SAD HIPSTER WREST EVICTED FROM WAREHOUSE

Leviathan mainman and convicted domestic abuser Jeff Whitehead (a.k.a. Wrest) is being evicted from the Portland Oregon warehouse he maintained as a storefront for his Devout Rcrds label/record store and the “anarchist print shop” Eberhardt Printsop. Whitehead is the victim of allegedly evil capitalist landlords who want to commit the horrible act of leasing their hard earned property at market price, which happens to be double that of what Wrest can afford. Therefore, Wrest has tapped his neo-communist friend Neil Jameson (who is publicly living out a similar midlife crisis) to help beg for moneytarget=”_blank” rel=”nofollow external” from “the miserable collective workforce” a.k.a. you, the consumers.  Yes, you have read correctly- Wrest is so desperate to save a commercial “Anarchist clothing line” from having its free-market commerce shut down by other free market commerce that he has stooped to digital panhandling.target=”_blank” rel=”nofollow external”
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Lousberg- Wintergemälde

Now here is a recording I am really quite enjoying, by Lousberg. This captures the spirit of the desolate winter-time, but not in a dreary way. Rather, the elegance of nature shines through. Low drones set the landscape, while tip-toing keyboard patches enunciate the mid and higher ranges. This has a nice balance between droning and suggesting a melody, which does a very nice job creating a virtual landscape. I prefer this to the other black metal I saw on this label such as Goat Semen, which was pretty cool too, since it reminded me of Norz Norz Norz. There is a sophistication to this particular composition, which reminds me of Maurice Jarre’s score to Runaway Train, which is a wintertime classic. Also, the Mosquito Coast, about leaving society for nature, is another majestic score by Jarre that this harkens. It seems easy to the passive listener to create such an album. As a keyboardist myself, I can tell you that it actually takes a lot of inspiration to write an album like this.

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Have You Droned Anyone Recently?

There is something delicious about a drone. Maneuver the joystick, trip the flaps, train the camera, identify the subject. With a deep sigh, avoid contemplating all that is ahead, then click confirm on your control screen. Watch the brief flash and distortion on your video feed as the missile falls free and ignites. Zoom in on the target. Seconds later, a gout of flame and fountain of body parts.

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KILLJOY IS DEAD

One of death metal’s pioneering vocalists has passed away today.  Frank “Killjoy” Pucci of Necrophagia died this morning as revealed on the band’s Facebook page. One of the original tape traders of death metal, Killjoy’s legendary vocals on the phenomenal  Season of the Dead album (which predated Death’s Scream Bloody Gore by several months) paved the wave for the death/black metal technique and inspired some of the greatest artists in metal.
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Girding for War: Tools of the Trade

One does not go to war without weapons and one does not make music without instruments. Just as the quality of the warrior is more important than the quality of the weapon, so too, the quality of the musician is more important than the quality of the instrument. Nonetheless, limited equipment can impeach the user’s ability for effective action. With that in mind, let us take a look at Roland’s V-Drums.
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VIKING BLOOD

Heritage, ethnicity, race, and culture is important because there is much you can learn about yourself from your blood ancestors.  For years I never understood why, as an Irishman, I was always fascinated with Scandanavian history and culture until a distant relative traced my family’s heritage all the way back to the 10th century.  It was upon learning of my distant relationship to Tomrair mac Ailchi, the viking king of Dublin, that I learned the truth of my savage tendencies- I was the decadent of vikings.  And perhaps it explains how, thousands of years later, I would serve as an editor of the most brutal metal website on the internet…
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Metal Works: AR-15 Build

A proper Hessian knows his metal music intimately. He understands the moving parts and how they fit together to form a functioning whole. Just as a Hessian understands his music, he will also understand his weapons. What better way to understand our weapons than to build one ourselves? AKs are rather easy to build, but require some more expensive specialized equipment. ARs are also quite easy to build, and because of their ingenious modular design, one can either build a complete AR or one can build half an AR for use with already extant other halves. Because building an AR lower is somewhat more complicated and requires some more expensive equipment, today we will focus on building your own AR upper. You will see from the crappy pictures, taken with my old flip phone, that one needs no specialized facilities to do any of this – I did it in my spare bedroom in about 45 minutes. Recommended listening while building: Immortal’s “Battles in the North.”
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Not Digging the New Cynic Single

Received a transmission of a new single by Cynic. Feeling a bit disappointed in this tune, called ‘Humanoid’. While it has the great active warm fretless sounding bass-lines, and Y. Malmsteen styled solos, the vocals are a completely different style than on Focus and Traced in Air. Normally their vocals have the flanged-out robo. voice. On this new track, the vocals don’t sound metal enough. They are too Pink Floyd or Lincoln Park-ish for me. The guitars have tons of solos, but leave the bass to carry the rhythm, and this doesn’t work. It makes it too light. The whole thing comes off sounding funky rather than heavy. I would like them to go back and at least out a flanger on the vocals and add another heavier rhythm guitar tracking along with the bass.

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PISS ON TERRORIZER MAGAZINE’S GRAVE!

It has become apparent that the mentally ill mutant publisher of the failed Terrorizer Magazine pulled a classic Blake Judd-style heist on everyone stupid enough to subscribe to it in 2017.  Back in September, Terrorizer published a post on Facebooktarget=”_blank” rel=”nofollow external” indicating that “they’re having publishing problems” and promised to send everyone’s missing magazines that week.  In reality, subscribers were lucky if they got 1/4 of the year’s magazines delivered as most never received at least 3 of the issues and even got shafted on digital copies (!!!).  Absolutely no one has received the December issue (it was never published), yet everyone has been billed for the full year both last year AND THIS YEAR even though the last magazine was published in November!  I was just as shocked to hear about this as you were: I couldn’t believe people actually paid money to read Terrorizer last year!

So as of yesterday the lefty metal media has finally been reporting on the embarrassing death of Terrorizer Magazine, but so far they are taking a sympathetic tone.  But why is this, after the harshness they displayed on Blakey Judd for ripping off his fans in the exact same fashion?  The answer has been thus far carefully concealed by the liberal metal media outlets reporting on this:  Terrorizer’s publisher is trans.target=”_blank” rel=”nofollow external”
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