A short illustrative story by Lucian Fogaras
Jonas Peter Anderson strode across the deserted alley as the wind blew against his face, making his hair blow and blurr his view. He wasn’t wearing his glasses today as that would not match his personal and artistic projection of the self to the world: combat boots, black jeans, heavy bullet-studded belt, Ofermod Sol Nox t-shirt and a sleeveless black hoodie over it. People said that at his 33 years of age, Jonas should put aside the act, become self-sufficient and stop wasting his mother’s money on beer six-packs, vinyls and luxurious editions of occult literature from Ixaxxar Publications and Theion Publishing. But he did not care —his Satanic identity was more important to him than anything else in this world. Besides, it had been a long time since that fateful day 20 years ago, when he had decided to leave behind his Christian name. He only responded to Agnellus now —unless it was his mother calling him downstairs for dinner, in which case “Jonas, darling” would do. In the world of forums and e-mails, however, the International Satanic Brotherhood knew him as Frater Agnellus.
Tags: father andrea contin, lucian fogaras, muladhara chakra, patron saint of people with stds, Satanism, sitra ahra
Sitting somewhat uncomfortably in between the heavy, speed and prog metal genres, Sanctuary achieved reputable status with their first album Refuge Denied despite having a fragmented and vulnerable identity. The record itself was a slightly more melancholic take on the style Queensrÿche established on Rage for Order with some carefree thrash moments added in for the more aggressive metal fan. The formula was ultimately more kitschy than timeless, and relegated the band to perennial B-tier status. (more…)
Tags: 1990, Into the Mirror Black, sanctuary
Woodlands Fine Cigars [ map ]
582 Sawdust Rd, The Woodlands, TX 77380
Everyone in Texas knows The Woodlands because it is the future of living in Texas: instead of a gated community, make a whole gated city just outside the sprawling disaster where people can enjoy normal suburban life without the pollution, crime, filth, disorder, noise, and existential tension of the city.
Tags: cigars, houston, nicotiana tabacum, nicotine, pipe tobacco, smoking, texas, the woodlands, woodlands fine cigars
Remember back in the mid-1990s when every black metal musician of repute boasted involvement in at least one dark ambient project? Although the move away from metallic ground towards previously uncharted territories comes across as a farseeing maneuver in hindsight – black metal had after all reached its creative zenith at this point – the lion’s share of resultant products left a lot to be desired. (more…)
Tags: 1994, dark ambient, equimanthorn, nindinugga nimshimshargal enlillara
Death Metal Underground emerged victorious from the siege at the hands of Tulio Baars and his team of confused, frustrated individuals that carried out these attacks in an attempt to receive validation from their peers. These attacks were characterized by the ego putting itself above all and not the community uniting in order to create something greater than the sum of each ego. Since the start Death Metal Underground has had a myriad number of writers casting aside their self in order to build this resource of Death Metal tradition. (more…)
Tags: sodomize the weak
Siete Lagunas is an experiment in metal music that is ultimately an attempt to move beyond the realm of standard expresions in the genre (such as particular motif formations, Slayer-isms, or other stylistic encroachments) without disregarding what traditionally defines metal (i.e. phrase, and the use of ‘power-chords’). (more…)
Tags: condor, demo, la caverna records, LCR 001, Nadia, siete lagunas
Encapsuling the soul of underground death metal of the American stripe, Sapremia presents in Existence of Torture a fundamental, if not essential, picture of what the genre should be about. (more…)
Tags: 1994, death metal, existence of torture, sapremia
Extending further into the past, and lying in deeper recesses of mystery, are the cults and legends of the ancient Pelasgians. Their symbols, gods and myths included precede, and in a way bring forth the Hellenic , while remaining in a relative obscurity even when the cults were known to be active . Among these obscure cults was that of the Kábeiroi (a.k.a. Cabiri), a group of unknown but powerful beings tracing lineage to Rhea —The feminine Titan of Saturn — and to the vast Sea .
Tags: carl jung, kabeiroi, pelasgians, richard moult, robert graves, serpent ov old, the realms: early piano works, whithering hope
Article by Salustiano Ferdinand
One of the hallmarks of great musical works is that every note has a purpose to move the mindset of the listener in some direction. Musical structure whether on a small or grand scale is what gives music much of its power and memorability; a focused work that wastes no note and moves with constant intent from distinctive point A to distinctive point B and on will embed itself into the mind of the listener not just for its general sound and aesthetic but in its entirety. Classical pianist James Rhodes said of Ludwig van Beethoven, likely the greatest composer of memorable themes in western art music, that with his works, “Every note was sweated over, every theme worked on tirelessly and chiselled into immortality. The manuscripts of Bach and Mozart look spotless next to the messy, crossed-out, almost indecipherable madness of Beethoven’s. While Mozart hurled symphonies on to paper as fast as he could write, barely without correction, Beethoven stewed and fought and wrestled and argued and raged until he forced what he was looking for out and onto the page.”  Sadly, however, the importance and art of structure is often ignored and neglected entirely within metal albums. Too often a death or black metal band is content to choose a tempo or two and proceed to restate the same content through interchangeable means for a length such that they overstay their welcome about halfway through the ordeal.
Tags: contrast, musical motion, structure
Malevolent Creation have never reached the relative popularity of their Floridian peers, and neither have they received the same degree of recognition. The band members moved from New York in order to follow their dreams of metal stardom, yet they never saw even a quarter of the admiration that Cannibal Corpse and their brand of deficient death metal received. For a short while Malevolent Creation were a band displayed unlimited potential within their percussive style combined with primitive caveman-esque melodies, but they never reached the summits of Deicide, Morbid Angel, Obituary and Monstrosity. The band would eventually fade away due to constantly changing members, drug related stories and the inability to build upon previous works.
Tags: death metal, effigy of the forgotten, Malevolent Creation, retribution, Speed Metal, suffocation