I have no way of knowing if anyone will read this letter. It joins the others which have been hidden in the knot-hole of the ancient tree on top of the mountain that locals simply call “the big one,” to which I make a daily pilgrimage. My life has become oriented around what I can only describe as a portal to the future.
2017 was a shit waste of a year when it came to metal music. Yet with a whole generation of useless neckbeard millennials frantically trying to pursue a career in metal journalism via a desperate pursuit of vindication from that $40,000 of communications-degree student loan debt we have hundreds of “best metal albums” lists every year. Because there are thousands of metal releases each year hundreds of shitty musicians and journalists are somehow convinced that their opinion matters and that people care about their lists, we now have list after list with totally different picks because no one can possibly sit through a listen of thousand releases ever year. Where the commonality lies is that all of the number one picks are fecal matter on toilet tissue, usually not metal and certainly not even worth listening to.
Let’s cremate the foul miasma of 2017 with a funeral pyre of epic proportions: a sadistic metal review carbonization of #1 picks from the fakest of the fake metal news outlets…
Tags: Altarage, byzantine, Code Orange, Cvlt Nation, decibel, fake metal news, fake news, fake news awards, hipsters, incineration, metal hammer, MetalSucks, paradise lost, rape, rolling stone, sadistic metal reviews, The Contortionist, Trump
It’s here! YouTube’s rapidly accelerating censorship committee has finally begun targeting musicians with their Orwellian “hate speech” laws. Pandering to the advertisers that have quietly bought the operations of Silicon Valley tech companies and the souls of all Silicon Valley employees, YouTube has begun a fascist campaign of censoring any videos that may cause trouble for any company that may accidentally place an ad on it. So far this has primarily targeted vloggers for (conservative) wrongthink- videos portraying horrifically offensive hatred such as statistics, scientific research, or biological facts. Yet strangely, the first band in the greater sphere of heavy music that YouTube has gone after is a modern nu-metal/rap rock band who, in all honesty, looks pretty leftist….
Tags: 2018, big tech, cesorship, communism, news, tolaterian
Gorguts is a band that for a majority of its career has resembled an act that is at war with itself artistically. After a serviceable debut comprised of purely death metal notions and peaking with its most dense and progressive release in The Erosion of Sanity, the band chose to scale back its arrangements while imbuing its approach with a discordance that may have laterally trespassed its prior unsullied metal constructs but at the same time gave Gorguts an identity all their own. With regards to their contemporaries, you cannot currently say a band “sounds like Gorguts” without indirectly focusing on the sound created on Obscura, and the band’s own knowledge of that most likely has controlled their writing ever since — to the detriment of their overall intents in each record from then on…
Tags: death metal, gorguts, Progressive Death Metal, Technical Death Metal
For this Christmas season, a new view of underground metal. Presenting the:
Dark Metal Compilation
Tags: dark metal, death metal, Doom Metal, merry christmas
There are many well cultured intellectuals who, when presented with metal music, will immediately be tuned out by the vocals. This results in much of the metal collective being comprised of hold-my-beer normies and most of the world’s high IQ population never grasping a music genre that has both the depth and the complexity they yearn for. Moreover, vocals in metal have not progressed AT ALL since the 1990s and therefore vocalists have been rendered indistinguishable from one another. Through this understanding comes the ultimate revelation: metal vocals, more than any other factor, are hindering the next great wave of metal.
Tags: 2018, Black Metal, culture, death metal, Doom Metal, Heavy Metal, innovation, Instrumental, metal, music, Philosophy, trends
A growing trend among some metal and rock bands is the aggressively enforced ban of cell phones during live performances. While their motivations are not unlike those of Metallica at the height of the Napster controversy (as these bands want their only live footage to be sold at dying retail stores in the form of $40 DVDs) they are actually doing their fans a great service by mitigating the amount of millennial vanity happening in the live concert environment. Nobody likes the hipster douchebag belligerently sticking a phone in front everyone’s view to pad his YouTube stats, and young people are better off liberated from the soul consuming cell phone screen for awhile.
Tags: 2017, cell phone, concernt policy, control, danzig, misfits, Nazism, news, order, totalitarian
There are twelve notes. There are twenty-six letters. We can form them into combinations/patterns. The ones that stay with us are the ones that communicate. This takes us above the level of riff (metal), harmony (jazz/rock), and into the realm of melody, which uses phrase and harmony as means of strengthening the expression of a melody, or a unique combination which resembles the psychological sensation of a certain experience.
Tags: cash grab, death 'n' roll, death metal, Heavy Metal, inside-out, morbid angel, outside-in, review, Steve Tucker, trey azagthoth
Continuing the path of a storied band, Inferno mixes re-recorded versions of older tracks with new material in what seems to be a band redefining itself. Blood started as a grindcore band with more of a death metal attitude, then adopted an outlook closer to black metal for its opus O Agios Pethane, but since then has struggled by being caught in the middle of three genres.
Tags: 2017, blood, comeback, death metal, German Death Metal, germany, Grindcore, inferno, review, thrash metal