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Messages - Wild

1 ... 6 [7] 8 ... 30
91
Interzone / Re: Who are the pests?
« on: January 07, 2014, 03:19:49 AM »
You're not vegan crow.  :P

92
Interzone / Re: Who are the pests?
« on: January 07, 2014, 02:54:01 AM »
Quote
I say it's like, "I got a right to be hostile, man, my people being persecuted."

This is a very good observation.

I add that many vegans could be construed as "angry" because they are aware that they cannot stop the tide of human degradation of their people. The only paths left available after one has had this realization is misanthropy or zen. And the zen ones aren't particularly vocal.

93
Interzone / Re: Who are the pests?
« on: January 07, 2014, 02:28:09 AM »
Why are all vegans perpetually angry?

The metal answer:

Quote
“Yes. I’m a racist: I hate all mankind and only regard animals to be worthy. You are worse. You believe humans are superior to animals, and you don’t even admit to being a racist. While at the same time you haven’t even thought the matter through. Mankind’s inability to act according to the laws of nature has been proven over and over again. And while preaching the importance of ”harvesting” animals and hailing the superiority of the human race as being on top of the food chain, pretending to be of a higher order, you at the same distance yourself from the primitive aspects of the animal kingdom. Guess what: You can’t have it both ways, ignorant fuck!”

94
Interzone / Re: water and light
« on: January 07, 2014, 12:56:09 AM »
It's the cops part that was my point.

95
Interzone / Re: water and light
« on: January 07, 2014, 12:29:01 AM »
If it was easy, everyone would be doing it.

96
Interzone / Re: Who are the pests?
« on: January 07, 2014, 12:26:40 AM »
Killing off some deer temporarily "fixes" the consequence, but doesn't correct the cause of the problem. Approved hunting is also an excuse for every shithead who doesn't give a fuck about nature to spray (lead) bullets in every direction before cooking up some venison "cuz it done taste good durr!"

It's the guilty executing the innocent in order to prevent the crime of the guilty harming the innocent further. That's not justice.

I'm a bleeding heart, at heart (hurr). I don't consume anything derived from animals to my knowledge (though these days it's hard to tell). It's nigh impossible to know this until faced with it, but I think I would choose to die of starvation before killing a (nonhuman) animal for food.

That's where I'm coming from.  :)

97
Interzone / Who are the pests?
« on: January 06, 2014, 11:09:11 PM »
Humans are creative critters. They have a well-developed ability for modifying destroying their environment, then expressing outrage at anything which might disrupt that.

Rodents? Pests!
Deer? Pests!
Felines? Pests!
Canines? Pests!

(Of course, any of the above can turn into Pets, if the human so desires - and as long as the animal behaves in a way which does not inconvenience the human. Then it's back to a Pest. {Pest/Pets - the words are so similar})

Of course, very few care to look at it from the animals' point of view: before humans, an earthly paradise of a self-contained ecosystem in which all had a role. The predators kept the herbivores in check, which allows plants the ability to provide a sustainable habitat for all.

Then along come humans, who bulldoze the ecosystem before erecting roads on which to drive mechanical monstrosities at speeds fast enough to kill any unsuspecting critter which may stroll across.

Humans destroy animals' access to food then wonder why they're trying to eat theirs.
Humans destroy all other predator populations then wonder why the prey is breeding uncontrollably.

I'm reminded of a leftist woman I had the displeasure of interacting with last year: in early winter, while flying over the speed-limit on a country road, she struck and killed a deer. Wonder what her reaction was?

"That DEER hit ME!"

Yes, it was the fault of the deer, not the domesticated primate traveling at reckless speeds.

The women she was telling this story to quickly asked pertinent questions:

"Were you ok"?
"How much did it cost?"
"Were you late to your class?"
"How is the car?"

Not one expressed any thought for the deer.

Why would they? It was just a pest.



If you want to save the environment, don't hunt the deer.

Hunt the humans.

98
Interzone / Re: water and light
« on: January 06, 2014, 09:35:03 PM »
Far better to hunt humans.

99
Interzone / Re: Happy New Year
« on: January 04, 2014, 05:42:41 PM »
Metal Archives thinks we're all Prozak.

Of course we aren't....right guys?

