SUFFOCATION’S BASTARD CHILDREN

Some bands perfectly encapsulate a sound and an era through the appropriation and development of an existing idea. Van Halen fascinated the mainstream with his take on tapping and his twist on virtuosity which had existed for centuries on various string instruments. Iron maiden took the harmonies from Thin Lizzy and adapted them for their long narrative epics. Suffocation took the slow thrash metal staccato riff and completely changed its use by using them as breakdowns. While those three bands are heavily associated with their respective techniques that have been used by all sorts of bands, Suffocation has spawned multiple subgenres that are all terrible and are completely eluded by the original intention.

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5 Slam Records that Won’t Insult Your Intelligence

Sometimes in between quests for the perfect transcendent meal, you wind up in the drive-thru.  There’s nothing wrong with that- not every action in life has to be one of self-discovery or grandiose vision- sometimes you just want to destroy yourself as a brief respite from analytical or introspective journeys, which actually provides a contrast that truly showcases the merit in the pursuit of depth but also gives an objective worth to consumables that are designed with much less substance in mind.  There is a place for what is now known as “slam” in the death metal pantheon, and as with any subgenre of course the progenitors are the best examples of it, as prior to its neanderthalic fall from grace it started as marriage of the percussive elements of Suffocation with the over-the-top imagery of gore-focused grind bands while limiting the use of humanistic elements like melody and cyclical structure.  This is a more than valid metal style as it does actually transcend a known formula through divorcing it from song archetypes and instead celebrates an ignorance that is mirrored perfectly in masochistic savagery. Given that is is more rhythmically focused than previous death metal styles is it natural that it would meet its downfall by travelling down an insultingly urban path that betrays the savagery it had once wielded, but it is still worth revisiting a few choice releases to analyze what may unfortunately be the last true movement in a dying genre at the turn of the century.

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Weathering the Storm as a Republican Metalhead

November 8th, 2016.  Manhattan, NY.  Election night.  I was there.

Wading back and forth between a crowd of suits and red hats gathered outside the Fox News building on 6th ave and a similar group gathered a few blocks north outside the Hilton hotel where the soon-to-be President-Elect was present, I celebrated ecstatically as electoral college results came in showing my favorite politician on the cusp of capturing the presidency.  All of us were over the moon with excitement and bliss, particularly because New York City had seldom presented a place where support of the man the media branded as Hitler 2.0 could be expressed openly.

While walking home and passing virtually every media truck parked for a mile along the road where America’s next President prepared his victory speech, a young NPR reporter excitedly rushed over to me with her microphone and cameraman after seeing the ridiculous “Trump 2020” pins on my shirt.  I agreed to her request for interview and explained why I thought Trump’s non-interventionist foreign policy and realist economic objectives would benefit the country’s middle and working classes.  Admitting her surprise to learn that I was a compliance director working near Wall St. and not the basic redneck Trump voter the media had branded us as, she asked if I was excited about the likelihood of supporting Trump being more socially acceptable now that he was president.  “Yeah” I said “It finally won’t be taboo now!”

We could not have been more wrong.
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Defeated Sanity – Disposal of the Dead Dharmata

This band from Germany has been around in one form or another since the 90s.  Besides having a reputation as an under-rated act, they actively tour and record.  They are considered technical/brutal death metal.  I would probably count them as old school death metal.  Several releases are available, and it feels somewhat unfair to look at just one release and judge, but lets try.
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Desecrating Satan’s Hipster Country Club Resort


Reviews contributed by Norma Angelina Dagostino.

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Death Yell Premiere “Soulless” From Upcoming Descent Into Hell

Chilean death metal band Death Yell premiered a new track off their upcoming debut album Descent Into Hell, which comes out in August on Hells Headbangers. “Soulless” is an unremarkable but inoffensive riff salad. I don’t remember anything about five minutes after listening to it twice other than it reminded me more of Teutonic speed metal than death metal. The album probably won’t be that great and Death Yell will probably end up opening for other Chilean bands such as Pentagram (Chile), Ripper or Unaussprechlichen Kulten.

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Dying Fetus Release New Music Video

Camouflage cargo shorts band Dying Fetus released a music video for “Panic Amongst The Herd” off their upcoming crap album, Wrong One to Fuck With, on sell-out sludge and metalcore label Relapse Records. Relapse insist that:

Now 25 years into their distinguished career, Dying Fetus cement their legacy with Wrong One to Fuck With and uphold their position as the dominant force in death metal today.

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Demoncy & Profanatica Headlining Mass Destruction Metal Fest

The Mass Destruction Metal Fest to be held in Atlanta, Georgia on November 3rd and 4th announced a great lineup this year with Demoncy and Profanatica among the headliners. Also playing are Acheron, Macabre, Nocturnus AD, Deceased, and Brutality. The festival should be a great chance for headbangers in the southeastern United States to experience two of the best American black metal bands live.

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