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Topics - aquarius

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61
Metal / My Bloody Valentine release new album
« on: February 06, 2013, 04:04:36 PM »
It's called MBV and contains 9 new songs 

Info

Samples

:)



62
Metal / Ildjarn to re-release full back catalogue on Season of Mist
« on: January 23, 2013, 11:13:58 PM »
True to a life-long interest in underground extreme Metal, Season of Mist will release the full back catalogue of Norwegian cult act ILDJARN, as well as the ILDJARN-NIDHOGG and SORT VOKTER productions. Here is the comprehensive list of reissues:

Norse (EP)
Ildjarn (album)
Strength and Anger (album)
Landscapes (album)
Svartfråd (EP)
Forest Poetry (album)
Hardangervidda (album)
Hardangervidda part 2 (EP)
1992-1995 (compilation)
Eksistensens Jeger (single)
Nocturnal Visions (EP)
Minnesjord – The Dark Soil (EP)
Ildjarn 93 (EP)
Ildjarn Is Dead (compilation)
SORT VOKTER - Folkloric Necro Metal (album)

All 15 reissues will be available digitally in the upcoming weeks and most of them will hit the stores in physical editions later on. More information soon!

Please note that ILDJARN ceased all musical activities a long time ago and therefore does not do interviews and does not run any official web page or social network.

http://www.season-of-mist.com/news/ildjarn-2012-12-04

63
Interzone / About That Overpopulation Problem
« on: January 19, 2013, 11:24:37 PM »

64
Metal / Solos
« on: December 24, 2012, 02:22:54 AM »
Have these become obsolete? In the early days it was somewhat of a mandatory compositional element of metal song construction. I might be blind, but it seems to have passed out of favour with recent bands. One the other hand I can understand why. I always felt it can get messy and detract from the overall compositional flow, at its worst serving as little more than an obligatory relic with no functional purpose.

With the resurgence of traditional elements I think bands would do well to reconsider a re-application of old techniques. But it must be applied rather in a way that is less separable from the predominantly riff-based approach. A complete melding of techniques. I think Darkthrone’s A Blaze in the Northern Sky would be a great example of how chords, leads and solos can move interchangeably throughout a piece to great effect. Unfortunately the pure riff-based minimalism they achieved on Transylvanian Hunger became the starting point for most bands that followed.

65
Interzone / Can the world be changed?
« on: December 14, 2012, 03:14:24 AM »
If you believe in a cyclical view of history whereby collapse is the result of a naturally occurring process then you will say it cannot be done (or perhaps that it is not the issue). You realize regeneration can only occur after degeneration and collapse.

Though I understand this viewpoint and find it perfectly credible, I worry about how long this collapse will last and what sort of damage might occur in the process, especially with regards to the environment and large scale disintegration of various interconnected eco-systems. Not to mention human civilization.

I don’t want to come across as too apocalyptic, but even a worst-case scenario could fit into the concept of ‘slow collapse’. Even a completely dead planet could eventually regenerate long after human existence.

Meanwhile it is currently not a physical impossibility to turn things around (assuming they were thrown off course). The only thing preventing this is the current system which is mirrored by the opinions of those who hold power. Irreversible damage also prevents this.

66
Metal / Conscious vs subconscious music appreciation
« on: December 14, 2012, 01:25:28 AM »
Sometimes an album takes me on a journey and I am happily lost within it. Other times I’m more aware of what is going on structurally in order to evoke that sense of journey. I imagine these two states could also be perceived simultaneously or that the listener might drift between the two.

67
Metal / DLA/Deathmetal.org publication
« on: December 05, 2012, 09:43:02 PM »
I’m not sure if this has come up before but it would be great if DLA/ Deathmetal.org ever publishes a book. All that really needs to be included are a few chapters on composition, genre-developments and the underlying philosophy as outlined on the site. The rest could be made up of reviews and therefore function partly as a reference book. It would certainly make for interesting reading (even to non-metal audiences) and be the first of its kind among other books about metal. Milking the fanatical love/hate reputation of ANUS could make it a best-seller.

68
Metal / First metal album
« on: December 03, 2012, 01:01:55 AM »
The first ‘real’ album for me was Darkthrone – A Blaze in the Northern Sky. Before that I had some Deicide and middle era Emperor which had only residual elements of what I was after. I remember thinking A Blaze was so raw and pure that it almost seemed like an ancient language (as it turns out Black Metal was chronologically younger than Death Metal). The riffs, the drumming, the production seemed like a big mess and yet it flowed so naturally. The energy was overwhelming.

Its allure was such that I didn’t listen to much else for the next month or so, as nothing even came close. Plus I now needed to work up some pocket money for more albums  :)


69
Interzone / Save the world
« on: November 22, 2012, 11:52:35 AM »
Cessation of government handouts

Abolish the prison system

Citizens to obtain ‘procreation licence’

Government to seize television networks

(this would be replaced with maybe 3-4 channels focussing on weather, gardening and practical skills, art history and urgent news articles)

Repossession of all iPhones, iPads, iDildos etc and snap them in half.

70
Metal / Question for Conservationist
« on: November 07, 2012, 06:18:43 AM »
Do you start with a vision of where a piece is going and flesh it out on the instrument or experiment with the instrument and later put the pieces in their place. I remember reading an interview with Paul Ledney where he stated he would hum the melody he wanted and the guitarist could turn it into a riff. Other metal bands seem to build this massive array of contrasting riffs that oddly enough are in perfect complement to one and other, suggesting their compositional process is more subconscious.

71
Interzone / Keeping your mind flexible
« on: November 07, 2012, 06:00:18 AM »
Learning new skills (that serve a purpose). Playing computer chess once a day. Honing your natural intuition. Identifying poison (own thoughts, other people). Realizing you could be wrong. Keeping your mind still.

72
Interzone / What matters?
« on: October 17, 2012, 03:11:24 AM »
It is not that a result is achieved in itself, but that a continual process endures from one’s efforts. One might also consider that the process itself works as a result. I struggled to find something this wouldn’t apply to.

73
Interzone / Enjoy the Violence?
« on: October 09, 2012, 11:29:41 PM »
Violence (suffering, brutality) will always occur naturally to varying extents and it is only in our reaction to it that a measure of dysfunction can be gauged.

As I see it, a fearful, neurotic reaction would attempt to overcome this by eliminating inequality as the perceived cause.

Rejecting this while becoming increasingly frustrated by an omnipresent world of decay, one might adopt the opposite point of view, thus becoming callous and insensitive.

I think both approaches are at odds with nature and therefore incur an even greater violence.

A balanced reaction would be that the person acknowledges violence as part of larger process without necessarily embracing it; thus to seek understanding of the various mechanisms which underpin our civilization. Perhaps if enough people could understand this, the conditions which give rise to violence would significantly diminish.

74
Interzone / What have you been reading lately?
« on: September 18, 2012, 11:35:28 PM »
I am reading The Sea of Fertility by Yukio Mishima and am currently into the second book of this tetrology.  It’s like philosophy converted to art and I am simply spellbound by it.

75
Metal / Albums you used to bother with
« on: September 06, 2012, 11:13:02 PM »
If art can function as communication, then one might receive it, use it and move on. If it can convey infinite perfection of the universe, then one might embody it. The best of metal has a bit of the latter, but is mostly the former, meaning it doesn’t take preference over the great composers in a desert island type scenario.  Understanding this, I then set off for the local CD recyclers to sell everything I used to bother with.

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