Always sadistic, never holistic.5 Comments
The pigeon decided to return. Had it not, the retro-Powermetalers would have maimed him fatally, with buckshot fire. Despite his cute appearance with those tiny post apocalyptic goggles of his, he would have then been eaten slowly by cockroaches over time after falling from grace. Before he returned to Daryl he grabbed a 5 Bolivar silver coin from what was left of Panama. It was hard to fly back over the 500 foot wall that Trump had built, back in the technology age. Not only did it have retracting metal spikes on top, but there was a moat with alligators on both sides. Dead bodies were strewn along both sides of the fence, with vital organs missing. No one ever came in. No one got out alive either. Fortunately for Latin America, the wall mitigated the radiation winds on that side.
Upon the bird’s return, Daryl noticed the silver Panamanian coin in his beak. It was a very low mintage coin and he was thrilled of the indication that there was power still now in that region of the world.1 Comment
Never has there been a word in metal as misunderstood as atonal, allowing all kinds of ridiculous claims since most individuals confuse atonality with dissonance and chromatism.
There are two ways to define atonality, one being the complete lack of tonal character and being reduced to noise like some of Kerry King’s solos or the works of Merzbow. The other definition that interests us here is the complete lack of functional harmony. In simpler terms that implies not having the root note that commands a certain melody. Without a root note, the notes in an atonal melody are not connected by scales, modes or chords.22 Comments
The modern carbine hearkens back to the days of the American frontier when the man in the saddle needed both a sidearm and a rifle but could not be encumbered by the logistic complications of two types of ammunition; his rifle and his six shooter fired the same ammo. Various modern carbines are available in various modern pistol calibers: .45, .40, 9mm, .380. Hi Point makes carbines in all four of those calibers and is currently introducing one in 10mm.43 Comments
Death Metal Underground’s wise founder Brett Stevens posted a thoughtful article last weekend about the duality of exterior and interior being. It describes how in these modern times we’re seeing an illusion of non-conformity that masks the conformity of thought and nature within. This is an effective tactic of those in power be they media, silicon valley, deep state, or (in the case of metal) record executives and journalists: get people to look different, but think the same. This also masterfully articulates why metal is at its lowest creative point in the entire history of its existence: fans and musicians alike have accepted conformity of thought and sound through satisfaction with mere non-conformist aesthetics and culture. And the only way to escape this rut is to violently rebel against everything we have been conditioned to believe is “metal” and “metal culture.”35 Comments
Tags: brett stevens, conformity, death, death metal, destruction, Deus Vult, future of metal, Gen-Z, Generation Z, hessian, metal, metal culture, non-conformity, ozzy osbourne, rebellion, Romanticism, tattoos, Templar, Western Culture
Since other media outlets are weighing in on the recent debate on crisis actors being used to push gun control in the wake of mass shootings, let’s see what DMU readers think! Vote in the comments section below:
(a) crisis actor
(b) shooting survivor
(c) where is the metal?
(d) DMU IS DEAD AND THE EDITOR IS A FALSE WAHHH MUAH HESSIANS WAHHHHH MUAH PHILOSOPHY WAHHHHH34 Comments
In addition to its notoriously contradictive definitional nature, doom metal remains something of an enigma in terms of its enduring popularity. Whether or not one chooses to view it as a distinctive subgenre, style or even technique, doom metal must bear one of the most in-proportionate quotas within metal music when it comes to quantity over quality. If attempting to depict doom metal from the perspective of enduring releases, the list of canonical works would become surprisingly short. It seems plausible that part of the explanation to this sad state is embedded in the very characteristics of the style. Doom bands have generally prioritized development of exceptionally powerful tools for conveying sonic heaviness at the expense of other aspects of the music. It might even be so that the techniques in themselves has forced artists into a particular way of writing music. Either way, there appears to be a widespread discrepancy between the means of expression and what is actually being expressed in doom metal; which in turn provides clues as to what makes for a genuinely satisfying doom-offering. With the above discussion in mind, today’s written offering presents the Australian death/doom act Paramaecium – one of few bands bearing the doom-tag that has managed to write compositions to match the sonic gravitas associated with said style.
There won’t be a challenging listen anytime soon from millennial metal bands. The best we can hope for is something engaging, because given how neutered the general public is today, most things, “underground” or not, will be geared with mass appeal in mind. When we as seasoned listeners encounter a new metal band we approach their newest release with the hope that they at least have some framework of metal history at hand to draw from in order to at least give their inherently gimped effort a palette of direction that resembles metal. But with that mass appeal looming in the back of the creator’s mind, that history may be utilized as a checklist for social acclaim to adorn empty musical gestures instead of a well to draw inspiration to guide a commanding voice. Those type of Frankenmetal releases are easily dismissed as a series of “Ta-da!” moments wrapped around a rancid kernel, but by blunting the confrontational elements of disjunct pieces you can somewhat pull the wool over the listener’s eyes as if you are more steadfast in your artistic message than you actually are.8 Comments
Welp, another school shooting is in the books, and this means we begin the cycle of another nationwide emotional meltdown of reactionary liberals over a founding pillar of our “evil” American culture. Since metal heads and metal journalists everywhere are weighing in on this, and since most (all?) of them are too dumb to say anything logical or researched, it once again has fallen on the staff of DMU to be the sole voice of high-IQ reason in the metal world. For despite guns being legal in America for over 200 years (with over 200 being free of school shootings), despite automatics/machine guns being loose on the streets since at least the 1920s (with 70 of those years being free of school shootings), and despite gun ownership being in steep decline the last few decades (despite school shootings being on the rise), liberals everywhere continue to fall for the totalitarian “give up the gun” scam and blame our second amendment for the mass murder of innocent children. While stats clearly prove otherwise, many miss the true root of this tragedy: the individualism our society has been embracing since the cultural revolution of the 1960s.80 Comments
Accept is a band best remembered for their old school song called “Balls to the Wall”, which used to play on the Headbanger’s Ball. Driving my BMV down the Autobahn at 120MPH through the Black Forest, I stopped in Bad Reichenhall. You know how they always have insane amounts of Gummy Bears everywhere in Germany. And then next to them are porno mags and stuff like biker lifestyle mags. Those were where I found out that Accept was still going strong at the time. It never ceases to amaze. This band just keeps hanging around, like a bad STD. Here they are again 20 years later. And they have this new album Rise of Chaos, which sounds like a cross between Sabbath’s Dehumanizer and an Exodus album.6 Comments