Burzum’s Top Ten Metal Influences

Varg Vikernes posted a video a few weeks ago to his ThuleanPerspective Youtube channel listing the ten metal albums most influential to Burzum. We forced a lowly, supple-assed Death Metal Underground junior staffer/catamite to type them up into a play list for our readers:

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Crimson Massacre – The Luster of Pandemonium (2005)

Death metal folk wisdom tells that the epithet “technical” generally connotes music that is bad for a unique reason: it tends to get trapped in technique, including cute tricks from music theory, for its own sake, which in turn deprecates the art of composing memorable and relevant songs.

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Antifascist and Communist Terrorists Threaten Marduk Tour

Antifascist and Communists have vowed to commit terrorists acts in protest of Swedish war metal (formerly black metal) band Marduk touring the US for the first time in years. The idiotic communist manlets are accusing Marduk of being a “crypto-fascist” band. They will not stop harassing the band, their fans, and concertgoers until all of them are sent to gulags (where work will set them free) or have hollow-point bullets shot into the back of their skulls in the bowels of police stations.

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Gizmodo Calls For Discord Censorship

Social justice warrior ricer gadget platform Gizmodo has called for censorship of the Discord chat client. Discord is rapidly replacing Skype and internet relay chat (IRC) among PC gamers, political junkies, and well-connected people due to the seamless integration between text and voice along with the collapse of Skype after being purchased by Microsoft. The social justice warriors and cultural Marxists will stop at nothing until every possible forum for dissent is reduced to singing hymns to a portrait of a dear supreme leader who would love to send anyone who annoys him, including antifa nags, to reeducation camps as work will set them free.

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Deeds of Flesh Posts “Studio” Video

Deeds of Flesh posted a new video log to Youtube documenting how they are recording the guitars for their upcoming album. If you suspected that techno metal was recording in the bedrooms of pudgy action figure collectors with guitars directly digitally reamped into Cubase and Protools, you were right! Deeds of Flesh of course don’t pay for a real studio! This shit’s digital! The same chair and computer used for jerking it to BangBros is used for recording brutal tekdeathgrind! Guitar wank and actual wank in the same place! Hopefully Deeds of Flesh sidelines their recent ‘core tendencies to improve on the promising Portals to Canaan.

Metal Will Never Die

Online music magazine Perfect Sound Forever (nice job stealing the 1980s advertising slogan for the then new CD format) recently posted a piece entitled “Metal For the New Millennium” by an idiotic hipster named Cam Netland who said that metal was a limited music genre as result of being a “as an offset of rock music”. Netland claims that metal became “more hardcore” as a result of the “radicalization” of other genres in this period citing staid examples such as Bad Brains (softened hardcore punk for idiotic affirmative action multi-culturalists) and Public Enemy (rap made into pop music with tough street gang lyrics to make suburban white jocks feel good about their short penises). He goes onto claim that metal is divided into many “micro-genres” and that the new millennium has seen the rise of many new ones such as what Neton terms Babymetal‘s grass-eater Japanese pop music, djent (random post-hardcore jazz fusion) Deafheaven‘s “blackgaze” (screamo pretending to be tough that is neither black metal nor shoegaze), and Vektor‘s random techno speed metal idiocy. Netland cites such turd non-metal albums as MastodonLeviathan (alternative rock), Converge – Jane Doe (post-hardcore math rock), and System of a Down – Toxicity (nu-“metal” which is in actuality of course rap rock).

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Jairo Tormentor of Sepultura Interview Translated; Outs Abaddon from Venom

A interview with Jairo Tormentor who played lead guitar on Sepultura‘s legendary early, more blackened releases Bestial Devastation and Morbid Visions,was translated from Portuguese by a Reddit user named cantapaya and posted to the social justice warrior, autist, and Marxist infested dumpster. The two-part interview is incredibly extensive and entertaining.

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Infester – To The Depths, In Degradation Reissue Out Now

Infester‘s To The Depths, In Degradation has been finally been reissued by Martyrdoom Productions on CD and LP. Do not pay scalpers, profiteers, and fetishists hundreds of dollars for the original CD that cost ten buck a decade ago on Discogs or Ebay. Buy the reissue and case of beer and spin it until you understand it. Progress beyond a three-chord speed metal hooligan who went from playing Street Fighter and NBA Jam in pizza parlor arcades to rehash metal shows at bar grills. Wait, half the people buying this reissue from A.V. 666 are too young to remember Mortal Kombat II in the arcade and Super Nintendo. Just buy To The Depths, In Degradation, stop whining that you can’t jump up and down to Infester like a seven year old snorting pixie sticks, and listen to the record until you reach the depths of hell from a hole in the ground.

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Bad Brains Frontman Has Bad Brain


Article contributed to Death Metal Underground by Paul Clayton.

As reported on by basically every publication ever since bourgeois liberals were forced to learn the name ‘Bad Brains‘ by the graceful ascent of nebulous DC Rastagandist hardcore act into Rock and Roll Hall of Fame reject status, singer H.R. (Huge Rasta) is preparing to undergo brain surgery to correct SUNCT (Section-8 Unemployed Nation-of-Islam Crackrock Tension) on February 21. Huge Rasta has been using “holistic substances” to treat his bad brain. I asked my girlfriend what she thought, given that she listens to music that is thematically much more similar to Bad Brains (i.e. Minor Threat, Black Flag, MOI, TLC, Destiny’s Child, Kelis, Lady, et al) and she pointed out that the guy from Bad Brains has a bad brain. In addition to being a woman, she is wrong inasmuch as the soberly considered thematic direction of the album is that of facilitative Afropunk proto-nationalism. H.R. even managed to upset the singer of Cro-Mags by playing Louis Farrakhan tapes in the van.

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