Sorcier des Glaces / Ende – Le puits des morts (2016)

sorcier des glace and monarque - Le puits des morts

Le puits des morts is a split album featuring Sorcier des Glaces and French black metal band Ende. On the first side, Sorcier des Glaces present four all new songs in their distinctive style of epic black metal continuing from their last few albums (including North from earlier in 2016) after the band’s abandoning of keyboards.

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“C” Is For Average

c_is_for_average

Metal was born of the fusion of heavy rock, horror music, progressive rock and the nascent proto-punk movement. The history of rock is the history of rebellion and rule-breaking: from Friedrich Liszt making his strings break live at key moments on purpose, to Jerry Lee Lewis lighting the piano on fire, to the Beatles with their hairstyles and jackets which were radical for the time, to the Doors being suggestive on the Ed Sullivan show, through Hendrix burning his guitar, to Kiss being super-sexual and painting their faces, to Black Sabbath who sang about Satan and magic, to Metallica who combined neoclassical with thrash and had a hard-partying image, to Slayer’s seemingly outright Satanism. Metal is about taking things one step further, breaking the rules and being unique. Not about following them.

Good music aims for a grade of “A” by experimenting and breaking the rules, but in doing so, takes the chance that it will get an “F.” Think of good music as Icarus: he flies toward the Heavens (or in the case of metal: towards hell) aware he is taking a big chance. He may well crash and burn to the ground in pursuit of his musical ideals. It’s a risk Icarus is willing to take.

Today we have way, way too many bands following all the rules of their genre, and not enough acts pressing ahead. When I look at my local scene it is clear that the bands who have stayed together a long while, while following the rules of their genre, are the bands who have been most successful. Most of these bands have decent music and are listenable. But its not stuff I want to listen to more than once, or see live more than once. This is the curse of local bands: competent, good at following trends, but not so good that they break out and become emblematic of those trends.

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Innsmouth – Consumed by the Elder Sign (2014)

innsmouth - consumed by the elder sign

Innsmouth play primitive blackened death metal in the vein of Darkthrone‘s A Blaze in the Northern Sky with the addition of several other metal riffing styles to the three chord hardcore Hellhammerisms. Consumed by the Elder Sign attempts to build an atmosphere resembling the terror and corruption of Lovecraftian Elder Gods through atmosphere, production, and samples that often come across as comically charming rather than haunting; cries of hatching star spawn sound like baby dinosaurs from Jurassic Park.

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Plzeňský Prazdroj – Pilsner Urquell

Pilsner Urquell bottle

A short history lesson is in order. Pilsner Urquell is the famous original pale lager. A “Czech Pilsner” is not actually a beer style given that the word pilsner itself is a demonym indicating the beer’s origin in Plzeň. The Czechs do not define their native brews by styles such as lager, India Pale Ale, porter/stout1, and so on but by color and degrees Plato with stronger beers of the same color not simply being the weaker beer “scaled up” but separate styles2. The Plzeňský Prazdroj brewery was founded in the 19th century to brew Bavarian-style lagers  – then mostly dark at the time – but with pale malts pioneered in England and relatively highly-hopped compared to the common Dunkel. Pale lager became the type of beer that was copied around the world, was cost-reduced with adjuncts, and eventually made into the mixed beer and carbonated water soft drink that is Miller Lite with its “Great Pilsner Taste”. Unlike most beers, Pilsner Urquell continued being fermented and lagered in giant wooden vats and barrels into the 1990s when it was privatized and sold to conglamerate SABMiller. The international piss brewers “modernized” the brewery, replaced the wooden vessels with stainless steel tanks, slashed the lagering time to a third, and replaced most of the whole cone hops with hop oils. This review is of the filtered and pasteurized export variety which is a pale imitation of the rare unfiltered and cask versions usually unavailable in the US.

Pilsner Urquell pours a dark shade of gold with a frothy head. Not uric gold but a rich, vaguely ambery shade of gold. The beer smells vaguely of fresh bread and slightly floral, grassy hops. The taste is biscuits and bread interspersed with hints of butterscotch, caramel, and a mildly spicy hop bitterness. Pilsner Urquell is balanced, unlike many of the hop bomb, onions and cat piss craft IPAs best suited to keep teenagers away from drinking in the same way that putting hot sauce on your food will keep the dog from trying to steal it. The beer may be dumbed down by accountants and many of the flavors typical but it’s well made, tastes great, isn’t sour, doesn’t resemble animal piss, and you can easily down a six pack in a couple hours like I did.

Quality: ****/*****
Purchase: ****/*****

1Porter and stout are interchangeable. Despite stout formerly indicating a stronger porter – a “stout porter” -, many breweries that brew beers called by both terms make a porter stronger than their stout.
2Read Ronald Pattinson’s excellent rundown of Czech beer styles on his Shut Up About Barclay Perkins blog. A more comprehensive detailing may be found on his European Beer Guide website.

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