100
Metal / Re: Death Metal Underground Weekly Newsletter
« on: December 26, 2013, 05:34:07 AM »
Death Metal Underground
Christmas Newsletter 12/16-12/25
Because Metal Is Art




The return of reviews and opinion in metal

The problem with dreams is that when they are achieved, the dream is no more. Life is about the chase, not the catch. This doubly applies to metal once it got social acceptance.

During the 1980s and 1990s in everywhere but Scandinavia, to be metal was to identify yourself as a kind of social reject. It was equal parts nerdly and menacingly rootless at a time when stable suburban living and office jobs were the only acceptable future.

Sometime in the late 1990s however metal was discovered as a form of natural resource. This resource is not renewable and hard to locate. It is hipness: a combination of authenticity, rebellion, transgression and the kind of personality that makes a character in a novel appealing.

http://www.deathmetal.org/news/the-return-of-reviews-and-opinion-in-metal/


Various Artists – A Day of Death 1990

The Glorious Times team recorded the “A Day of Death” concert from 1990 and made it available as a free download in MP3 or FLAC format. Basically an abridged version of the show, A Day of Death 1990 shows founders of the underground at their best.

http://www.deathmetal.org/news/various-artists-a-day-of-death-1990/


Heaviness, the epic and masculinity

In conversation with Martin Jacobsen, the topic of “heaviness” came up. What is heavy? Why is the term applied to metal? This question in many ways defines why it’s so hard to understand what metal is, much less describe it.

From my experience, metal is a spirit that leads to an approach. It’s not dissimilar to classical, where a certain attitude toward life, spirituality and culture leads to a form of music complete with its complexity and techniques. Nor is it all that different from martial arts, where a specific outlook leads to some near-universal shared characteristics.

http://www.deathmetal.org/news/heaviness-the-epic-and-masculinity/


Derogatory – Above All Else

Derogatory returns to the oldest form of death metal which is the fast and muscular rushing tremolo-picked phrasal riffs that Slayer, Morbid Angel, Massacra, Mortuary and Sepultura made famous. Much like those earlier acts, Derogatory creates a rhythmically compelling work in Above All Else that adds depth through the contrast in riff phrase and the sensations those evoke.

http://www.deathmetal.org/news/derogatory-above-all-else/


Grindcore: origins of a genre

Very few people have any idea what grindcore means at this point because of the high degree of crossover between grindcore and death metal. Not just one way, but both: grind bands becoming deathy in the Napalm Death style, and death metal bands becoming grindy as happened from Suffocation onward.

But what was grindcore? History might show us that punk and metal were birthed in the early 1970s and spend the next three decades crossing over. This resembles a quarter-century negotiation as to what aspects of each to keep in the hybrid with the other. Early hybrids included speed metal, which used uptempo punk rhythms, and thrash, which combined metal riffs with punk songs. Grindcore was a logical extension of thrash.

http://www.deathmetal.org/news/grindcore-origins-of-a-genre/


Interview with Dan Huddleston from House of Atreus

Coming from the Arghoslent/Sacriphyx school of rock-based melodic death metal, Minneapolis’ House of Atreus offers a metal experience for those who might prefer a bit less total extremity in the music.

Receiving media coverage from No Clean Singing and Zero Tolerance magazine, among others, the band has raised itself in the public eye. Not bad for a bunch of guys who named their band after a Virgin Steele album.

Curious about this oddball band, writer Kevin Ord went in greater depth to get the story about House of Atreus, its rock/metal hybrid style, and the path it is taking to get recognized in the underground.

http://www.deathmetal.org/news/interview-with-dan-huddleston-from-house-of-atreus/


Sadistic Metal Reviews 12-21-13

What are Sadistic Metal Reviews? We think heavy metal has artistic value. Advertisers want heavy metal to be the token rebellion of future generations of consumers. We have truth and cruelty on our side, but they’ve got the money. Read between the screams for the rare non-failures…

http://www.deathmetal.org/news/sadistic-metal-reviews-12-21-13/


The hipster invasion of heavy metal

In the 1980s, the term “poseur” or “poser” was used to near-death by people trying to describe those who were involved with the music simply to make themselves look cool.

