Dying Fetus Release New Music Video

Camouflage cargo shorts band Dying Fetus released a music video for “Panic Amongst The Herd” off their upcoming crap album, Wrong One to Fuck With, on sell-out sludge and metalcore label Relapse Records. Relapse insist that:

Now 25 years into their distinguished career, Dying Fetus cement their legacy with Wrong One to Fuck With and uphold their position as the dominant force in death metal today.

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Sadistic Metal Reviews: Mellow Destruction of Inferior Semi-Technical Trivialities

These random, gimped releases are held in high regard by high-pitched “metal” critics and core pogo stickers. The Death Metal Underground staff takes it upon themselves to scorn and defile them in the name of all that is good in the metal genre.

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Crimson Massacre – The Luster of Pandemonium (2005)

Death metal folk wisdom tells that the epithet “technical” generally connotes music that is bad for a unique reason: it tends to get trapped in technique, including cute tricks from music theory, for its own sake, which in turn deprecates the art of composing memorable and relevant songs.

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Memoriam Snore Through “Reduced to Zero”

Memoriam posted the first track and track list for their upcoming death ‘n’ roll album For the Fallen. Hear Karl Willets sound tired and rip off himself on “Reduced to Zero” over riffs that make Benediction‘s The Grand Leveller sound like a peak of death metal in comparison. I’m so excited! Let’s find out what this single sounds like!

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Sadistic Metal Reviews: Catch of the Day

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Sadistic Metal Reviews 11-27-2016

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Thanksgiving is a merry time of the year but the bender has to end with more Sadistic Metal Reviews!

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Sadistic Metal Reviews 11-26-2016

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We get this poop in the mail. We don’t trash it unlike our readership, we use it for target practice with our AR-15s!

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The Decline of the Compact Disc & Music Industry

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By the 1990s, the CD reigned supreme. As the economy boomed, annual global sales surpassed 1bn in 1992 and 2bn in 1996, and the profit margins were the stuff of dreams. The CD was cheaper than vinyl to manufacture, transport and rack in stores, while selling for up to twice as much. Even as costs fell, prices rose.

The popular music industry peaked financially in 1996 but had creatively begun bottoming out years before that. Digital file sharing of lossily (and later losslessly) compressed formats simply burst the bubble of the industry’s festering corpse the ignorant had mistaken to still be moving as the putrefying gases bloated body cavities.

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