Whispers of the Kábeiroi

Extending further into the past, and lying in deeper recesses of mystery, are the cults and legends of the ancient Pelasgians. Their symbols, gods and myths included precede, and in a way bring forth the Hellenic [1], while remaining in a relative obscurity even when the cults were known to be active [2]. Among these obscure cults was that of the Kábeiroi (a.k.a. Cabiri), a group of unknown but powerful beings tracing lineage to Rhea —The feminine Titan of Saturn [3]— and to the vast Sea [4].
(more…)

2 Comments

Tags: , , , , , , ,

The Importance of Contrast and Structure/Musical Motion through Levels of Consciousness

Article by Salustiano Ferdinand

One of the hallmarks of great musical works is that every note has a purpose to move the mindset of the listener in some direction. Musical structure whether on a small or grand scale is what gives music much of its power and memorability; a focused work that wastes no note and moves with constant intent from distinctive point A to distinctive point B and on will embed itself into the mind of the listener not just for its general sound and aesthetic but in its entirety. Classical pianist James Rhodes said of Ludwig van Beethoven, likely the greatest composer of memorable themes in western art music, that with his works, “Every note was sweated over, every theme worked on tirelessly and chiselled into immortality. The manuscripts of Bach and Mozart look spotless next to the messy, crossed-out, almost indecipherable madness of Beethoven’s. While Mozart hurled symphonies on to paper as fast as he could write, barely without correction, Beethoven stewed and fought and wrestled and argued and raged until he forced what he was looking for out and onto the page.” [1] Sadly, however, the importance and art of structure is often ignored and neglected entirely within metal albums. Too often a death or black metal band is content to choose a tempo or two and proceed to restate the same content through interchangeable means for a length such that they overstay their welcome about halfway through the ordeal.
(more…)

5 Comments

Tags: , ,

Malevolent Creation Retribution (1992)

Malevolent Creation have never reached the relative popularity of their Floridian peers, and neither have they received the same degree of recognition. The band members moved from New York in order to follow their dreams of metal stardom, yet they never saw even a quarter of the admiration that Cannibal Corpse and their brand of deficient death metal received. For a short while Malevolent Creation were a band displayed unlimited potential within their percussive style combined with primitive caveman-esque melodies, but they never reached the summits of Deicide, Morbid Angel, Obituary and Monstrosity. The band would eventually fade away due to constantly changing members, drug related stories and the inability to build upon previous works.
(more…)

8 Comments

Tags: , , , , ,

A typical leftist with double standards

[Editor: Apparently, sometimes tabloid humor can be revealing. The following notes by a contributor are shared for the benefit of those interested in gossip.]

Here is a compilation of some juicy stuff that shows KK for what she really is: The typical leftist with double standards, who publicly judges and condemns others negatively for the very things they also do!!
(more…)

19 Comments

Tags: , ,

DMU Original Zine and Dark Music Compilation

One of the principal aims of DMU is to not only serve as curator of metal music, but also to keep developing an informed, cultured and realist interpretation and formulation of the past, present and future of the genre in the interest of transcendent goals. To this end DMU is launching two contribution-based efforts in parallel to the website content: an e-zine and a music compilation.
(more…)

7 Comments

Tags: , , ,

Altar of Perversion Intra Naos (2018)

Altar of Perversion return with Intra Naos, a post-black metal album taking this limited and confused style to its best, though still inefficient, results. We start by stating that this is not a black metal album because it is not a metal album in the first place, although its instrumentation, general use of imagery and screetched vocals may give us cause to think it is. Rather than being based on actual riffs to form phrases which themselves give rise to a sequence of flows [1], Intra Naos displays the shortcomings of what we have in the past characterized wallpaper black metal [2]. The overall experience of the album is one of somnolescence brought about by the lack of musical content in an extremely long recording full of ‘sounds’.
(more…)

13 Comments

Tags: , , , ,

Introduction to Power Metal, Part III: 1980s US Power Metal

A salute goes out to Misters Imladris and Kaelrok for sharing recommendations and insights related to the subject at hand.

After having recounted and commented on the birth and evolution of the first wave of European power metal in part II, the time has come for this author to travel across the Atlantic and take a closer look at the contemporaneous development of power metal in North America, commonly referred to as United States Power Metal (USPM).
(more…)

4 Comments

Tags: , , ,