In the 1990s, we had “scenesters” who were people who hung around a musical scene to use it as a justification for their lifestyle. If someone questioned their lack of success or purpose in life, they pointed to the “scene” that they were part of.

And now, as the hands of time have run down further, we have hipsters: people who use music as a form of lifestyle adornment to explain why their life is better than yours. Generally they do this from a position of outsiderness, and by proving to be more obscure in their tastes than you, make you look like a herd-sheep in contrast.

http://www.deathmetal.org/news/the-hipster-invasion-of-heavy-metal/


Goatcraft at Anti-Christ Mass XV


Lonegoat played a fifty-minute uninterrupted set that combined themes from the first two Goatcraft albums with a heavy degree of intense showmanship and sonic manipulation that is closer to what a noise band like Zeni Geva or an electro-acoustic act would do. The hammering technique utilizes the sonic properties of not just the keyboard but the hall itself because so many notes in rapid succession create an echo effect that produces a wave of sound sweeping over the listener. Sitting and sometimes standing, the demoniacal musician played the crowd by sweeping from high notes to low, from quiet to loud, and from the elegant melodies that comprise the inner core of his works to the pounding near-chaos that obliterates all other thoughts from its listeners minds.

http://www.deathmetal.org/news/goatcraft-at-anti-christ-mass-xv/


Blood – Live in Speyer

To love grindcore is to love the genre “as you find it.” That is, it doesn’t make sense to go around wishing why there isn’t more progressive symphonic grindcore with world music influences. Grindcore is grindcore.

There’s plenty of room within that genre however. The only rules are brutal punk/metal fusion chromatic riffing and a certain spirit that keeps intensity high and doesn’t deviate into either holiday carols or life-affirming waiting room jazz.

http://www.deathmetal.org/news/blood-live-in-speyer/


Best of 2013

I used to loathe end-of-year lists. They struck me as a pointless chance to advertise what should have been obvious before. Over the years they have risen in my estimation as a way not only to mark the year, but to bring up the gold that gets lost in the chaos of everyday life. And yes, they’re also shopping lists for the metalhead in your life.

This year our list is surprising even to hardened cynics. At a time when metal is bragging up and down the Williamsburg alleys about how “innovative” and “ground-breaking” it is, that novelty turns out to be the remnants of the 1980s: emo, pop punk, shoegaze and indie. The real innovation is as always underground, because to get out of the hive mind one must first remove oneself from participation in normalcy.

http://www.deathmetal.org/news/best-of-2013/


DeathMetal.org is the net's oldest and longest-running heavy metal resource center and home of The Heavy Metal FAQ. We treat heavy metal music as a form of art and culture, and we believe we should bring out the best in it. Our primary focus is death metal; but we remain open to new musical experiences, both within metal and without. To learn more, visit our information center at:
 http://www.deathmetal.org/about

 To join our weekly mailing list, visit:
  http://www.deathmetal.org/mail/

101
Metal / Re: Death Metal Underground Weekly Newsletter
« on: December 23, 2013, 09:22:23 AM »
This week's update's going out on Christmas.

102
Metal / Re: Death Metal Underground Weekly Newsletter
« on: December 23, 2013, 09:21:43 AM »
Death Metal Underground
Newsletter 12/9-12/15
Because Metal Is Art


The importance of experiencing local metal


Some time ago, Jon Wild relayed a local news write-up about Amarillo-based death metal band Abolishment of Flesh. I am a part of Death Metal Underground, and I live in Amarillo. I’ve gotten to know these folks, and I thought I’d offer a follow up. I can say without reservation that they are as great as the best of people one finds anywhere. Since moving here 14 years ago, I’ve found I had trouble finding a niche. The ostensibly Christian veneer of this region fades rather quickly when it becomes known that one does not practice some variety (or in my case, no variety) of faith. That sense of alienation grows when one prefers Pentagram CDs to Pentacostal services. So outside the people I knew from work, I really didn’t associate much with the local population. As metalhead and loner from way back, this arrangement suited me just fine. Solitude trumps solicitousness any day, and twice on Sunday.

http://www.deathmetal.org/news/the-importance-of-experiencing-local-metal/


How to “sing” death metal — an interview with Lane Taylor, vocal coach

Every death metal listener has at some point heard some variation on the statement that death metal bands are untalented, and that instead of mellifluous singing, there’s some guy “just standing there screaming” (that’s from my Mom, about 25 years ago).

