Satyricon recently reissued their best album, Nemesis Divina, remastered by Satyr himself. Satyr, true to his reputation, botched it.
#MetalGate pointed out the unsaid obvious: that “social justice” is destroying metal from within. Today we further explore this fertile (and obediently ignored in the media) topic with a small update on Baltimore-area SJW deathpunk band Bestial Evil, who recently fired and then rehired their drummer for his association with naturalistic and possibly right-wing civilization renewal group “Wolves of Vinland.”
I suppose there are varying versions of nihilism, which bears my question: how does a nihilist live if he questions his own existence and the existence of all things around him? I know the definition of existence could be debated, but I mean it in the literal physical sense.
You are right to dispense with wordplay. We know what existence is: the literal portion of life, on the same level as that which makes us die, and what most people spend most of their lives in denying.
This literality terrifies people. Is this all?
I suggest we bypass this question. Life is consistent; whether it is data, or physicality, or some hybrid of the two, it is logical. For this reason, I suggest we take it seriously. It is consistent, both internally and externally, and it speaks a language to us that reveals the composition of the universe.
I doubt everything. At the same time, that which is logical I do not doubt. Otherwise, I succumb to the randomness found within the human mind, not within the (superior design of the) world.
Hopefully that helps. This path is like all others worth traveling, esoteric: every level is babble until the previous level is mastered.
Article by Lance Viggiano.
Blood Incantation give birth to a star which rapidly dissipates its vibrant material into a pale dwarf by exhausting concise songwriting early in its lifecycle to leave only the raw core of extended jam sessions which cause the dead to be grateful for their passing. Each proper song begins with a clear objective but rapidly loses focus through descents into ill-fitting random pastiches of mosh riffs, doom, beer horn ready chug or atmospheric atonal ambience. By and large, the latter half of these songs are used to adroitly drift in the vacuum of purpose wherein it makes its residence. Unlike Altars of Madness which similarly abuses the listener by stretching the limits of tolerance towards virtuosity, this group lacks the voracious songwriting that is necessary to avoid wandering by achieving focus to force the captive into loving punishing bouts of self-indulgence.
Article by Corey M. Apparently, our staff ate too many tacos this weekend.
Acanthrophis has completed its debut, Twilight of the Vanquisher’s Reign, of blackened death metal in the style of Dissection with NWOBHM and progressive metal influences. The album will be available to the public in physical form at the first show the band will play, which will be June 25, 2016 in Milwaukee, WI with House of Atreus and Khazad Dum.
More mass murder of the unworthy.
Article by David Rosales.
A legendary time and place for underground metal, the Norway of 1993 is an esoteric landmark (1994 being the exoteric) in time and space in black metal history. It saw the rise of a mythology of its own, the mythology of black metal, and an eventual catastrophic demise worthy of a saga of its own.
Article by Jon Faugustus.
Poser power metal band Rhapsody of Fire made history on July 10, 2016, by playing their first concert in Tel Aviv, Israel. This took place at the traditional ‘Rock the Havana Club’ and probably attracted many a power metal connoisseur from the deconstructionist school.