A Metalhead’s Journey to the Light

By Cullen Toner

Many have expressed emotions of extreme shock and awe after discovering the explicitly Christian lyrics and aesthetics of my newest album, Deus Vult. How could I, the former singer/songwriter of New Jersey’s most popular Satanic band, find God and religion after 15 years of playing in bands with misanthropic, anti-Christian themes? What would cause a complete 180 degree change in lifestyle, a complete about-face in world view? And why would I recklessly proclaim such a change in heart to a world of black and death metal that would so surely respond in confusion, mockery, and utter malice?

To even consider the answers requires a great deal of courage and intellect, as most in the world of extreme metal have extensively conditioned themselves to the idea that metal, in all of its rebelliousness, is the antithesis to Christianity. But since the spirit of metal is one that has historically challenged authority and convention in a quest for deeper truth, those who truly understand its foundation will not cower from the mere suggestion of radical thought. And to those to I can assure that a long quest for logic and wisdom has unexpectedly led me at the foot of the upright cross. Not only did this provide happiness and fulfillment for the first time, but the foundation for meaning and purpose that many metalheads are currently in a vast search for.

In an attempt to explain as objectively as I can, this is how I came to embrace Christianity as my faith, and what it meant for my relationship with metal music.

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Analysis Of Amorphis – “Karelia/The Gathering”

 

Amorphis are known for their terrible modern output that consists of ridiculous pop cliches and monotonous chugging. While their latest offering has furthered the pretension of this band and their Opeth like attempts of appealing to pseudo intellectuals through whatever the mainstream considers to be “deep,” it is hard to fathom that this band once produced some of the greatest Finnish Death metal to ever grace our ears. Through restrained, simplistic melodies that were all very tightly knit and some basic understanding of chord theory, Amorphis carved a grandiose album that would see them climb to the top of a fledgling movement.

The album opener “Karelia” – an acoustic piece recorded with two 12-string guitars – announced the intentions of conjuring grand battlefields where heroes would emerge amidst the chaos. The first guitar repeats a basic melody in the natural minor scale as the second guitar follows with the appropriate combination of diatonic minor and major thirds. As the melody continues without variation the diatonic chords move up a few semitones up the scale creeping towards battle as the chords quickly return to their original position until distorted guitars announce the battle.

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Forces of Satan Stumble

The consensus seems to be that Christ does not belong in metal.  Well, neither does Satan.  Rigid patterns of thought are not conductive to the creation of transcendental metal music.  The failure of NSBM stems from the rigid ideology into which the music was forced like a Procrustean bed.  The two Christian metal bands worth a shit have been covered on this site: Paramaecium and Antestor.  The only NSBM bands that are not terrible are the bands, like Graveland, that preceeded the creation of the subgenre and were only lumped in with the scene later… Gontyna Kry seems to be the sole exception to NSBM sucking.

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/smr/ Sadistic Metal Reviews: Massacre of Death Metal’s Mainstream

Yesterday, we gave you the 10 most popular death metal bands of all time.  Now one by one they will face public execution as we absolutely massacre their most recent release.  No mercy will be shown- orders are to kill everything that moves.

Did you fucking soy metal nu males really think they would get off easy?  This is Death Metal Underground- the most savage music site on the internet!  Death to soy metal, death to sellouts, burn and die all falses!  Mayhem- war- sadism- brutalization!  No death metal band should have 1 million Facebook likes!  No death metal band should be on Facebook at all!  Pussies!  Behead the corpses, throw them into the streets- the Templar way!

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The Most Popular Death Metal Bands- Who is #1?

Who is the most popular death metal band?

It’s one of those esoteric questions that wanders in and out of the mind without a quick Google search to offer a definite solution.  But today it dawned on me that if I don’t try to find an answer, it’s unlikely any one else will do a decent job at doing so.  And given the fact that deathmetal.org is the number one site that comes up when you Google “death metal news,” I believe we have a journalistic duty to present the world with this information.

Since where to draw the line on what’s “true” death metal or not is a matter of opinion moreso than concrete fact, I determined that anything labeled “death metal” would be fair game whether it truly was a pure death metal band or not.  Therefore I’d consider melodic death metal, black metal, and even deathcore in an effort to find who had conquered the greater sphere of death metal.

Unfortunately, the Nielsen record sale tracking data is not public and often does not identify how well an album has sold for many years after its release.  Thus, I determined that the most accurate metric for mining this data would be to measure by Facebook likes.  Yes, I know it’s not an exact science- many fans aren’t on Facebook, and many people click a band’s like button without really listening to them.  But still, it was as good as I would ever get to finding who the most popular band in the greater bounds of “death metal” truly was.

