducts the Bergen Philharmonic Orchestra
Geirr Tveitt - Hundrad Hardingtonar (A Hundred Hardanger Tunes), op.151, Suites Nos. 1 & 4 (2000, Bjarte Engeset, Royal Scottish National Orchestra)
Geirr Tveitt - Hundrad Hardingtonar (A Hundred Hardanger Tunes), op.151, Suites Nos. 2 & 5 (2001, Bjarte Engeset, Royal Scottish National Orchestra)
Geirr Tveitt - Piano Concerto No. 4 'Aurora Borealis' / Variations on a Folk Song
Gunilla Sussmann & Havard Gimse, piano
Bjarte Engeset conducts the Royal Scottish National Orchestra
Geirr Tveitt
Geirr Tveitt - Piano Concerto No. 4 'Aurora Borealis' / Variations on a Folk Song
Gunilla Sussmann & Havard Gimse, piano
Bjarte Engeset conducts the Royal Scottish National Orchestra
Geirr Tveitt - Baldurs Draumar op. 81, Telemarkin (2003, Ruud, Stavanger SO)
Geirr Tveitt - Piano Concertos Nos. 1 op. 1 & 5 op. 156 (2001, Gimse, Engeset, RSNO)
Geirr Tveitt - Prillar op. 8, Solgud-symfonien (2001, Ruud, Stavanger SO)
Geirr Tveitt plays Geirr Tveitt
Piano Concerto No. 3 op. 126 (1947), Piano Sonata No. 29 op. 129 (1955), Eolsharpa op. 132 (1949), Morild WoO (1952)
Geirr Tveitt, piano
Albert Wolff conducts the Bergen Philharmonic Orchestra
Geirr Tveitt - Hundrad Hardingtonar (A Hundred Hardanger Tunes), op.151, Suites Nos. 1 & 4 (2000, Bjarte Engeset, Royal Scottish National Orchestra)
Geirr Tveitt - Hundrad Hardingtonar (A Hundred Hardanger Tunes), op.151, Suites Nos. 2 & 5 (2001, Bjarte Engeset, Royal Scottish National Orchestra)
Geirr Tveitt - Piano Concerto No. 4 'Aurora Borealis' / Variations on a Folk Song
Gunilla Sussmann & Havard Gimse, piano
Bjarte Engeset conducts the Royal Scottish National Orchestra
11
Metal / Re: Metal in the year 2011
« on: December 28, 2010, 07:06:16 PM »
Crimson Massacre, possibly.
13
Chasm / Re: Hessian culture : Severed Ways - The Norse Discovery of America
« on: September 21, 2010, 04:40:01 PM »
15
Metal / Re: the term "classical music" did not exist until 1930s
« on: August 08, 2010, 06:01:21 AM »This makes sense, as up until the 1900s popular music was European folk, hillbilly or variations on the waltz/proto-big-band sound.
When it became clear that this style was taking over ("prole drift"), musicians needed a way to keep classical from being dumbed down. Outside of Gershwin, Copland, Dvorak and other partial intelligences, they succeeded.
I know those words, but that post makes no sense.