Despite three decades of these vocals, they remain vastly misunderstood. Leaving aside for a moment the question of their purpose and effect, there’s also the technical question of how they are produced. And how does this compare to regular “sing-a-long” vocals?

http://www.deathmetal.org/news/how-to-sing-death-metal-an-interview-with-lane-taylor-vocal-coach/


Assück – Blindspot

Grindcore as a genre started out incredibly strong but unfortunately has grown stale with copycat bands and hipsters. By remembering those who made the genre great, we may inspire the genre to create great works once more.

An early runner in the grindcore genre, Florida’s Assück were one of the first bands to fuse grindcore’s rhythmic intensity and youthful energy with elements of the phrasal and percussive riffing of death metal. The combination would later become “deathgrind.” Assück additionally was staffed by remarkably proficient musicians.

http://www.deathmetal.org/news/assuck-blindspot/


Sadistic Metal Reviews 12-12-13

What are Sadistic Metal Reviews? Heavy metal is either art, or like the rest it’s a product to make sad people feel better about their empty and pointless lives. Brutal honesty is all that separates us from that abyss. Remember, tears are a sign that you’ve really reached people…

http://www.deathmetal.org/news/sadistic-metal-reviews-12-12-13/


Analyze it to Life: Black Sabbath – Master of Reality


The resurgence of Black Sabbath following the success of their new album 13 presents an ironic success when compared with the more substantial legacy of their earlier work. Without the first five albums, metal as we now know it would not exist. And on one album in particular, Black Sabbath laid the groundwork for three subgenres — stoner metal, thrash metal and doom metal — such that future generations could pick up the hint and fully develop these new alloys of the raw metal that Black Sabbath forged forty years ago.

http://www.deathmetal.org/news/analyze-it-to-life-black-sabbath-master-of-reality/


Sammath – Godless Arrogance


Sammath combines the dark melodic understructure of black metal with the type of charging full-ahead death metal that Fallen Christ or Angelcorpse pioneered (which might descend from Morbid Angel’s “Thy Kingdom Come”). At this speed, the riff-salad approach of more traditional death metal would become a muddle, so the band focuses on a few ripping riffs per song and uses song structure deviations to incorporate entirely different riffs to create dialogue with the main verse-chorus pair and the Slayer-style introduction/transition riffs that accompany it.

http://www.deathmetal.org/news/sammath-godless-arrogance/

DeathMetal.org is the net's oldest and longest-running heavy metal resource center and home of The Heavy Metal FAQ. We treat heavy metal music as a form of art and culture, and we believe we should bring out the best in it. Our primary focus is death metal; but we remain open to new musical experiences, both within metal and without. To learn more, visit our information center at:
 http://www.deathmetal.org/about

 To join our weekly mailing list, visit:
  http://www.deathmetal.org/mail/


103
Interzone / Re: Widening income disparity
« on: December 23, 2013, 12:58:53 AM »

104
Interzone / Re: Widening income disparity
« on: December 23, 2013, 12:19:39 AM »
Entropy embodied:

Quote
Whereas recognition of the inherent dignity and of the equal and inalienable rights of all members of the human family is the foundation of freedom, justice and peace in the world,

Whereas disregard and contempt for human rights have resulted in barbarous acts which have outraged the conscience of mankind, and the advent of a world in which human beings shall enjoy freedom of speech and belief and freedom from fear and want has been proclaimed as the highest aspiration of the common people...

http://www.un.org/en/documents/udhr/

105
Interzone / Re: Which is the Soul, Exists??
« on: December 22, 2013, 08:41:02 PM »
Rather than start another 4 pages of circular arguments, I'm bowing out.

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