I expected to see the favorites of the 90’s metal press and MTVX dominate- Cannibal Corpse, Morbid Angel, Decide, Death, and probably In Flames take the number 1 spot.  Imagine my shock, that only one of these bands even cracked the top 5!  I had always heard about Morbid Angel and Deicide had the highest album sales, but it appears neither band has been able to conquer the internet age.

So again, this list was populated within very forgiving boundaries (bands loosely considered death metal, whether or not I believed them to be), and the best metric I could come up with.  Also, DO NOT FUCKING EVEN THINK OF CONFUSING THIS AS BEING A LIST OF THE BEST DEATH METAL- IT IS QUITE THE OPPOSITE!!!  And finally, if there are any bands you think I missed please let me know in the comments below and I will gladly do a live update and give you credit- maybe.

Without further ado, here is – for the first time in history – a list of the most popular bands that people considered to be death metal, and an explanation to why I would endure the immense visceral hatred for even considering them:

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Analysis of Immolation’s “Christ’s Cage”

Immolation are legends in Death metal and rightfully so, though their heydays were after the initial burst that characterized the NYDM scene and have cemented their place with the likes of Cryptopsy and Immortal for prolonging the lifespan of that classic period of metal. Longevity seems to be the forte of the band’s centerpieces Dolan and Vigna and while they released a few decent albums, none of them quite hold up to Here in After. Black Sabbath and Slayer stretched the palette for what was possible in metal and introduced endless possibilities whereas Immolation took one closed approach and pushed it to its limit on this album. Though Close To A World Below took experimentation further, the whole was not as cohesive or powerful. Let us look as the closing track which truly concludes the album.

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Slugdge – Esoteric Malacology (2018)

When you have nothing of substance to fuel the creative urge necessary for musical catharsis, the artistically bankrupt are forced into invention. Here, the muse for this act is a fictional slug overlord that has somehow provided a modern metal band with enough tongue-in-cheek material to spew out four records so far, so at the very least you can’t accuse Slugdge of not sticking to their guns. Bad ideas however tend to foster quicker and more permanent results, and I’m failing to see the inspiration of this act yielding anything further than superficial amusement, so perhaps this is the perfect modern metal product seen from start to finish.

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Antestor Re-Release of Return of the Black Death Out Today!

Fuck yes!  Legendary Norwegian black metal band Antestor have re-released their timeless classic Return of the Black Death via the Nordic Mission label.  If you’re too much of a sodomite pussy to know, this album was the best release (and probably only good one) on the famed Cacophonous Records, who gave us the earliest works of Cradle of Filth and Dimmu Borgir- those fucking scumbags!  This album was also the precursor to the depressive/suicidal black metal genre that immediately became gay when Xasthur first put on his little makeup kit and started doing blek majick.  Yeah, I bet you thought Sortsind and Burzum started that shit-NOPE!  It was all a second rate ripoff of Antestor’s sorrow metal!

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Megadriver – Metalvania (2017)

Few things in life are more masculine than Castlevania.  In fact, the New York Times bestselling book The Alphabet of Manliness includes on its short list of “definitive winners in history” the likes of Castlevania 1-4 and Symphony of the Night.  Castlevania is also the most metal non-metal piece of Western creativity outside of Lord of the Rings.  I mean shit, you’re out crusading and fucking up demons and monsters on behalf of the church, shoving crucifixes up asses and drowning degeneracy in holy water.   It’s exactly the kind of shit that true metalhead Hessians and Templars should be doing to SJW the soy metal mutants infesting the underground in incredibly large numbers (who can be open-endedly interpreted to be the grotesque villains of Castlevania lore).  DEUS VULT- butcher and savage them all!  Even those who think video games are gay (most of them are) can appreciate how based Castlevania is.
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Le berceau de Satan – Porteur de lumiere (2017)

Ahhh, Canada, America’s hat. And then there is Quebec, Canada’s ass-neck. Today’s band, Le berceau de Satan (Cradle of Satan) hails from the beautiful town of Sanguenay, Quebec. Looking at some pictures of the town and area, one would think that there is ample natural inspiration for an atmospheric black metal band. However, in the case of Porteur de lumiere (Bringer of Light), released this March, this is clearly not the case.

In honour of the confused, mish-mash presentation of the album, I will now present my review in the form of stream of consciousness.

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